Posted in: The Reel World by Gino Sassani on May 3rd, 2012
"People might just need a little old fashioned."
It goes back to the 1960's and 1970's, considered by many to be the Second Golden Age of Comics. That's when Stan Lee and Jack Kirby joined forces to make Marvel the dominating face in comic books. They did it by making their heroes people we could identify with. These superheroes were often flawed and in conflict with themselves and each other. But they still always got the bad guy and saved the day. I was one of those kids. Comics were a huge part of my life, and they delivered excitement and escapism long before there were video games and home theaters. It's been a long time since I've felt that kind of excitement. For two and a half hours, The Avengers made me feel like that all over again. This review isn't being written by the adult who usually writes in these pages. Today I'm a 15-year-old boy who isn't thinking about bad economies or cutthroat politics. Today I'm just smiling, and Joss Whedon and The Avengers is the reason.
Posted in: The Reel World by M. W. Phillips on April 27th, 2012
“What cannot be disputed is your imagination is the inspiration of a horrendous crime.”
The Raven may not be a turkey, but it doesn’t really soar either. Director James McTeigue (V for Vendetta) attempts to fashion a historical fiction around the mysterious final five days of Edgar Allen Poe’s life. A notorious drunk and opium addict, Poe (John Cusack) careens through 19th century Baltimore dead broke, bitter from years of writers block, and harassed by the locals for being a blustering has-been. Due to a distinct lack of social sympathy, he can’t even borrow money for a single drink, which forces him into an involuntary sobriety. At the same time, a rash of murders inspired from the pages of his darkest fiction terrorize the city, and he is called in by Detective Fields (Luke Evans) to assist in the investigation.
Posted in: The Reel World by J C on April 20th, 2012
More than any other genre — except maybe "M. Night Shyamalan movies" — romantic comedies really take a beating. We've all heard the complaints: "They're safe." "They're predictable." "The apartments are unrealistically amazing." "They all star Jennifer Aniston or Katherine Heigl." Of course, these complaints also double as the reasons why lots of people love them. (Ok, maybe not so much the part about Aniston and Heigl.) Either way, I think we can all agree that rom-coms as a whole could benefit from some sort of fresh twist or wrinkle. Think Like a Man, despite the efforts of a likable cast, is not here to provide that freshness.
In fact, the sweaty indoor gym where the male characters routinely meet to play basketball probably gives off a fresher smell than this movie. Unfortunately, this was obvious from the instant the movie started. (I wish there had been a place where I could bet the movie would kick off with James Brown's "It's a Man's Man's Man's World." I could've made some easy cash.)
Posted in: The Reel World by Gino Sassani on March 30th, 2012
"You've got to control your fear."
It appears that Greek mythology has become the fodder for a ton of movies of late. From young adult films to the hardcore action movies, audiences are getting their fill of the familiar gods and beasts from mythology lore. Some are calling it a trend or hot phase, like vampires and robots. Whatever it is, it isn't a phase, and it isn't merely passing through.
Posted in: The Reel World by J C on March 25th, 2012
As someone who devoured The Hunger Games during a single marathon sitting a week before the movie's release, I was particularly curious and excited to see Suzanne Collins' best seller get the big-screen treatment. Judging by all the Team Peeta devotees and side-braid-sporting, would-be Katnisses — who had certainly been waiting for the movie a lot longer than I had — at my opening night screening, I was far from the only one. (The record-breaking box office was another clue.) Still, in a theater packed with rabid superfans, and with a beloved property making its much-anticipated jump onto the silver screen, the question of whether or not the movie is actually any good can often seem somewhat beside the point.
In case you've been living under a rock — or were buried in a District 12 mine explosion — The Hunger Games is set in the nation of Panem, what's left of North America after an unspecified apocalyptic event in the future. Panem consists of the wealthy, oppressive Capitol and its 12 surrounding districts. Every year, each district must send one boy and one girl — ages 12 to 18, and known as "tributes" — to compete in the Hunger Games, a televised battle to the death meant to re-establish the Capitol's dominance over the rest of the nation.
Posted in: The Reel World by M. W. Phillips on March 9th, 2012
“When I saw you, I believed it was a sign... that something new can come into this world.”
John Carter first appeared in Edgar Rice Burroughs' Barsoom magazine serial nearly a century ago in 1912. The science fiction pioneering Carter stories captured the imagination of masses and inspired countless authors and directors. For example, George Lucas himself has stated there would be no Star Wars without John Carter of Mars. It took nearly a century to get it to screen and in time countless others have mined the series for inspiration. The result is a massive “been there done that” experience.
Posted in: The Reel World by M. W. Phillips on March 2nd, 2012
“This party is gonna change everything for us.”
Somewhere a chimp hugs his VHS copy of 1987’s Project X and cries in outrage that this wasn’t a remake ala Rise of the Planet of the Apes (this movie’s age demographic won’t even get that reference). Even feral monkeys would be outraged by the wild behavior exhibited in 2012’s Project X, and that is kind of the point. Brought to us by Producer Todd Phillips (The Hangover) and shot as found footage by first time director Nima Nourizadeh, Project X celebrates excess and debauchery in a fashion that would bring a smile to Caligula’s lips… and it does all with underage kids!
Posted in: The Reel World by Gino Sassani on March 2nd, 2012
Dr. Seuss and his cast of strange and wonderful characters have been around since before I was born. The first book I ever read by myself was Green Eggs And Ham, and I can remember the experience quite vividly still. Each Christmas I run the 1960's Boris Karloff version of The Grinch Who Stole Christmas. It's been a tradition at the Sassani household for decades. It started with television broadcast that led to videotaped copy which found its way to a laserdisc, followed by a DVD and now a beautiful Blu-ray from the folks at Warner. If these things don't qualify me as a bonafide fan of the good Doctor, I'm not sure what else will.
Mankind has lost touch with the Earth's environment and now lives in sterile cities where there is no longer any nature at all. Few can even remember what a tree looked like. The natural resources were completely consumed to make products so that now trees are inflatable fixtures in the neighborhood. In order to impress a girl who has fantasies about real trees, Ted (Efron) leaves the safety of the city to track down the Once-ler (Helms) who is rumored to know what happened to the trees. The Once-ler tells a cautionary tale of how he was responsible for the extinction of the trees in spite of the warnings of their protector, the Lorax (DeVito).
Posted in: The Reel World by Gino Sassani on February 24th, 2012
"In valor there is hope"
It would be easy to dismiss Act Of Valor as either a recruiting tool piece of propaganda or yet another in an endless line of war films attempting to capture some form of authenticity. It would be easy, if you haven't seen the film. I can promise you that no matter what your views on war or the military in general, the one thing you simply won't be able to do is dismiss Act Of Valor.
Posted in: The Reel World by Gino Sassani on February 10th, 2012
"Remember rule number one: You are responsible for your house guest. I'm your house guest."
I know a few ladies out there, and maybe even a few guys, who wouldn't mind it at all if Denzel Washington were their houseguest. But for Ryan Reynolds and the rest of the cast of Safe House, Denzel is going to be more than a handful of trouble. It's the latest in the prolific career for Denzel Washington, who continues to find new ways to reinvent himself on the screen. From the historic Malcolm X to time-traveling detective, he's never really settled into any single kind of movie or genre. In Safe House he takes on the role of action hero or villain; the area's a little gray. He's been in high-powered films before, but I'd say this is the most butt-kicking you've ever seen from the talented veteran actor.