Jody Balaban (Leelee Sobieski) is a newly minted film school grad who, heady with the success her student film has brought her (an award presented by Garry Marshall!), heads off to Hollywood to find fame and fortune. Instead, she finds doors shut to the newcomer, the closest she can get to a major studio job being a stint directing traffic. But then she is offered a job as an editor. The only problem is, the studio in question is a porn outfit. Her dismay is all the greater since she has been put off sex due to the enormous childhood traumas of having been spanked for asking what a blow job was, and not being able to kiss the boy she had a crush on while playing Spin the Bottle. She takes the job, though, her plan being to shoot her own dream film, a romantic comedy called “On the Virge” (ouch!) on the sly, using the company's resources at night. Romance, meanwhile, might bloom in her real life, as she finds herself working with porn-director-who-once-aspired-to-something-more-and-is-devastatingly-handsome Jeff Drake (Matt Davis).

Writer/director Julie Davis's film is, apparently, rather autobiographical, drawing on her own early experiences in the industry. One hopes that she has maintained a healthy artistic distance from her protagonist, because Jody is hard to like. Her naiveté approaches a diagnosable condition, and it is coupled with a prodigious sense of entitlement, artistic self-regard, and snobbery. Though we see her learn to see the porn stars she works with as people and friends, she is so off-putting that it is hard to care enough to be interested in her emotional education. As well, the film itself presents the porn stars as lovable idiots, and so its own point of view doesn't seem far removed from Jody's. Furthermore, the look of Finding Bliss is simply not that interesting, making it hard to believe that Jody and Jeff are themselves unsung cinematic geniuses. On the other hand, Kristen Johnston as the porn studio's upbeat executive is good fun, and brings some snap to every scene she's in. Overall, though, the piece is simply too smug for its own good.

After watching plenty of terrible horror movies in my life, I start to wonder if this is easiest thing in Hollywood to produce. Work with a small budget, come up with a scare and hire some shapely actors to play the ones in peril. Oh, and make sure you have plenty of fake blood. Our example today is Open House, a recent horror movie directed by Andrew Paquin.

We open to a couple being shown a house by Carl (played by Gabriel Olds). During the showing, a stranger comes into the house and then hides in the basement. When Carl leaves, he has a strange feeling that somebody is there. However after looking in the basement and garage, he doesn’t find anything. EXCEPT DEATH. Okay, not really just we know what’s coming. We are soon introduced to Alice (played by Rachel Blanchard) who owns the house.

"There is a place, a mystical nexus, where this unholy relic can be destroyed. I only hope we can get there before Vellich."

When you think of Edward Douglas, you really do not think about him as a film director or writer. He's made a name for himself mostly in the music business. No, you aren't going to see his videos on MTV, and it's not likely that you'll find his name on the charts. He's become somewhat the poster child for specialized Halloween music. So, I guess it isn't that large a leap to find him writing and helming his first film, obviously a horror film. In case you're not familiar with his music or band, Midnight Syndicate, Douglas won't let you forget them in his first film. Their music and name can be found splattered, if you'll excuse the pun, all over The Dead Matter.

Living just a couple of hours from Gainesville, Florida, it really is easy to sit down and get yourself in the mood for some Tom Petty. Look, the boy is never going to win any beauty contests, and his voice sounds like he went to the Bob Dylan school of vocals. But there's no denying that for a few decades Tom Petty, often along with those Heartbreakers, wrote some of the most recognizable American anthem music south of Ashbury Park, New Jersey. But it wasn't always hit songs and world tours for the college town natives. Today they might have never made it in a music business that demands immediate success and gold records. It was the third album that gave this band its break-out hits and fame: Damn The Torpedoes.

While Tom Petty & The Heartbreakers were already generating some momentum in England where they broke sooner than their native United States, Damn The Torpedoes was an unmistakable milestone for the group. The musicians included: Mike Campbell on guitars, Ron Blair on bass, Stan Lynch on drums, and, of course Tom Petty on guitars and vocals. It was produced by Jimmy Iovine, who is generally credited with helping the band develop their signature sound. Released in 1979, the album contained three hit singles, with Refuge and Don't Do Me Like That scoring huge hits in the United States.

