I'd like to think that the concepts of what makes a good children's movie is somewhat international. While cultures may vary, kids all over the world are pretty much the same. They look for the same kinds of characteristics in their heroes. While the martial arts film is somewhat cultural, there have been more than enough child-friendly martial arts films for me to conclude that these kinds of acrobatics and old fashioned good kicking-evil's-butt themes work for kids of any nationality. The recent Jackie Chan The Spy Next Door outing is one good example of the genre-crossing martial arts children's movie. I suspect these are the feelings that director Rachata Krissanapong must have had when he took on the Thai project 5 Huajai Hero or Power Kids and when Magnolia Home Entertainment packaged the film for American kids in this Blu-ray release.

At first the plot is rather difficult to follow. Blame it on the English translation or a little unfamiliarity with the culture. We get the general idea, however. We have this group of children living with their uncle, who happens to run a martial arts school. Of course, they are well trained and display impressive skills as the film throws somewhat light-hearted moments into the mix to establish the team's skill level. We eventually learn that the youngest is very sick. He has a severe heart condition and is close to death, unless he can get a heart transplant. The film attempts to build emotion and sympathy by showing the kids working together to buy the boy his favorite RC race car. But when he attempts to take it to the public track, he's bullied, and the stress brings on an attack that nearly kills him. The boy is rushed to the hospital, where it is discovered a heart has been found just in time to save his life. Unfortunately, an American diplomat has checked into the cross-town hospital where the heart is located. A group of rebel terrorists have taken over the hospital to make their vague point, and nothing is getting in or out of the building, including a certain necessary heart. Our Power Kids spring into action. They go to the hospital under siege, and inspired by the Die Hard-style films they've seen out of America, find a way into the hospital. Of course, they must locate the heart and get it out, while kicking some terrorist butt along the way.

Reading the synopsis on the back of the dvd case for Hard Ride to Hell, I was immediately struck by its similarity to the 1975 film Race With The Devil. A group of vacationers in an RV accidentally witness a satanic ritual out in the boonies and, after inevitably being spotted doing so, are set upon by the Satanists and must fight for their lives in a cross-country chase. As it turns out, the similarities are pretty much all cosmetic.

Hard Ride to Hell, after a brief prologue featuring some sinister cowboys and a pregnant, flesh-chomping madwoman, moves to the present where we are introduced to our heroes. Here is where the similarities to Race With The Devil begin to crumble. The group is indeed traveling in an RV but, for starters, instead of Peter Fonda and Warren Oates, we are stuck with guys in frat-boy haircuts who call each other “dude”. There are also two women and a black guy. The male cast members are, through most of the film, stiff and unconvincing, but the women are fairly strong. One of them, Katherine Isabelle from Ginger Snaps, actually brings some life into the picture when she’s onscreen. The only other standout in the cast is the guy who gets his name above the title, Miguel Ferrer. Even though he’s phoning it in on this one, he is still a treat to watch as the leader of the bad guys.

This film takes you back to the realm of Leave it to Beaver and from there tells the story of a young boy who has a crush on a girl who works at the local pizza parlour, and befriends an elderly neighbour who inspires him and all his friends (and enemies) to become devout Christianity. This film does not hide the fact that it is geared towards those who are faithful and are seeking a family friendly story to witness.

Staff Sergeant Will Montgomery (Ben Foster), a decorated solider just back from Iraq and having difficulty re-adjusting to life on the home front, is understandably less than thrilled with his new assignment: working with Captain Tony Stone (Woody Harrelson) in the Casualty Notification Service. These two have what must surely be one of the worst jobs in the history of history: knocking on doors and informing people that their loved ones have been killed. It is important that they deliver the news and leave, and have no further involvement with the bereaved. If only life were that simple...

In 1999, a troupe of US marines must transport some equipment across Romania. Leading them is Captain Doug Jones (Armand Assante), a man so committed to his duty that he does a pretty convincing job of appearing passionate and proud about what is, on the face of it, a rather dull, two-bit assignment. As matters develop, the mission is far from dull, though it is not interesting in the way Jones might have hoped. The train is waylaid in the small town of Capalnita by the corrupt stationmaster, and a comical clash of cultures ensues.

