I have to admit that when I heard about Heads of State being a buddy action film with John Cena as the President of the United States and Idris Elba as the Prime Minister of the United Kingdom, I was totally on board. Then when I saw that this was heading directly to Amazon Prime, my excitement fizzled. When you have an action film with those two on the marquee, it just seems like the perfect summer film, and with the director of Nobody and Hardcore Henry at the helm, it just adds to the expectation of pure dumb popcorn bliss. Only Amazon Studios can find a way to mess this up. Still, I tried to go into this with an open mind, but the end result is an action comedy that underwhelmed in such spectacular fashion that I’m somewhat impressed at how mediocre this film turned out despite all its opportunities to impress.

Will Derringer (Cena) was a Hollywood action star before becoming president, and he uses his Hollywood image as a big-screen action star to bolster his image with the public. Then there is Sam Clarke (Elba), who actually has military training. Though he never saw combat, he kind of sees Derringer as an actor just playing the part of the president, and the two are constantly butting heads. It’s when they are together on Air Force One and they plane is attacked that they really have to begin to work together as they narrowly escape their plane crashing and they parachute alone into Eastern Europe. Thankfully this pair has onscreen chemistry together, or this film would have been in worse trouble, but the problem I saw early on is that this film just couldn’t decide on the right balance of action and comedy. Having a PG-13 rating really neutered the film, because it very clearly wants to be in the same league as Lethal Weapon, but it just doesn’t have the laughs, the violence, or the grit to make a difference.

"I can guarantee your safety... more or less." 

Some things can not be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby". And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that, ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will. And that's OK. There are moments in Jurassic World Rebirth where it is quite obvious that director Gareth Edwards attempts to repeat that moment. He telegraphs it, particularly in a scene where we get a wide shot of dinosaurs and we hear that old John Williams theme, and Edwards is pulling hard on our heartstrings. Sorry, Gareth. It didn't happen for anyone there. It's not your fault. You did everything right. But, you see Steven Spielberg already took us there, and we will never have it again, but truly, man, thanks so much for trying. You did deliver the best of the Jurassic World films and the best franchise film since the original. You're just going to have to settle for that.

“Memento Mori, it means you must die.”

This movie has been a long time coming and is quite possibly the most anticipated movie of the summer. Fans (myself included) have been waiting almost twenty years for this addition to the franchise to materialize. Since the Rage virus was introduced to the audience back in 2002 with 28 Days Later, we, the audience, have been captivated by Danny Boyle and Alex Garland’s gritty zombie tale that filled a much-needed hole left behind by George Romero’s Night of the Living Dead franchise. To their credit, the duo did follow up 28 Days Later with the aptly-titled 28 Weeks Later, which if I’m honest, was my favorite of the franchise, to include this latest installment. That isn’t to diminish this addition; I’m just very fond of the Weeks’ film because it was the movie that really made me pay attention to Jeremy Renner. True to its predecessors, 28 Years Later features a brand-new cast of characters to include Aaron Taylor-Johnson, Jodie Comer, Jack O’Connell, Ralph Fiennes, and Alfie Williams in his first leading role.

Right on cue Disney’s Pixar is back on the animation scene with its latest and quite possibly one of its most original stories with Elio. True to form, for the last three years, Pixar has delivered and had a film release in the month of June. There was Lightyear in 2022, Elemental in 2023, Inside Out 2 for 2024, and now Elio in 2025. Now that is consistency. Not going to lie, I haven’t been impressed with the latest releases from Pixar, and it felt as though they’d been trading on their reputation in recent years. After all, who would dare speak against the studio that gave us Toy Story, A Bugs Life, The Incredibles, and Finding Nemo? It would be fair to say that the company deserved a little grace. Now we have Elio, and as I mentioned earlier, I rank this among the most original animated stories I’ve seen in recent years and one of the best kid-friendly movies I’ve seen this year thus far.

Elio signifies director Adrian Molina’s first Pixar movie as the main director, having served as the co-director on Coco and as a member of the Senior Creative Team for The Good Dinosaur and Lightyear. Well, he has put together a great story and good cast. Through my research I understand that America Ferrara was originally slated for the role of Olga Solis, Elio's mother, but was unable to follow through with due to scheduling issues. I think she would have been good as well, but in my honest opinion, I think there was no way Molina could go wrong with Zoe Saldana. Interestingly enough, it seems this casting change also prompted a story change, as Saldana played Elio’s aunt rather than his mother. Personally, I preferred this shift, as it demonstrates an important principle that not all families are the same and that even when tragedy strikes, it doesn’t mean that you can’t still be family.

“I am large; I contain multitudes.” 

I know it may only be June, and it seems strange to be talking about awards season already, but if The Life of Chuck doesn’t take home an armful of awards this year, it will be a criminal shame. I first read the Stephen King novella when it was released in his collection If It Bleeds (2020), it was a story that you can tell King wrote during the COVID-19 panic. I remember liking the story, but it wasn’t one of my favorites in the collection. What stood out the most was the unique way he wrote the story about the end of the world. It didn’t really surprise me that the story was being adapted into a film considering just how many Stephen King stories are brought to the big screen and streaming every year. It was the fact that Mike Flanagan signed on to write and direct that got me excited about this project. For those who may not know, Mike Flanagan has been making a name for himself in the horror genre. The Haunting on Hill House, Midnight Mass, Hush, Doctor Sleep, The Fall of the House of Usher and Gerald’s Game are all hits in his filmography, and frankly, he just hasn’t disappointed me yet. But the surprising thing about The Life of Chuck is that it’s not a horror story, at least not in any traditional sense, so how would Flanagan fare with this project in which at first glance appears he’s stepping out of his comfort zone?