I tend to wince a bit when I see these films that star wrestling names and are produced in conjunction with one of the WW A-Z’s. I’ve come to believe that WW means “Won’t Wow”. Along comes John Cena and this latest cooperative film, 12 Rounds. I have to say I was somewhat surprised to find that it was a pretty good action thriller, if a bit implausible. I’m willing to overlook certain aspects of inplauability, if you take me on a thrilling enough ride and try not to totally insult my intelligence. For the most part I found that to be the case here.

“Believe me, that weren’t no shark.”

Sea Beast began life with the title Troglodyte, but I’m not sure what that had to do with anything on this movie. Perhaps someone just thought it was a clever name, but realizing they didn’t have a clever film to go with it, they decided on the more mundane Sea Beast. Whatever the reason and whatever the title, nothing can change the fact that this is one really bad horror film.

“If you look closely, you’ll find that everything has a weak spot, where it can break….”

The same can be said for Fracture. There are plenty of flaws, and if you look hard enough you can find a lot of problems with everything from the story to the performances. Thankfully these flaws are quite minor and require the kind of scrutiny that would likely ruin almost any movie experience. I taught law for about 7 years and make it a bit of a (bad?) habit to look for the errors in court and legal procedures.

When Terence Malick's latest effort hit the theatres, he had trimmed it down to 135 minutes. Early critics had seen a version running 150 minutes. This version is longer yet, clocking it at 172 minutes. Most of what I said about the previous DVD release holds, and so I'm reproducing it here, with additional comments as necessary.

In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry.

“Out here the rules are different.”

Corporate retreats have come a long way from the closed door seminars where you’re asked to fall backwards and trust your colleagues to catch you. Well… the backwards part still applies, but here that describes the locals at the isolated camp where 8 hapless video game company executives are planning a weekend of paintball and bonding. These locals are straight out of Deliverance. (Insert your favorite banjo lick here.)

At first glance, it is quite easy to see why this show has been compared to Sex and the City by many critics, and is about to again by yours truly. Mainly this comparison occurs because of the shows’ similarly humorous approach to sex, never wavering from any sort of topic therein. The first similarly I noticed though was the meta-cinematic use of our heroine Hannah (who escorts under the moniker “Belle”) when she talks to the audience directly. This device was only utilized in Sex and the City’s first season but we still see a similar mix of voice-over narration (which would take over Sex and the City) and the viewer being acknowledged (used more often than not with Secret Diary…).

Everwood was a fairly long running show that started in 2002 and continued until 2006 for a total of eighty-nine episodes. It ran on the WB and was a casualty of the WB/UPN merger into the CW Television Network. Years later it has shown up on ABC Family and around the globe gaining fans here and there. It's a serious drama that involves the medical practice of Dr. Andy Brown (played by Treat Williams). Set in the fictional town of Everwood, Colorado (in reality it was a few towns located in Utah), we find ourselves figuring out how a death can alter the lives of everybody in the town and how they struggle to cope.

Ishiro Honda is, of course, best known and (deservedly) beloved for his classic kaiju eiga: he not only directed the first appearances of Godzilla, Rodan, and Mothra, he also delivered many of their subsequent adventures, wrapping things up with 1975's Terror of Mechagodzilla, which would be the last such entry until the mid-80s revival. The high profile of the giant monster movies has a tendency to overshadow some of this other contributions to fantastic cinema. One such effort which shouldn't be overlooked is the inventive and grim Matango (1963).

Behind the on-screen title of 1968 Tunnel Rats lurks a vision of Hell. We first get to know a unit of American soldiers tasked with clearing out the networks of underground tunnels constructed by the Viet Cong. Even before the action shifts to the tunnels, the terrible toll of war is on display, with the Lieutenant (Michael Paré) ordering brutal executions and morale very low. Then the operation begins, and everything goes to horribly wrong very quickly.