Regular Columns

The horror film’s energy seems to move in cyclical patterns from country to country. At different points of the genre’s history, the best work tends to cluster geographically. I admit that my evidence for this is rather anecdotal, but let’s look at the patterns.

France is where it all begins, with Georges Méliès creating the first horror movies in 1896. The genre is, admittedly, in very embryonic form at this stage, but in the early years of the 20th Century, this is where the action is. The American film i…
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Before anything else, some housecleaning. In my piece on BluRay and HD-DVD some time ago, I quoted Video Watchdog as saying the BluRay machines would not be backwards compatible. This has turned out, of course, to be inaccurate. Video Watchdog printed its correction, and I now follow suit.

Right, then. So, after a disappointing opening at the box office, the first reports about how Grindhouse will appear on DVD have surfaced, and that’s all the excuse I need to talk about the film again…
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So Grindhouse is upon us, and fans of exploitation cinema everywhere are no doubt bathing in the warm glow of nostalgia for bygone sleaze and spooky cinemas many of us were too young to enter, but that nevertheless were surrounded by an aura of forbidden fascination. Here in Winnipeg, I remember, in my formative years as a film fan, being simultaneously frightened and attracted by the ad campaigns for movies playing at the likes of the Downtown and the Eve. The era has passed, of course, never to return, but t…
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In theatres now (and no doubt hitting DVD before long) is the Korean film The Host. It’s been a long time since we’ve had a monster movie this good, and even longer since we’ve had one with this much depth.

Any text, of course, has its subtext, and this is as true of giant monster movies as any other work of art. But some films are much more a much richer subtext than others, partly because the filmmakers were quite deliberate in seeing their monsters in a metaphorical or symbolic light. Though the e…
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A tale of three films. One is original. One is its remake. One is a cash-in. And the latter is the one that became a classic.

In 1975, a big-budget SF effort by Norman Jewison hit the theatres with much publicity. This was Rollerball. In a future world with no wars, and everything is controlled by corporations, human aggression is channeled through the titular, extremely violent game. The game has been designed to be such that becoming good at it is impossible, and thus there are no heroes, and the f…
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Gosh, I don’t know if today’s subject counts as cult movies. These are genre films, though. And they’re old.

Really old.

They’re the first.

Horror, fantasy and SF in film effectively owe their existence to one man: Georges Méliès. A stage magician, he attended one of the first shows the Lumière brothers put on with their cinematograph, and was intrigued by the device’s commercial possibilities. Come 1896, he was making his own movies. He built a movie a studio, and here I let Denis Giffo…
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There’s exploitation, and there’s exploitation. And then there’s nunsploitation. There are few forms more unabashedly interested in the full-on sleaze wallow, with the possible exception of the nunsploitation film’s close cousin, the Women In Prison (WIP) flick. As ever, this is less a survey (there’s an entire book on the subject out there), more some semi-random musings.

Sleazy as the form gets, its roots are relatively serious in nature (but then, the same is true of the WIP). One of the pioneering works…
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I always have the distinct feeling, when writing this column, of shipping coals to Newcastle, but I haven’t let that stop me yet, so onward. Today, boys and girls, a few reading recommendations. I trust that most of you are capable of using Google and tracking down your favourite cult movie sites, so I thought I’d point, instead, to a few magazines. Print ones. The kind you hold in your hand. Gasp.

Let’s get the conflict of interest portion over with first. Don’t let the fact that I also write for The Ph…
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The cult film collector will often have a rather divided personality when it comes to DVD editions of desired movies. On the one hand, perfection is ardently sought – no better example of this can be seen than the down-to-the-very-last-frame detail of the reviews in Video Watchdog. In a perfect world, all movies would be released by Criterion.

On the other hand, down that road lies both madness and bankruptcy. And the fact of the matter is that many films, particularly of the B-level (or lower) from …
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