"It wasn't a dream; at least that's what I believe. The thing is I felt hurt and plenty sad, and there were times when I thought I couldn't go on. But I know I'm not the only one suffering. I want to protect everyone's future. I need to keep pushing forward. I feel that more every day."

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman who started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.

"I'm not a bad guy. I just made bad choices. I have a plan." 

Derek Cianfrance doesn't have a lot of movies in the director's chair, but his 2012 The Place Beyond The Pines was a pretty solid film. Since then he's been pretty quiet, and he's finally surfaced once again with the rather off-kilter "based on a true story" crime comic drama Roofman. he's brought Channing Tatum, Kirsten Dunst, and Peter Dinklage along for the ride. It's been something of a sleeper, coming with little advanced buzz and flying under the radar. There's not a lot of competition out there right now, so there's a small sweet spot here where the movie can make an impact, and it's worth a look while you wait for your favorite horror film to haunt your Halloween movie-going.

"There are no industry secrets. We can always meet our life partner out in the wild or swiping on apps, but the happy ending to a first date is not the second date. It's changing each other's diapers and burying each other. You're looking for a nursing home partner and a grave buddy. Who our partner is, it determines our whole life and how we live not for one, two, ten years, but forever." 

Celine Song delivers her second feature film from the director's chair. She returns to basically the same themes of a woman trying to decide her romantic destiny between two men, but this isn't the same film as Past Lives. Materialists is a much more serious film, while still playing in the same gene pool as the rom-com. I don't think you'll find yourself laughing in this one, and it's a rather clever way of presenting those same themes and ideas. In Materialists, we're introduced to romance being distilled down to a mathematical equation. I expect that's not very clever, as computerized dating has been around since the 70's, but Song attempts to put more of a human element into those equations. It's AI without the AI. Marvel fans will appreciate that the three leads here are Chris Evans (Captain America), Pedro Pascal (Reed Richards/Mr. Fantastic) and Dakota Johnson (Madam Web). It wasn't likely intentional, but if it was, it wasn't a terrible idea."One day, for no reason in particular, you two will start to hate each other. You'll resent each other, you'll take each other for granted. You'll stop having sex, somehow manage to make a couple of kids. And then you'll get sick of each other, and one of you will cheat on the other. And then you'll fight. At first, not in front of the kids, but then in front of the kids. And then you resent the kids for seeing you fight. And then you file for divorce, and you fight about who owns what and who gets the kids when until it's all over."

It was only a matter of time before we would see those who found success on platforms like TikTok and YouTube try to make the transition to the big screen. Sam and Colby found moderate success with their fans, but really, to the rest of the world it was barely noticed. Now later this month we’ll get the highly anticipated Shelby Oaks from Chris Stuckmann, who got his start with movie reviews and creating content on his YouTube channel. But now we have House on Eden, a small-budget found-footage film from content creators Kris The Girl and Celina Spooky Boo. I’ll admit I’ve actually been following their content for a few years, and I was a little optimistic about what these two would come up with, but I have to admit this was disappointing and frankly just lazy. To be blunt, it is an insult to those out there who are grinding to create the best film they can on a shoestring budget. The film follows a trio of content creators (they are basically playing exaggerated versions of themselves, not even bothering to change their names) led by Kris Collins.

The group likes to film and investigate potential haunted locations, and Kris has found a location that no one has filmed at before, and she convinces her friends to go to the spot and investigate it. Of course things go wrong once they arrive at the location, and to be honest, I’m surprised I made it that far.

“Since 1970 a rogue group known as UFO Sweden has been investigating unexplained phenomena. This story is inspired by that determination to answer humanity’s ultimate question: Are we alone?” 

So, I don’t want to make this film out to be more than it was intended to be, a movie intended to capitalize on the nostalgia of Pitch Perfect fans by bringing together three of its stars (Rebel Wison and Anna Camp of the original trilogy, as well as Gigi Zumbado appeared in Pitch Perfect 2) in what amounted to a lackluster comedy. In addition, the film was to capitalize on residual popularity of Rebel Wilson, who won over so many with her quick wit and unique brand of humor. However, the film came off as more of a mash-up of already-seen Rebel Wilson movies, specifically Bridesmaids and The Hustle. And while I commend Rebel Wilson’s nunchuck skills as well as most of her own stunts in the film and her commitment to filming despite getting injured on the final day of filming, this wasn’t a movie that really did it for me. There wasn’t enough originality to keep my interest. The plot essentially felt like a rehash of another average wedding flick that shotgunned a hostage situation. Even with the addition of Justin Hartley and Stephen Dorff, this film felt like more like a direct-to-streaming movie than a theatrical release.

Wilson stars as Sam, a secret agent whose job begins to impede her maid of honor duties, much to the chagrin of her best friend, Betsy (Camp), who, as expected, is unaware of Sam’s job. When Sam’s latest assignment prompts her disappearance from the party, this leads Betsy to drunkenly name her fiancé's sister Virginia as maid of honor instead. Ostracized from the bridal party, Sam's attempt to comfort Betsy backfires, and she slips away after Betsy suggests they have grown apart as friends. Things come to a head at the wedding when a mercenary group crashes the party and takes the guests hostage. Sam must jeopardize her cover in order to take down the mercenaries and keep her friends safe.

