Dustin Hoffman is the titular Harvey, a morose jingle composer who, with his job hanging by a thread, arrives in London for his daughter's wedding. He is a complete outsider at the rehearsal dinner, and feels even more cut off when his daughter informs him that she wants her stepfather to give her away. Meanwhile, the scarcely more cheerful Emma Thompson spends her time being set up for disastrous blind dates and being constantly harangued on the phone by her mother. These two losers at the game of love meet, and something blossoms between them.

Based on actual events at the University of Iowa in 1991 (which I did not know when I began watching), this film follows a young Chinese student named Liu Xing (played by Liu Ye) as he is accepted into a prestigious Cosmology research team based out of a Utah University. While working for a respected Cosmologist named Jake Reiser (played by Aidan Quinn) he makes his own revelations and theories that challenge that of his employer and mentor. This creates an obvious conflict between them which places his dreams of a Nobel Prize, and even just graduating at state if he decides to continue with his own theories and not Reiser's.

With the gigantic success that the Blue Collar Comedy Tour has accumulated, it was only a matter of time before each one of the comedians received their own HBO or Comedy Central special.  Jeff Foxworthy is associated with the “Are you smarter than a 5th grader?” game-show. Larry the Cable guy is showcasing his acting range with box office phenomena (i.e. Witless Protection and Delta Farce). Bill Engvall has struggled to find his niche and seems to be on every sitcom pilot that has come out in the last two years.  And then there’s Ron White, if you’re anything like myself, this is your next question, who?  

As the times change, so do the plots of movies to stick with the time period. But in the same sense of keeping with the time period, the film usually sticks to an old theme. Take for example, the movie of Incendiary. There is the notion of terrorists, especially after 9/11 and this can show up in quite a few films like this one. However, throw in an old theme, let us say adultery. Then we string them together a plot line of what happens to a mother who has an adulterous affair and something that involves terrorists. Well then you hopefully have a hit movie on your hands. Or a giant waste of time.

Lionsgate has graciously given us one copy of Frankenhood on DVD to give away.
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Jean-Louis Trintignant (here dubbed into Italian) is a hard-boiled actor (!). Arriving at a night club to meet the proprietor, he instead finds the man dead, and the luscious Ewa Aulin standing over the corpse, protesting her innocence. Trintingnant believes her, and decides to help her out. The quest for the truth leads them though a series of encounters with various aspects of London nightlife and lowlife, 1967 vintage.

In writing a review of this shameless Da Vinci Code cash-in project (the tag line on the cover even trumpets “Only one can shatter the code”!), it would be easy to fall back on easy comparisons to the Dan Brown books, or the Indiana Jones movies, or even Tomb Raider. That, however, would be predictable and, considering how obvious such comparisons are, has probably been done many times over by other reviewers. For this reason, I have decided that for this review, I will focus on the things I discovered by watching The Last Templar. After all, a three-hour epic mini-series brimming with historical perspective and exotic locales is bound to leave some sort of impression. So here goes:

This is the second season of this prime time soap opera's fourteen season run. This show is the stories of three couples who all live in the same cul-de-sac, along the second season addition of single temptress Abby Cunnigham (played by Donna Mills), whose role inspires the packaging's amusing tag-line "Abby Cunnigham moves to Knots Landing. Do you know where your husband is?"

Belgian director Fabrice Du Welz burst onto the horror scene in 2004 with Calvaire, an unforgivingly black tale of a young man running afoul of a town whose exclusively male population would make Leatherface blanch and get the hell out of Dodge. A distinctly European concoction, it nevertheless paid tribute to Deliverance and The Texas Chainsaw Massacre. It was an attack on the audience as assured as it was original. Now, Du Welz has followed up with Vinyan, which is no less original, no less assured, and stakes out its own identity distinct from its predecessor, while still sharing many of Calvaire's thematic preoccupations. People, I think we have an auteur in our midst.

Dexter continues his jump to the world of high definition as the second season finally makes its way to Blu-ray. The show is killer, if you’ll pardon the expression. In the first season, Dexter pointed out the contradiction of a crime scene in sunny Miami. The aftermath of brutality appears somewhat surreal in such a colorful and bright surroundings. On Blu-ray you really get to understand what he was talking about. It almost feels like the show shouldn’t look so clean, so crisp, so bright. But, of course, it should, and it does in this release.