“I’ll tell you a story, a real life story, a tale of the western frontier. The West, it was lawless, but one man was flawless, and his is the story you’ll hear. Wyatt Earp, brave, courageous, and bold. Long live his fame and long live his glory, and long may his story be told.”

The catchy theme to The Life And Legend Of Wyatt Earp was written by Harold Adamson and Harry Warren. It was sung by The Ken Darby Singers. It set you up for the adventure and heroics that were to follow for the next 26 minutes in 1955 for anyone lucky enough to have a television set. The series was one of the first of television’s serial dramas. It used ongoing story arcs and complicated relationships to tell a story that evolved over the six years it was to be on the air. While the series was based on the writings of the real Wyatt Earp, there was nothing biographical about this show. Wyatt did carry his trademark Buntline Special 45’s with an extended barrel, and he was the sheriff of Ellsworth, Kansas. But little else of this tale was true. Even the actual setting changed to the more glamorous Dodge City after a couple of seasons. Of course, television viewers weren’t buying any of that. They knew the real law was Marshall Dillon, and in case they might have forgotten, Gunsmoke was on every week to remind them. By the show’s last season Wyatt had migrated to Tombstone, Arizona and his fateful encounters with the Clantons and a certain corral.

I’m not a wrestling fan. There is very little about that world that holds any charm for me. I find the grandiose posturing to be rather dull. The characters aren’t all that interesting to me, and I don’t find myself compelled to spend 100 bucks on a “free for all” pay per view event. With that said, this film did bring back a flood of memories for me. When I was a kid, perhaps 11 or 12, I looked at wrestling a little differently. I had an uncle who would watch it from time to time, but the television version never held much for me even then. I grew up in a relatively middle sized town in eastern Pennsylvania. If you play Monopoly, you’ve heard of the Reading Railroad. I grew up in Reading. By the way, it’s pronounced Red not Reed (ing). Nearby in a place called the Hamburg Field House, the regional wrestling federation of the time would film a month’s worth of television episodes in one night. Our parents found out that for about 5 bucks they could drop us off for 5 hours or so and we would be entertained. It didn’t hurt that the place featured 25 cent hotdogs. So my friend David and I would hang out at the joint every second Tuesday and watch live wrestling. To an 11 year old kid, it was as much about being trusted out on our own than it was the event. Still, we did become familiar with the regional names and characters. I even got smacked upside the head by one ranting wrestler’s shoes. It hurt, but it was a bump I wore with some kind of twisted feeling of honor for three days. I don’t even remember the name of the wrestler, but I remember that bump. Times have changed and Championship Wrestling has been gobbled up by the Vince McMahon empire that most of those regional outfits have succumbed to. I haven’t talked to Dave in years, and honestly I haven’t even thought of those summer Tuesday nights at the Field House in a long time, filled up with quarter hotdogs and plenty of soda. Then came The Wrestler.

Randy “The Ram” Robinson (Rourke) is at the end of his career as a superstar wrestler. He’s known for his trademark move, the Ram Jam, where he climbs up on the ropes and leaps down on his helpless opponent. You can feel the pain, not only of his current bout, but the decades of abuse he’s put his body through. In the ring he’s beloved by thousands and respected by his peers. Outside of the ring he’s alone. He seeks comfort in the guise of stripper, Pam (Tomei). Pam is also at the end of her career, finding it harder to compete with the younger girls at the club. She’s drawn to Randy, but resists hooking up with one of her clients. When Randy finally pushes his body over the edge, he has a heart attack. The doctors warn him that he’s got to stop pumping the steroids and growth hormones into his body, and worse, that he has to stop wrestling. Randy tries to acclimate himself to the outside world. He increases his hours at the Acme by working the meat counter and attempts to reconcile with his college age daughter. He even has hopes of breaking through Pam’s resistance. Perhaps it’s too late and he’s too old, but he learns that the only place he was ever really good at anything was in the ring. There he’s accepted and loved for what he is. Randy accepts a rematch, celebrating the 20th anniversary of one of his most famous matches. He’s determined to go through with it and please the crowd, if it kills him.

