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"On Robben Island, in Pollsmoor Prison, all of my jailers were Afrikaners. For 27 years I studied them. I learned their language. Read their books, their poetry. I had to know my enemy before I could prevail against them. And we did prevail, did we not?"

Leave it to Clint Eastwood to make even rugby look interesting. Of course, Eastwood himself would correct me and observe that Invictus isn't really about rugby. As the words of Nelson Mandela above suggest, this movie wasn't really about rugby at all.

For most of this last decade Mel Gibson might as well have vanished from the face of the planet. The once extremely popular actor had charmed the world. Women found his childish grin to be irresistibly sexy, and men bought into the “kick ass and crack a joke” style that made the Lethal Weapon films such a romp of fun. But lately, you expect him to be the subject of a “Where Are They Now” segment from a late show on television. It's no secret why Gibson climbed so quickly out of the public eye. I'm sure everyone still remembers the drunk-driving arrest where Gibson compounded his already serious case of bad judgment with even worse judgment.

A short time ago I had the unexpected pleasure of watching and then reviewing Tyler Perry's I Can Do Bad All By Myself. I say unexpected, because I was looking for the typical Madea antics and ended up drawn into a compelling gospel musical that was inspirational and entertaining without ever feeling like I was sitting in mass listening to a long homily. Now I've just had the opportunity to see Stan Foster's The Preacher's Kid. There's no doubt that Foster has been inspired by the Black Theater productions of guys like Perry.

In many ways the epic story and film Doctor Zhivago echoes the real-life story of Boris Pasternak, who penned the original novel. Pasternak was a firsthand witness to the events that led to and became the Russian Revolution. He collected 50 years of memories that began with the early days before the revolution and ended with his own confrontations with the USSR government. Like Zhivago in the story, Pasternak's work was banned in his own country. The manuscript had to be smuggled out of Russia and found its way first to Italy, where it was finally published for the first time. But it didn't stop there.

"Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones, and shag carpets. Of a kaleidoscope of underwater life. Now go explore it."

Jim Carrey narrates this IMAX experience that takes you deep under the ocean. The film focuses on five particular locations: New Britain and Milne Bay (both in New Guinea), South Australia, the Great Barrier Reef, and Indonesia. Because this was filmed with IMAX equipment and presented here in high definition, you can expect a pretty spectacular ride on this one.

"It's New Year's Eve on the Poseidon. Partying voyagers toast the future. The future comes in a rush; a 150 foot rogue wave flips the cruise ship over. And a struggle to survive begins."

Poseidon doesn’t waste any time getting to the action, so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc…). But we don’t watch movies like Poseidon for character exposition, do we?

"The year is 208 AD. After 30 years of civil war, a deathly calm has fallen over northern China. One by one the rebel warlords have met their end under the sword of Prime Minister Cao Cao. Now even the Emperor bows before his power. Yet, from the south a challenge is heard. Two leaders rise against Cao Cao's tyranny. The aging Liu Bei and the inexperienced Sun Quam. So Cao Cao petitions the Emperor to brand these men as traitors and declare a new war against the peaceful southlands."

And so the stage is set for John Woo's enormous epic Red Cliff. The scale of this film is simply one that must been experienced to quite understand. It has the grandeur of any of the largest films in Hollywood's history

"Perseus and Andromeda will be happy together. Have fine sons... rule wisely... And to perpetuate the story of his courage, I command that from henceforth, he will be set among the stars and constellations. He, Perseus, the lovely Andromeda, the noble Pegasus, and even the vain Cassiopeia. Let the stars be named after then forever. As long as man shall walk the Earth and search the night sky in wonder, they will remember the courage of Perseus forever. Even if we, the gods, are abandoned or forgotten, the stars will never fade. Never. They will burn till the end of the time."

Talk about your perfect storm.

"There are many among us who in the past closed their eyes to the events of war, because they believed that what was taking place in Europe was none of our business. That we could maintain our physical safety by retiring within our continental boundaries. Obviously, a defense policy based on that is merely to invite future attacks. For those who would not admit the possibility of the approaching storm, the past weeks have meant a shattering of past illusions."

No, that quote wasn't George W. Bush. It was Franklin D. Roosevelt on May 26th, 1941.

"There are stories a river can tell. And truths it cannot hide. There are ways it brings us together that we may never see, connecting us with places never suspected. Places like fear, like betrayal, like murder."

One thing you have to say for Clint Eastwood. In his later years as a director and producer of films, maybe from Unforgiven onward, he has selected some of the most compelling stories for his film projects. You get the sense that he hasn't been in this for the money in a long time. You easily believe that he doesn't make a film unless it reaches him completely and deeply.