The Reel World

When a disease begins targeting and killing children, you fear the future of the generation. However, when the children who survive develop dangerous abilities, you fear for yourself. That is the situation that Ruby Daly finds herself in. To compound her issues, not only does she have powers that she can’t control, but among the powerful, her abilities are among the rarest and strongest. Amandla Stenberg stars in this film based on a young adult novel series. Anyone else sensing a franchise in works? Unfortunately, despite the vacuum let behind by Twilight, Hunger Games (which our star was a part of), and the recently ended Maze Runner, I’m not so sure that The Darkest Minds will be the vehicle to fill the gap. Overall it was a solid opening, but I left the film with more than a few unanswered questions.

Ruby Daly is ten years old when her life changes forever. A disease that targets children ravishes the world, killing a large percentage of the world’s children. Those who survive the disease develop abilities varying from enhanced intelligence to mind control. Fearing the threat, the government locks away the children. Ruby is one of those children. Classified by color (Green, Blue, Gold, Red, and Orange, with Orange considered the most dangerous and are to executed on sight), Ruby is the most rarest and considered the most dangerous, so she hides in plain sight and in constant fear. Until she is freed by a group looking to exploit her abilities. Mistrusting her would-be saviors, she runs away and happens upon a group of children who have escaped a similar circumstance.

"Your mission should you decide to accept it. Isn't that the thing?"

And that has been the thing. Since 1966 Mission Impossible has plotted out nine seasons of television and six movies, thrusting Tom Cruise into an action hero icon. Cruise and company have taken their time with these films. It's been over 20 years, and we're only on the sixth entry. For the first five films, each of the Missions have been directed by a different director, from John Woo, who directed the second and worst of the films, through J.J. Abrams, who turned the ship around with the third, which was also his first feature film, to Christopher McQuarrie, who becomes the first director to repeat in the series of films. In fact, McQuarrie has become quite the Tom Cruise collaborator these days, also directing his Jack Reacher film and writing his version of The Mummy. Mission Impossible: Rogue Nation and now Fallout offer a nice apology for the train wreck ... or was that a plane wreck ... that was The Mummy. The fact remains that this is the one rare franchise that appears to be getting better with each outing.

A cool little film with a lot of mixed messages, Eighth Grade tells the story of a young girl entering her teenage years. Nicely acted and directed, the movie works on the heartstrings and leaves you with a feel-good sentiment. If you can remember the years when your next step would be high school, you may be surprised by the film that very little has changed. There’s one more week of eighth  grade, and Kayla Day (Elise Fisher) finds herself full of angst mixed with hope as she deals with what she leaves behind and looks forward. A lot is taking place including her last band practice, Kennedy’s birthday swim party, and upcoming High School Shadowing Day.  It’s also the announcement of class superlatives that precedes graduation day.

But all that means less to her because she’s totally immersed in her YouTube blog and hoping that her viewers are listening. Her topics are solid recommendations and include the most important of them all, “Being Yourself.”  While she preaches as if she does things her blogs advise, she’s often too shy to live them herself, like “Putting yourself out there” and “How to be confident”.  What does affect her are a want to be noticed for who she is, getting a boyfriend, and having a perfect person to shadow with at the upcoming High School Shadowing Day.

As the summer winds down from the season's requisite anchor film blockbusters, there will be increasing room for a few independent films that will make their way from the festival circuit to fill the newly vacated screens at your local multiplex. For some it will be to attain eligibility for the year-end award season. For others it will be a short window to turn a profit from what was conceived more as a work of art. For others it's a chance to become a sleeper hit. And for others yet, it's an opportunity to deliver a social message on the larger soapbox of the big screens. Blindspotting appears to be on the cusp of all of these things. But perhaps it comes a little early for any awards consideration and at a time where it is still competing with the mega-films of the summer. There's no doubt that the film attempts to hit us with a message, but it falls just short of that accomplishment. Blindspotting works best as a character study, and it's in that mode that the film almost approaches compelling.

As the film begins we meet Collin, played by Daveed Digs. He's been in prison for severely beating a man at a club, and now he's just days away from probation. His probation will last a year, where he'll stay at a halfway house, work a job, and attempt to follow some simple rules that he doesn't quite make. We jump forward, and he's on his last three days of probation.  But his biggest problem getting through them will be his relationship with long-time friend Miles, played by Rafael Casal. Miles hasn't had the sobering experience of prison and is still too wild to keep Collin out of trouble. But Collin is torn between his loyalty to his close friend and wanting to turn his own life around. It doesn't help that in the short time he was in prison his neighborhood has begun to fall to gentrification, and he's starting to feel alienated from his own life. Of course, he spends too much time with Miles. They work as partners for a moving company and spend most of their off hours together. Collin is starting to realize the harm the relationship is doing, but he might not be able to pull himself away before it ruins his second chance.

Dwayne Johnson appears to be a pretty busy guy. In addition to the HBO series Ballers about to enter its fourth season, Johnson puts out a couple or more films a year. We're not talking about small independent films, but rather huge high-budget and big f/x films. Next year will see Jungle Cruise and Jumanji 2,  following with San Andreas 2, Suicide Squad 2, Black Adam and a remake of Big Trouble In Little China, all arriving in the next couple of years. This year saw Rampage, which comes to home video next week. It's a busy life for Dwayne Johnson, who appears to have dropped "The Rock" from his name. I sure hope it didn't hit anyone on the head. Now he's starring in Skyscraper, which shamelessly combines elements of Die Hard and The Towering Inferno. In Skyscraper, Johnson shows us that he's intent on hanging around for a while... this time from 220 stories high.