Sin City arrives in high definition with some pretty high expectations. You get both versions of the movie here, and I have to say that I’m very pleased to see that. By now fans of the movie have seen the recut version of Sin City and likely have your own opinions as to what you thought of it. The fan base appears to be somewhat divided on the effort. For me it’s never been a case of better or worse. It’s merely a case of different. The two versions are very different experiences. Watching the recut version is not really like watching a movie at all. Frank Miller presents them more akin to the original graphic novel experience. For those we don’t already know, this version offers the movie split into four very separate pieces. They each come complete with their own title page and closing credits. You should be warned that these closing credits actually account for more than half the promised 20 minutes of extra footage. They are not even presented in the same order as the original film. Watching the movie this way appears a bit disjointed and leaves many of the movie’s fans feeling like they have been served up their favorite movie in television-like installments. But, there is value to this presentation. It allows you to watch it with a new perspective and a new completeness, albeit within itself. The only segment that just totally doesn’t work is the short The Customer Is Always Right segment, which originally bookended the movie in theaters. On its own it feels rather incomplete and makes very little sense. It’s only after watching the final segment that a newcomer to this material will finally make any connection. There are also many moments where characters appear in the background of one segment leading directly to their own moments. These subtle touches are a bit wasted when one views the parts independently. Of course, there is no escaping the joy of merely watching the original film the way it was presented at the box office. I won’t deny that it is only in that form that the true movie experience can be realized. So what to do with this duality of purpose and divided audience? You give us two complete Blu-ray discs in one release and offer us the choice. That’s exactly what Dimension Films has done for us in this eagerly anticipated high definition release of Frank Miller’s classic Sin City.

For the purposes of this review I spent most of my time in the recut version. I’ve seen the film countless times by now in the theatrical cut and decided to experience my Blu-ray journey with the new version. The audio and video elements are virtually the same, so all aspects of the review remain unchanged. For those new to this incarnation of Sin City, here’s a breakdown of the four segments as they appear on the second disc of this set.

After five years on the air, Hawaii Five-O entered its sixth season pretty much unchanged. There was actually very little change over the years. McGarrett was still on the case with his trusted Danno and Chin-Ho. The Hawaiian settings continued to showcase the locations of the island chain as well as much of the state’s local acting talent. But most of all, the show kept up with the quality of stories. The season began with an armless man out to kill the cops he holds responsible for his condition. The episode, Hookman, would get the season off to a solid start. Charter For Death brings plague infested rats to the island and a quarantine. The Sunday Torch means there’s an arsonist on the loose who only sets fires on Sunday. Is a Federal officer to blame for the death of a wealthy tax evader? McGarrett must catch one of their own in Murder Is A Taxing Affair. McGarrett must protect a visiting dictator from a female hired killer who looks like the target’s own daughter in A Bullet For El Diablo. Is a cop on a rape and murder spree in Hawaii? Find out in Nightmare In Blue. These are just a few of the cases for the gang at Five-O in this 6th season collection.

Working in Hawaii on one of televisions hottest shows in the 1970’s was too good a job for most of the cast and crew of Hawaii Five-0. This meant that there was very little cast turnover for the series in general, and none going into the fourth year. Jack Lord saw his star rise considerably, and while he began to see some serious pay hikes, even he wasn’t about to kill the golden goose. With this kind of consistency, fans were never disappointed or turned off by drastic changes in the cast or formula. With this cop show, it was all about tropical locations and formula. The fifth season was no exception to the rule.

“You are invited to a reunion.”

I grew up on the Peanuts creations of Charles M. Schulz. Most of us have in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing. Somehow 1991’s Snoopy’s Reunion has managed to escape my notice all of these years. Why isn’t this particular special among the classic cartoons of that era?

The Mystery of the E74, A Brand New Fallout, and Anti-Smoking Games for Soldiers? - Welcome to the column that smokes them if they got them and then sponges off of you for more known as Dare to Play the Game.