I recently reviewed Parasomnia on DVD. I was a bit disappointed that we hadn't been given a chance to see the full in high definition. The director, William Malone, arranged for us to get the film on Blu-ray, and I am thankful. I say this so that there will be full disclosure.

With all of that said, I have to tell you that I liked the film even more on my second viewing. A lot of it has to do with the high-definition image presentation which I will discuss in greater detail at the appropriate time. Some of it has to do with the number of nuances that this film contains. It is definitely the kind of movie where you make new discoveries on the second pass. Now keep in mind that I watch these films with a legal pad, taking notes as I go. I didn't do as much of that the second time around. Finally, even though there were not any plot surprises this time, I found the film just as interesting, perhaps more so, on the second pass. If that's not the mark of a pretty dang good film, I wish someone would tell me what is.

A good thriller is something that has been absent from my recent viewing experience. One of my favorite thrillers of all time is a movie named Ninth Gate. This movie is directed by Roman Polanski. As luck would have it, Roman Polanski also directed the thriller I am bringing you today, The Ghost Writer. My fingers are crossed and I can only hope that this film is just as good.

When the movie opens, we learn that Ghost (real name never revealed) (played by Ewan McGregor) is made aware of a ghostwriting venture by his agent Rick Ricardelli (played by Jon Bernthal). It involves writing the memoirs of Adam Lang (played by Pierce Brosnan), the former British Prime Minister. Ghost also learns that his predecessor before him was unfortunately found dead, drowned aboard a local ferry.

“Have gun, will travel reads the card of a man. A knight without armor in a savage land…”. Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett Butler gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

The verdict? It’s pretty darn good.

For most of you who read my reviews, I can be rather harsh when reviewing movies of a Christian nature. One needs to look no further than my scathing review of Fireproof. More than often they tend to be too preachy with messages and heavy themes that suggest a way of life too strict for many people’s tastes. Naturally, I was a little skeptical when I received To Save a Life. But as the movie teaches us: one should not be judged on appearances alone.

Today is the funeral of Roger Dawson (played by Robert Bailey Jr) who committed suicide at the tender age of seventeen. We see many people in attendance including one other fellow high school student named Jake Taylor (played by Randy Wayne). As it turns out, we are treated to a flashback that shows Jake and Roger as best friends growing up.

"This is James Henry Trotter. He lived with his mother and father in a cozy little house by the sea. It was a wonderful life. They had each other, and they had their dreams. Then, one day a terrible thing happened. An angry rhinoceros appeared out of nowhere and gobbled up his poor mother and father..."

Johnny Handsome is based on a rather obscure and dated novel called The Three Worlds Of Johnny Handsome. Walter Hill must have found something in the dated material that attracted him to the project. Unfortunately, there wasn't much to attract audiences. The film made a very paltry $7 million at the box and has been little heard from since. In spite of a solid cast and a script that does tend to move along at a nice clip, the film has never really found an audience and is somewhat of a surprise to be found on Blu-ray.

Johnny (Rourke) is a high-level hood who goes by the name Johnny Handsome in reference to extreme deformities in his face. He looks almost like tElephant Man. His deformity even affects his speech. He's almost indecipherable when he talks. He's involved in a big takedown of a coin shop that has some valuable pieces in its collection. He and his crew take down the store, but something goes very wrong. Rafe Garrett (Henriksen) and his girl Sunny (Barkin) betray the rest of the team. They end up running off with the loot and leave the rest of the crew dead. All except for Johnny, who managed to dodge the gunfire. All of his friends are dead, and Johnny's left behind to take the fall...and the prison sentence. Still, Johnny won't rat on the two that betrayed him and got away. But Rafe's not taking any chances. He has Johnny stabbed in prison. Once again Johnny's luck holds up, and he manages to survive Rafe's wrath. In the prison hospital ward, Johnny meets Dr. Fisher (Whitaker), who has an experimental facial reconstruction procedure he'd like to try out on Johnny. It requires having his entire skull reconstructed. In return, Johnny will get a new identity to go with that new face.