Posted in: The Reel World by Gino Sassani on May 24th, 2018
"A long time ago in a galaxy far far away..."
Yes, those lines open this Star Wars story, because the filmmakers want to be sure you know what you're watching. This is Star Wars. Just in case there was anyone at all in the audience who had no idea they just bought a ticket to Star Wars. If he were dead, George Lucas would be rolling over in his grave. Instead, maybe he's just having some restless nights with little sleep. It is Star Wars. And that means there will be a droid as a main character, space battles, and some good old fashioned one-reel-serial-days adventure.
Posted in: The Reel World by Gino Sassani on May 17th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes
Posted in: The Reel World by John Delia on May 14th, 2018
It’s an actioner with good special effects, and the setting for the flick is outstanding, but Breaking In is just another robbery-gone-bad film at the hands of a very upset mother. Much like Kidnap where Halle Berry goes berserk because her son gets taken when her car is stolen, here Gabrielle Union turns into a determined killer mom to get her children free from robbers. Unfortunately there’ve been several movies with a similar plot, but in case you haven’t seen one, this movie should keep you on your toes.
Posted in: The Reel World by Jeremy Butler on May 13th, 2018
This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.
Posted in: The Reel World by Gino Sassani on May 6th, 2018
"Goodtime Charlie's got the blues."
Every once and again a film comes along that you can't quite find the right label to describe. It doesn't want to fit in any particular genre or category. Andrew Haigh appears to be the kind of director who thrives on that kind of a film. He received a well-deserved Oscar nomination for 45 Years, and while I don't expect there will be any Oscar notice for Lean On Pete, it's the kind of film that deserves more attention than it's likely to get, including at the box office.
Posted in: The Reel World by Gino Sassani on April 26th, 2018
"Thanos Is Coming..."
Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standard-bearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film. It ends with huge elements left up in the air, but at least we'll only have to wait a year for its resolution.
Posted in: The Reel World by Brent Lorentson on April 22nd, 2018
I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time. Sure I know many will disagree with me, and that’s fine. Since I first saw their film back in 2002 when I got the DVD I was always excited to see what would come next from the Broken Lizard comedy troop. There was Club Dread which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen. The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends and when I hear that someone has managed to go all these years without experiencing the film it’s something I feel the need to remedy immediately.
Posted in: The Reel World by John Delia on April 16th, 2018
Captivating, creepy, and chilling, the supernatural thriller Truth or Dare takes you on a never-ending journey of death. Much like other horror films that have perfected the formula for surprise and contagious emotional terror, this film has it all bundled tightly and calculating to transfix the audience into believing. If you saw the films It Follows, The Ring, and the Final Destination series, you’ll relive the sensations those films made way beyond leaving the theater.
Posted in: The Reel World by Gino Sassani on April 13th, 2018
Brad Anderson is a television actor who has puttered around that industry going back to David Simon's Homicide: Life On The Streets and The Wire. This is pretty much his first feature film opportunity in the director's chair, and Beirut certainly shows that he has a lot of talent... as a television director. No question the chops are there, but the framing and pacing of Beirut suffers from a kind of small thinking that fails to keep one's attention for very long. He hasn't learned how to take advantage of large set pieces and exotic locations to expand the experience for his audience. Some will believe I'm talking about action or the kind of cheap thrills that sell tickets, but that's not exactly my point.
Posted in: The Reel World by John Delia on April 13th, 2018
Bold and incredibly compelling, the movie Chappaquiddick is a “tell all” with a lot of authority. Much like last year’s The Post, it tells its story pulling no punches, playing out the characters and holding nothing back. Although I’m familiar with the incident, many of the facts were clouded, squashed, or lost due to current events at the time. If you liked The Post, then here’s a film that will enlighten you and make you cringe. In 1969 about one year after the assassination of Robert F. Kennedy while he was touring for votes to be nominated for President, his brother Ted Kennedy (Jason Clarke) was already thinking about his chance at the highest position in America. On the fateful night of July 18, however, things ran amok, taking him out of any chance for the Presidency.