This time around Johnson plays Will Sawyer, who used to be a SWAT team member until his last mission turned on a bad call and left him badly burned and with a missing leg. 10 years later he's recovered from the burns and is married with two kids to the nurse who took care of him back when he was injured, played by Neve Campbell. He runs his own security company and is about to get the biggest break of his second life. Another injured member of his old team, Ben (Schreiber) works for a wealthy Hong Kong building designer and gets Will the coveted job of certifying the building’s security and safety protocols for the insurance underwriters. He's just about to finish the job when he discovers there might be some grudges from his bad call, and there are absolutely some grudges against billionaire builder Zhaoa Long Ji (Han), and some nasty players have used him to disable the fire supressant system and set fire to the 96th floor. It's not just his honor at stake now. He's been framed as the culprit, and his family is still in the building.

In 2010 there was a little film called Winter’s Bone that came out; it didn’t make a splash at the box office, but it was one of the critical darlings of that year.  For many it was the first time people got to see Jennifer Lawrence on screen, and it’s safe to say it is because of that film she is the star that she is today.  I remember first seeing Winter’s Bone and being so floored by the film I immediately watched it again, and I had to know who it was that had directed the film. Debra Granik was the woman responsible for the film. It was a name I had never heard before, but it was one I’d be on the lookout for in the following years. Though she did a documentary between projects, it seems the wait is finally over as Leave No Trace is about to hit the big screen.

Will (Ben Foster) and Tom (Thomasin Harcourt McKenzie) are father and daughter who are living off the grid in a park on the outskirts of Portland, Oregon.  When we first meet the pair we get a glimpse into their day-to-day life as they forage for food and practice hiding in their environment.  It’s in these opening scenes we get to see the happiness these two share while living in this beautiful, lush, green sanctuary, and we can almost understand why someone would want to choose this lifestyle.  Whenever the pair is in need of supplies they trek back into the city, where Will stops off at the VA  hospital for his check up and receives his medication.  Will turns around and sells his pills to nearby homeless veterans, and with that money he buys groceries and supplies with his daughter.  It may not be a perfect life, but it’s clear that Will and Tom are happy with how things are.

So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot of box office will be out of reach for it, though.

The movie is centered around Cassius Green (Lakeith Stanfield, Straight Outta Compton), a directionless young man who has yet to find something that matters to him. He lives in his uncle’s garage, and he is struggling to find work.  Needless to say, he does not have a lot of hope, with the exception of his girlfriend, Detroit (Tessa Thompson, Creed), a talented artist and revolutionary who brings sunshine into our lead’s otherwise dreary world.  Eventually he finds work as a telemarketer, but he has trouble keeping his customers on the line. You all should understand; what is your number-one response when someone tries to sell you something? It is only when he receives a tip from a co-worker to use his “white voice” that things begin to turn around for him. Suddenly, he begins to rack up sells left and right, causing him to quickly rise through the hierarchy of the company.

Earlier this summer, the Marvel Cinematic Universe was turned upside down in a snap. Avengers: Infinity War was the culmination of 10 years worth of origin stories and world-building. That blockbuster featured (almost) every MCU hero in the galaxy, universe-spanning stakes, and an unforgettable cliffhanger. So you can excuse Marvel for scaling things back (waaaaay back) with its next entry. Of course, any superhero flick that came immediately after Infinity War was going to feel small by comparison, so who better to take on that task than the tiniest hero of them all?

So...how long have you been Ant-Man again?”

“This is the greatest s--- show on Earth!”

The First Purge arrives in theaters a little more than five years after the (lowercase) first Purge rampaged into moviegoers’ consciousness as a nasty bit of R-rated, summer blockbuster counterprogramming. The movies are obviously quite popular, but I’ve never felt that any of them fully lived up to the killer concept at the center of this franchise. Unfortunately, that still holds true for The First Purge, which had a chance to deviate from the established formula in a variety of interesting ways, but ends up playing a lot like The First Three Purges.

"Do you remember the first time you saw a dinosaur?"

By the time you get to the fourth sequel of a film the results are usually not very good. Even a groundbreaking film like Jurassic Park has been followed by at least one terrible sequel. The problem with these kinds of things is pretty easy to figure out. You can't please all of any film's diehard fans, and it's hard to continue to deliver on the formula's expectations, all the while breaking new ground without the result feeling more contrived than original. That's certainly all been true of this franchise. When Jurassic World set all kinds of box office records three years ago, it appeared that those entrusted with this franchise had found a way to turn it around. Now the expectations have jumped even higher. There appears no place to go but down, and for the first hour of Jurassic World: Fallen Kingdom that's exactly what appeared was going to happen. But then somewhere around the third act, the film took a turn that suddenly sent the franchise into an entirely new genre. The last third of Fallen Kingdom accomplishes something that should have always been where this whole ride headed. Fallen Kingdom is a rehash of the previous films in many ways. There are the iconic poses and the regurgitated scenes. But before the credits start to roll on this one, it becomes something terribly wonderful. It is genuinely scary. Now certainly the previous films had some scary moments. There was some of it in the first film's kitchen chase. But for all of its scares, it was really just more dinosaurs chasing people. Now, don't get me wrong. I'm really cool with that, but been there, seen that. You see, Fallen Kingdom takes that fright to an entirely new level. Science fiction and horror haven't combined this well since Alien.