Director (and co-writer) Cristian Nemescu was killed in a car accident before he had finished editing the film, and it is likely that his final version would have run less than the current 154 minutes, which is long for a comedy. Nonetheless, there has been no second-guessing of his artistic intent, and the film is presented as he left it, and if it isn't as tight as it probably would have been, had Nemescu been able to complete it, it's still a remarkable piece of work, with wonderful, finely observed (and performed) characters, and a sharp, wry sense of humour.

My relationship with romantic comedies has not been one of wedded bliss. More often than not, it is something I get forced into. Once you are forced into something, then you automatically have a pre-disposed attitude against the movie. Hence, I haven’t liked too many of these things. Thankfully in the last few years, if I see a romantic comedy it’s been mostly because it ends up in my review queue. This in turn has given me a softer approach to these movies but don’t think I’m going all sentimental just yet.

Beth (played by Kristen Bell) is a successful art curator for the Guggenheim. After a great art show, she is talking to her friends and mentions how she hates her ex-boyfriend: Brady Sacks’ guts (played by Lee Pace). Of course, he’s standing right behind her. They talk for a while and it appears that Brady is bitter over the fact that he got dumped at Applebees (he probably wasn’t allowed to get the Riblets, I hear they are divine). Brady then mentions he is engaged.

One thing I’ve learned about family sitcoms is that it usually defined by one principle character. For example, Different Strokes had Arnold Jackson (played by Gary Coleman, may he rest in peace), the Simpsons had Bart Simpson and Unhappily Ever After had Mr. Floppy (I love Bobcat Goldthwait). Family Matters is no different. The show was a very successful sitcom and had one of the best breakout characters of all, Mr. Steve Urkel.

The Winslow family is your typical family that lives in the city of Chicago. The head of the family, Carl Winslow (played by Reginald VelJohnson) is a city cop and knows how to put away a doughnut. His wife, Harriette Winslow (played by Jo Marie Payton) works for the Chicago Chronicle, a local newspaper. Harriette has a sister named Rachel (played by Telma Hopkins), a widow with a baby named Richie (played by Joseph and Julius Wright ).

"At the top of the world, there's a job only a few would dare. Last season the dash for the cash was fought on the smooth playing field of Canada's Arctic ice. This season, two old pros join four of America's bravest truckers to tackle the continent's deadliest ice passage. Just when you thought extreme trucking couldn't get more dangerous, Ice Road Truckers takes on Alaska."

It was the peak of the 1970's and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those smokeys. The man practically started a new genre of music with the hit song Convoy. The song was so popular that the back-up band used their cut to start a little project of their own. They became Manheim Steamroller and used the cash to cut their own music. The movies started giving us things like Smokey And The Bandit. Truckin' was in fashion, and a good time was had by all.

It's a story we have seen many times before. A man is down on his luck with love, largely due to his irresponsible ways, until he finds redemption by coaching a little league team. Sound familiar? Got a good idea of how this movie will progress? Good, that will save me some time.

A man dies during what appears to be a botched robbery, and his heart winds up in the needful chest of Josh Lucas, single father to a young daughter with a rare bone disorder. This is obviously a man with more than his share of troubles, but things appear to be turning around. He has a new heart, and his daughter's beautiful doctor (Lena Headey) really likes him. But then, when he crosses the path of a certain paramedic, his heart begins to beat furiously, deafening him. Before long, Lucas realizes that his donor was murdered, and the vengeful heart is leading him to the killers.

Produced by the Scott brothers, Ridley and Tony, this is, as one would expect, a handsome-looking piece, but has none of the editing frenzy that characterizes Tony's work, and for that matter is more of a moody tone poem than is typical of the work of either brother. So director Micheal Cuesta is forging his own identity here, and is aided by genuinely moving performances, especially from Lucas, an actor who seems to be able to move effortlessly between hero and villain roles. Also on hand is Brian Cox, as the detective who realizes what is going on, and for reasons of his own encourages the heart's vendetta. He's always fun to watch, though his hard-boiled character here isn't much of a stretch.