The Reel World

“They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family.”

That is for those who read my Addams Family Double Feature post regarding the Addams Family theme song. Of course that is merely the first verse of the song. Have no fear, as the animated film features the full version. It must be kismet, as I had the privilege of reviewing the animated film so soon after reviewing the double feature, though I suspect that this was by design. It is also kismet that this film comes in time to be part our 31 Nights of Terror. Though this cartoon does not fit the traditional view of what a horror film is, I would argue that the subject matter is more than enough to grant it entry. Featuring a lighter tone than its subject material, this incarnation is an enjoyable experience that can be shared with the whole family, which was my experience as I was able to bring my daughter to the film with me, and I’m happy to say it got her stamp of approval.

“Art is dangerous.”  It’s a quote that has been passed around over the decades, and it’s something I tend to agree with.  Over the weeks building up to the release of the film, there seems to be a manufactured panic about what could happen when Joker releases onto the big screen.  In Aurora, Colorado, they’ve elected to not show the film as a way to not trigger local residents who were involved in the 2012 shooting. This I can understand, considering the shooter did indeed dress as the Joker when he committed his act of violence.  As for other parts of the US, the local police and military have been placed on high alert, all because people are worried about the gun violence and how it may motivate deranged fans to go on shooting sprees.  This obviously is not what the studios or filmmakers ever intended, but it is unfortunately a sign of the times that we are living in.  No one should have to fear going to the movies. The theater for many is the place for audiences to escape for two hours and forget the troubles and the horrors of the real world, and my hope is audiences will be able to do so without violent incidents.

"Sometimes I wish upon a star..."

Sometimes the brightest stars shine for the shortest times. That could certainly be said for Judy Garland. 2019 marks the 80th anniversary of the release of The Wizard Of Oz. There have been plenty of celebrations, but it's fitting that we also use this milestone as a chance to do some tribute to Judy Garland, who as a young girl brought the central character of Dorothy to life for generations of movie fans. It's an entirely appropriate time to offer some empathy to her, and that's exactly why Judy couldn't have come at a better time. It's based on the stage play End Of The Rainbow by Peter Quilter. The film offers us a rather intimate look at a time in the life of the actress just a year before she died from a drug overdose.

”AQUARELA takes audiences on a deeply cinematic journey through the transformative beauty and raw power of water. Captured at a rare 96 frames-per-second, the film is a visceral wake-up call that humans are no match for the sheer force and capricious will of Earth’s most precious element. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the throes of Hurricane Irma to Venezuela’s mighty Angel Falls, water is AQUARELA’s main character, with director Victor Kossakovsky capturing her many personalities in startling cinematic clarity. The film will be shown in theaters at 48 frames-per-second, double the typical 24 frames-per-second, as projectors with the ability to project at 96-frames-per-second are extremely rare today, but when the time comes that the capacity is there, AQUARELA will be one of the first films to be shown at that speed.”

When you turn on the faucet and out comes water, do you really know where it all comes from and how much of it flows on the Earth? Enter the documentary Aquarela, with its lavish cinematography of water in all forms everywhere. The movie was made by Victor Kossakovsky, in which he says that his movie “takes audiences on a deeply cinematic journey through the transformative beauty of the raw power of water.” The film is not a political statement for a cause or even a warning of any kind.

You know a movie’s bad when Brad Pitt isn’t enough to save it. However, where Ad Astra falls down is in execution of story rather than a failure on the part of Mr. Pitt. The premise was interesting: a son follows in the footsteps of his hero astronaut father to learn that his father, who was previously believed to be dead, may be responsible for catastrophic events plaguing the Earth. There is depth to the story, and the idea of human beings colonizing other planets was shown in a truly interesting and realistic manner, but instead of this being the forefront of the film, the story focuses primarily on a emotional journey that never pans out. The film also features a cast of superstars whose performances were little more than cameos. A waste of talent if you ask me. I mean, why put together a cast that includes Tommy Lee Jones, Donald Sutherland, Liv Tyler, and Ruth Negga, just to have their contributions be the length of a commercial. Yes, I know that was an exaggeration, but it just seems wasteful.

"This is a story about control. My control. Control over what I say. Control about what I do."

