Day 1 Studio’s produced one of the most anticipated games associated with the early days of the X-Box; MechAssault. This original game captured gamers with in depth gameplay, excellent visuals and great sound. What’s not to like about jumping in a 40 ton carnage dealing machine and blowing up everything in sight? The only drawback to the first one was a lack of multiple modes of online play. Day 1 has returned with the sequel to the highly successful MechAssault with MechAssault 2: Lone Wolf and ...ives the fans everything that they asked for. Let the online devastation begin!

Gameplay

No, this is not the NBC series from the mid-90’s starring Rob Schneider. This is the original UK show. All 12 episodes from the first two seasons are available here on 2 discs. In fact, it’s not just a two disc set, but two completely separate releases packaged together.

At first, I was a little surprised that this mediocre show lasted for six full seasons. I changed my mind, however, when I thought about such American staples as Family Matters and Boy Meets World. They are not great monuments...to television excellence, but they are not horrible either. They are earmarked by middle-of-the-road humor, average plot lines and nothing too offensive.

Fox Home Entertainment will release the collector's edition of Man on Fire on May 24th. This 2-disc set will be presented in a 2.40:1 anamorphic widescreen trnasfer, along with both English Dolby Digital 5.1 & DTS audio tracks. Extras will include two audio commentaries (the first by Director Tony Scott; the second by Lucas Foster, Brian Helgeland and Dakota Fanning), fifteen deleted scenes (including an alternate ending), a seventy-two minute documentary entitled "Vengeance is Mine: Reinventing Man on Fi...e", a "Pita's Abduction" multi-angle sequence, a "Oye Como Va" music video by Kinky, Tony Scott Storyboards for “Pita’s Abduction”, a photo gallery and Man On Fire TV spots.

I don’t remember hearing anything about Heat when it was coming out, but once I saw who was in it, I was hooked. With Al Pacino’s 8 Oscar nominations (with 1 award) and Robert DeNiro’s 6 nominations (and 2 awards), the two have had quintessential acting performances over the past 30 years, and the impact they have had on cinema speaks for itself.

The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tr...cking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew. What also helps to differentiate this from a usual cops and robbers movie are the secondary plotlines of the families involved. Pacino’s is clearly distant and breaking (played by Diane Venora and Natalie Portman), while DeNiro doesn’t have one to speak of, despite an emerging romance with Edy (Amy Brenneman, Judging Amy). At 3 hours, there are some unnecessary scenes involving a banker (played by William Fichtner), but the underlying message is that almost all of the actions in the movie do not involve just the primary characters, but also friends and loved ones of those characters. Kilmer’s wife in the film, played by Ashley Judd, desperately wants to get him out of his line of work, as she wants to start a new life for her family. An ex-con (Dennis Haysbert, 24) is stumbled upon working in a greasy spoon, and offered a chance to work by DeNiro. Haysbert’s character wants to be right, but runs into so many obstacles from it that he takes the job, only to wind up perishing in what results in a massive gunfight in the heart of Los Angeles while a bank robbery is being pulled.

It’s hard to imagine that just 10 years ago Steven Bochco stirred up a hornet’s nest with the introduction of NYPD Blue. I say hard to imagine because after just three seasons The Shield has taken commercial TV to heights unimagined by anyone 10 years ago. Vic Mackey doesn’t just rough up suspects. He controls the streets he patrols. He’s not even above killing another cop to keep his thumb on crime in the Barrio district of L.A. Michael Chiklis, once known as the fatherly kind cop on The Commish, has t...tally sold us on this almost irredeemable renegade.

While F/X is a cable network, it still relies on the same advertising spots that the other networks depend on as their lifeblood. Unlike HBO or Showtime, F/X must also comply with stricter guidelines for decency. The Shield pushes that envelope to the very edge. Cinematography is gritty and often documentary in style. The music is harsh. The stories are extremely tight. Not a minute is wasted on superfluous trivia. This show grabs you in the first minute and reluctantly lets you go in the closing credits, only to lie in wait with another compelling episode to begin the cycle again.

Alice Through the Looking Glass is a 1998 television version of the Lewis Carroll classic. Now this is NOT Alice's Adventures in Wonderland. Looking Glassis Carroll's lesser known follow up. There's no mad hatter or chasing white rabbits. But there are white queens, talking insects, and discussions of the Jabberwocky. This is a fairly faithful adaptation.

The story is simple. Alice, through her magic mirror, enters Carroll's world of dream logic and nonsense. Kate Beckinsale (re...ently seen in The Aviator) makes a wonderful Alice. Obviously, Beckinsale is considerably older than Carroll's literary heroine, but she pulls off the role handily with a mix of charm and curiousity. There are also notable supporting performances, Ian Holm is great in anything. The story is told almost entirely through dialogue, and the surreal, nonsensical language might make for a tough sitting with kids. However, sooner or later, every child must come into contact with Lewis Carroll's classic story. This DVD might be a good introduction, but the Walt Disney Alicemight be more of a sure bet.

Jeremyis an early 70's film that put Robby Benson on the map (for what that's worth). Benson was nominated for a Golden Globe for his tender performance as the title character. This is quite an intimate little perforance. Glynnis O'Connor plays Jeremy's love interest, Susan. O'Connor matches Benson's truthful performance. The film centers around Susan and Jeremy's awkward, but authentic, teenage romance.

The film moves along at a snail's pace. But that's part of the point. There are no major Romeo...and Juliet type melodramatics. The director, Arthur Barron, introduces a lot of hand-held camera work and non-conventional set-ups. The result has a documentary type feel. The trouble with Jeremy is that it's caught between telling a good story and maintaining a cinema verite style. The results are lukewarm, but always interesting.