I finally did it. I played Leisure Suit Larry: Box Office Bust for the Xbox 360 this weekend. I’m sorry I did. The game can summed up in one phrase: Lazy programming. The base was there, but they simply didn’t come through in the execution. Feel free to read the review and you’ll understand more of what I am talking about. I did get 110 achievement points which isn’t bad…but I won’t play it anymore than to finish the game, if that. Don’t expect me to run around looking for all 100 Larry awards (I have a measly 12 right now cause I’m just not trying to find them).

So Toby Wilkins will be helming The Grudge 3. That's a bit of a shame. Not because I think he's the wrong man for the project. Rather, it's the wrong project for the man. Or, less glibly but more precisely, he is showing real promise as a filmmaker, and it would be a shame to see more talent squandered on a franchise that should definitely be put out to pasture. I base this evaluation on the evidence presented in Splinter, a nifty little creature flick .

The film begins with the collision of seriously two very different couples. Seth and Polly (Paulo Costanzo and Jill Wagner) are young urbanites on a camping trip. He's working on a PhD in biology, which becomes important later. Meanwhile, Dennis and Lacey (Shea Whigham and Rachel Kerbs) are on the run (he's an escaped con, and she's his twitchy, detoxing girlfriend). The latter two carjack the former, but the situation becomes much more complicated when they stop at an isolated gas station (is there any other kind in horror movies?) and are attacked by the titular creature.

Writing or directing a fighting movie is kinda like booking a wrestling card. In theory, you need to create a strong but flawed babyface who is fighting for a cause or fallen friend. The antagonist or main heel is usually completely evil and has the face of being completely untouchable. But in order to build up this reputation, he must also go through some minor good guys to get over his image. In addition, the babyface must go over minor bad guys to do the same exact thing. In the end, you create a hero who comes in to save the day and vanquishes the victim. Street Warrior is one of those movies that follows this script by the book and makes for some decent excitement while the movie is at it.

The Gauntlet has claimed another victim. Joey Campbell (played by Brandon Quinn) has fallen at the hands of Isaiah Griffin (played by Sidney S. Liufau) and is now in a coma at the local hospital. His brother, Jack (played by Max Martini) has been discharged from the army for beating the crap out of a superior officer (no reason is given). He comes home and breaks up a robbery of a local convenience store where his friend Maggie (played by Valerie Cruz) works. However, once he gets to his brother’s house and is treated to his sister-in-law Sarah’s (played by Erin Cottrell) tearful embrace, he realizes something is very wrong.

Puberty for me was an odd thing like many teenage boys. My dad threw a medical book into my lap when I turned thirteen and said if I had any questions to let him know. This was followed by more literature being thrown into my lap such as Playboy when I wasn’t any older than fifteen or sixteen years old. In addition to magazine publications, I was also allowed to buy some objectionable games and music. One of these games was the Leisure Suit Larry series. The original PC games had great (and dirty) humor, fun puzzles and some of the best basic game play you could fit into several floppy discs. Times change and the racy appeal of Leisure Suit Larry has made the Xbox 360 console. *sigh* I’m so sorry it did.

One of the appeals to the Leisure Suit Larry series is usually the graphics. Most of the games (especially once they got to VGA graphics) featured women that were pretty easy on the eyes. They weren’t real of course, but sometimes we hoped they were. In Box Office Bust, something isn’t right. The characters look reasonably drawn, especially when it comes to the males. But the females feel all wrong.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Star Trek: The Original Series finally makes it to high definition. If you’re anything like me, you’ve been waiting for this day for what seems like centuries. They’re here. One of the best features about this set is the multi-angle option. Remember how we were promised all of this control way back when DVD’s first hit the market? We got the same promises when Blu-ray arrived, and we weren’t going to hold our breath. Hey, I still have a red, yellow, blue, and green button on my Blu-ray remote. What are they ever going to be good for? Anyway, we finally have a use for the angle button. You can use it to toggle between the new digital f/x Paramount recently created for the show, or you can watch the original f/x if you’d rather. With that button you now have the ability to toggle between the two. Through the use of branching technology you can go between them as often as you like and never stop the show. I will warn you, however, that many of these shots occur so quickly that the second delay in transition might not allow you to see the entire segment. It also does not change while the video is in pause. It’s one of the best new features out there and perhaps the best reason to upgrade your recent purchase of season one to the Blu-ray release.