This episode collection was all right with me, but in the eyes of my son, it could do no wrong, and as he is the one actually in the age demographic, this will be the one time where I defer to the opinion of a three-year-old. In this ten-episode collection, Marshall takes charge and leads the pups from everything from a blaze at a lemonade stand to saving a lost penguin. This disc marks the first time that my son has willingly sat through the watching of something from start to finish. It’s not all that surprising, as he was a fan of the series before this disc, but I still found it significant, because he does remain selective about which episodes he watches. Fortunately, Marshall is among his favorite of the crew, especially now that Rubble is off doing his own thing. Luckily, Rubble also featured in this episode collection, so my son got the best of both worlds.

For those not in the know, though I suspect that is very few, Paw Patrol is a Canadian animated series that focuses on a young boy named Ryder who leads a crew of search and rescue dogs that work together on missions to protect the shoreside community of Adventure Bay and surrounding areas. Each dog has a specific set of skills based on emergency services professions, such as a firefighter, a police officer, and an aviation pilot. They all reside in doghouses that transform into customized vehicles, or "pupmobiles", for their missions. They are also equipped with special hi-tech backpacks called "pup packs" that contain tools relating to the pups' jobs. The series has completed 11 seasons (which many of the episodes in this collection are from) and has spawned at least three feature films along with a spin-off series featuring the popular character Rubble.

In 1887, readers of the popular periodical Beeton's Christmas Annual were to receive quite a special treat. There wasn't much fanfare or hype to the event. Inside the pages of the magazine was a story called A Study In Scarlet. It was a detective story, perhaps like many published before, except for the detective himself, a certain Mr. Sherlock Holmes. Together with his faithful companion and chronicler Dr. Watson, Holmes would win the hearts of those holiday readers. It might have been an ordinary day, but the world was about to change. Sherlock Holmes would become the most famous detective in the world. His stories would remain in print nearly 130 years later. Over 100 films would be made featuring the character. There would be television shows and cartoon spoofs. No other character has appeared in more productions. When his creator dared to kill the beloved detective in order to move on to newer stories, his very life was threatened. It would seem that Doyle was on the verge of becoming a victim much like those in his stories. There was only one man who could save him from such a grim fate, and he did just that. It was Sherlock Holmes himself, but if Doyle had actually been harmed over the ordeal, he wouldn't turn to his iconic detective; he would need the services of Dr. Watson.

Holmes has been depicted in many ways on television, but we haven't seen a show that focused on his faithful companion and chronicler Dr. John Watson. So now we have a television medical show that channels the spirit of the great detective in medical mysteries. They say it hasn't been done before, but I must have just imagined the seven seasons of House I watched recently. The name might be Watson, but the idea is familiar.

You likely know Scarlett Johansson best as Natasha Romanoff aka The Black Widow in the Marvel Cinematic universe (MCU). But Romanoff has been killed off with a heroic death, and even with all of this multiverse stuff going on in the MCU, she has made it pretty clear that she doesn't see the character returning. Her resume has taken a bit of a turn, and it looks like she's out there trying to reinvent herself a bit. Her most recent role was on the latest Jurassic World film, and I would argue her character wasn't very far from the one she's left behind, but it's a start, I assume. Where the actress has really reinvented herself is as a first-time director with Eleanor the Great. She's starting small. No huge budgets and mega-CGI stuff going on here. She's keeping it simple and as far away from the image as possible. But that might be your surface reaction. The truth is that Eleanor the Great is far from a simple turn for a new director. The film leans heavily on characterization and narrative here. In many ways it's a much harder task than doing a mindless action or f/x film.  There's not much of a safety net here, and the film has the potential of exposing those rookie mistakes. It was actually a pretty bold choice, and it ends up working out quite well.

Enter the titular Eleanor Morganstein, played by June Squibb. She's a 90+ year old woman living with her old friend Bessie (Zohar). They have a routine, and it's been pretty much a cookie-cutter life for the two elder women. With a relationship like this, it's inevitable that one of them was going to disappear from the routine, and it's Bessie, who was a Holocaust survivor, who ends up passing away. Eleanor is now lost at sea. Her daughter Lisa (Hecht) and her family decide to take her in until they can figure out something more permanent, and that means moving her to the big city of New York. They encourage her to take advantage of the wide culture and make some friends. She's reluctant, but ends up at a local community college where her daughter signed her up for a class. She accidentally walks in on a group in some kind of a session. They are Holocaust survivors, and this is their support group. They assume that's why she's there, and they welcome her with such energy that she's kind of liking the support. But Eleanor is not a Holocaust survivor, and when she's called upon to share her experience with the group, she channels her friend Bessie and the many horrific stories she's heard for 12 years and begins to tell them as her own.

“Viva la Revolucion.”

I don’t say this lightly, but One Battle After Another is without question the best movie that I’ve seen this year. With a star-studded cast that includes at least three Oscar-award winning actors (Leonardo DiCaprio, Sean Penn, and Benicio Del Toro), several other Hollywood veterans (Regina Hall and Wood Haris), and up-and-coming talent (Teyana Taylor and Chase Infiniti’s film debut), the film establishes itself from its opening credit and held my attention till the very end. Inspired by Thomas Pynchon's 1990 novel Vineland, this epic dark comedy follows DiCaprio as Pat Calhoun and Taylor as Perfidia Beverly Hills are lovers and members of the far-left revolutionary group known as the French 75. While breaking out detained immigrants from a detention center, Perfidia humiliates the commanding officer, Steven Lockjaw (Penn), who develops a sexual fascination with her. With the French 75, Pat and Perfidia carry out attacks on politicians' offices, banks, and even the power grid. Still obsessed with Perfidia, Lockjaw leverages his position to pursue the group, more specifically Perfidia.