Hustlers tells the "true" story of a team of strippers who found a way to turn the tables on their Wall Street clients and is based on a New York Magazine article by Jessica Pressler. It promises a pretty good time. I mean, think about it. Wall Street is the stuff of mustache-twirling villains these days. Brokers might have dropped beneath ambulance-chasing lawyers and used car salesmen as the people we love to hate. Throw in some strippers and a clever con that happens to target these modern bad guys, and it sounds like the kind of romp that has something in it for everybody. Well ... maybe not the Wall Street guys who go to the movies, you might say. Did I mention it's got strippers? At first blush the film reminds me a little too much of Paul Verhoeven's infamous Showgirls. The problem is that the shlock value of that film has allowed it to find its place in film history, and so it has survived in all its badness. Will the same be true of Hustlers? Or will it quickly vanish into a sea of obscurity before another couple of years are over? I have to say that I suspect it's the latter. By this time next year, you'll be asking a friend what the name of that stripper film with Jennifer Lopez was last year? Let me know if anyone remembers, won't you?

Whistleblowing is a difficult decision. You are part of an organization, and you believe in that organization. Speaking out against that organization (yes, I know I’m overusing the word) at times can seem like ratting out family. Not to mention the downside. We all say that there will not be reprisal for whistleblowing, but more often than not, there is. However, that doesn’t mean that if you see wrongdoing that you should sit idly by and do nothing. Most believe that inaction is as bad as committing the act yourself. But when the organization you are speaking out against is the United States government, that is another animal entirely. Official Secrets portrays the real-life actions of Katherine Gun, a translator who back in 2003 leaked classified information exposing a conspiracy to facilitate the war against Iraq. Keira Knightly portrays our whistleblower with an all-star cast that includes Matthew Smith, Matthew Goode, Rhys Ifans, and Ralph Fiennes.

“This meeting of the Losers’ Club has officially begun.”

I don’t think I’d be exaggerating by saying It Chapter 2 might be the most highly anticipated horror film in quite some time. Two years ago when the first It hit the cinemas, sure, I expected it to be a hit, but the film went on to be a pop culture sensation.  Pennywise was already well known because of the books by Stephen King but also because of the loyal fan base of the 90’s mini-series.  Debates were heated about which Pennywise was better and more terrifying, while other debates went on about which adaptation was better.  I always felt it was unfair to compare this new version to the mini-series simply because we only had half a film, and now finally this weekend we have the conclusion to the story about our favorite Losers’ Club, only instead of teenagers they are all grown up.  Now that the wait is over, how does this film stack up alongside the first half and the mini-series? Well, I’ll say it’s better than the mini-series but doesn’t quite have the magic of the 2017 film.

Making the film Don’t Let Go a bit of a fantasy works for the target audience.  It reminds me of a few other films that get involved with solving a crime or saving a life by using a time warp.  In this film, however, the excitement mounts, and there’s enough of a twist to make it all come to a thrilling finale. The film opens with the introduction of Ashley Radcliff (Storm Reid), a young teen who has not been picked up by her dad from school. Not connecting on the phone with Garret (Brian Tyree Henry), she calls her Uncle Jack (David Oyelowo), a police detective, to pick her up.  It turns out to be an opportunity for the two to spend some quality time together.  Days later Jack gets a call from his niece, Ashley, that’s very disturbing. Going to her home, he finds dead bodies in the house, one of them his niece.

Sometimes the best stories are those that take us on either a wonderful emotional journey or an actual quest of discovery. It's a rare film that offers both. At its heart, The Peanut Butter Falcon truly can't decide which of these paths it's really following. And that turns out to be one of its strongest elements. Part feel-good buddy film, part road picture, Peanut Butter Falcon is all heart. It's no surprise that the very creation of the movie took a rather unusual route to the big screen. Writer/Directors Tyler Nilson and Michael Schwartz did begin in the traditional way to develop their story. It was a genesis of inspiration that kindled the spark that would become a film. The film's star is an endearing young man named Zack Gottsagen. He was born with Down Syndrome and has long had a dream of becoming an actor. That's not an easy dream for anyone to fulfill, but Zack was determined, and fate brought him together with the filmmaking duo. His passion touched them to the point of wanting to make Zack's dream come true.