Posted in: Brain Blasters by David Annandale on November 29th, 2008
When I wrote about Curse of the Mummy’s Tomb, I said I would get around to talking about Terence Fisher’s The Gorgon (1964). So today I will. Curse is an example of Hammer at its most workmanlike. The movie, as I said, is fun but slight. The Gorgon, on the other hand, is Hammer and Fisher at their best, a film of considerable beauty and resonance.
After a young artist’s girlfriend is killed and turned to stone, and he hangs himself, the inquest declares the deaths the result of a crime of passion. The artist’s father, understandably skeptical, refuses to leave the little town of Vandorf after the inquest, despite the villagers’ hostility. He discovers the existence of Megara the gorgon, but at the cost of his life. His second son (Martin Pasco) arrives to continue the investigation, and after a near miss that nearly costs him his life, he is joined by his mentor (Christopher Lee), while falling in love with his nurse (Barbara Shelley). The road to true love does not run smoothly, however, as the film makes it quite clear midway through that Shelley is in fact Megara. She doesn’t know this herself, but local doctor Peter Cushing certainly does, but his obsessive love for Shelley leads him to cover everything up.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on November 26th, 2008
In the Army, Fable II DLC & The Size of 360 Games - Welcome to the column that tried to copy itself to the Xbox 360 drive and realized it was 20 gigs (19.99 of which was pictures of Morgan Webb) known as Dare to Play the Game.
Last week, I mentioned the fun subject of storage. My dvd spinner arrived and was assembled on Monday. On Tuesday, we took the liberty of splitting up my current spinner so they would be even. It looks much better and as promised I have put a for trade list on the forum. Here is the link. Maybe we’ll get some pictures up if you folks are interested in that type of thing. Now, I’ve gotten in the habit of seriously looking at my game room and can see myself consolidating with maybe a couple more spinners. They are so easy to build and are usual better built than those media shelves you can buy from Target, Walmart, etc. Perhaps a project for down the road.
Posted in: Disc Reviews by David Annandale on November 26th, 2008
No, this isn't the Patrick Swayze vehicle. Instead, it's another golden opportunity for Richard Widmark to unleash his patented psycho act. Here he plays Jefty, playboy owner of the titular establishment. His right-hand man is Pete (Cornel Wilde), who is the serious-minded half of the partnership. Said partnership is strained when Jefty brings back the latest singer for the club, one Lily (Ida Lupino, in superb hard-boiled form). Pete thinks she's bad news, and she is, only not in the way any of the three suspect. Jefty decides he's in love with her, but she only has eyes for Pete, and he, despite misgivings, reciprocates. Jefty doesn't take rejection well. Not well at all...
The cast is terrific, bouncing cynical zingers off each other with aplomb. Wilde does well as the world-weary Pete, but Lupino and Widmark own the field, and their final confrontation is one for the books. Enormous fun for noir fans, and especially for lovers of Widmark as a terrifying nutjob.
Posted in: Disc Reviews by Gino Sassani on November 26th, 2008
It’s the final roll call for everyone’s favorite Marine. Gomer Pyle began life as a one of the down home residents of Mayberry, where Andy Griffith held court as the sheriff and Don Knotts blundered his way to fame and fortune. It’s no small task indeed to find a way to shine as a minor character who wasn’t even there from the beginning; he replaced Floyd after the second year. But shine he did. Much of the character’s charm and success has to be given to Jim Nabors. The shy naive Gomer worked as an auto mechanic in Mayberry, but for his own series he appeared in one of the most unlikely of places, the U.S. Marine Corps. There Nabors found the perfect comedic partner in Frank Sutton, who played his superior Sgt. Vince Carter. The chemistry and remarkable timing these two brought to the Andy Griffith spin-off made it an instant hit. Critics at the time were very skeptical of the move, and most of the predictions called for a swift end to Gomer Pyle U.S.M.C. But before you can say “surprise, surprise, surprise”, the series became as popular, if not more so, than the parent series, at least for a time. In syndication the show was always a hit.
Posted in: Game Reviews by Michael Durr on November 24th, 2008
The original Fallout 3 was held in the firm hands of Interplay Entertainment under the working title of Van Buren. Developed by Black Isle Studios, that title never saw the light of the day when Interplay Entertainment went bankrupt and laid off the entire PC development team in late 2003. In 2007, Interplay sold the rights to the Fallout franchise to Bethesda who had developed the popular Elder Scrolls series. Bethesda scrapped the original code and worked on the project from scratch. It paid homage to many Fallout concepts and Fallout 3 saw gold in 2008. It was a long five years between the layoff of the original creators and the company who ultimately got the right to release the game. Was it worth the wait?
Graphics
The first thing that might strike you in the graphics department when you play Fallout 3 is that one never realized there are so many different shades of bleak. Shades of grey, black, brown & white are very prevalent here. But the good news is that the graphics are extremely detailed. People are easily seen and the darkness can sometimes be your best friend. The animation on a clean head shot and having the head roll down the hallway is one of the most satisfying pieces of graphic footage I’ve seen in a long time. My only real complaint is that once you get into the vast wasteland, the graphics while great tend to blend together into one continuous rock quarry.
Posted in: Disc Reviews by David Annandale on November 24th, 2008
Jean Gabin, in his American debut, plays Bobo, a French sailor who has been knocking around the States for quite some time in the company of Tiny (Thomas Mitchell). Their wandering comes to a stop when, the day after a night of drunken excess that he cannot remember, Bobo sees Anna (Ida Lupino) wading into the waves to commit suicide. He rescues her, and before long the two are living together on the bait barge where he is working, and fall in love. Dark clouds are on the horizon, however. A local man was murdered, and Tiny, resentful that his meal ticket has been taken from him, darkly hints to Anna that Bobo might be responsible, even though he doesn't know it himself.
Moontide was originally a Fritz Lang project, and as the accompanying documentary demonstrates, his influence is still felt in the finished project, notably during the climactic stalking sequence. Gabin, though a masterful presence, nonetheless seems almost as much a fish out of water as his character, and it doesn't really come as a surprise that neither he nor Hollywood wound up caring much for the other, and he would return to the greener pastures of France. Claude Rains is on hand as a wisdom-dispensing night watchman – hardly a stretch for him, but it's always a pleasure to hear his mellifluous tones. The real stretch, and indeed revelation here, is Thomas Mitchell – the man whose speciality was the cuddly, avuncular Irishman here becomes a twisted monster of childish, violent rage, giving us a real nail-biter of a denouement.
Posted in: Brain Blasters by David Annandale on November 22nd, 2008
Rip-offs. In the realm of the psychotronic, we love them and loathe them in equal measure. There are those strange and rare moments where the rip-off not only beats the original to the theatres, it out-grosses its rival and turns out to be better, to boot, as was the case with Death Race 2000 triumphing over Rollerball. At the other end of the scale, there are the innumerable “mockbusters” pumped out by The Asylum (Death Racers, The Day the Earth Stopped, Transmorphers, Snakes on a Train, and so on), which actually manage to degrade the term “rip-off” (though I have to say, the climax of Snakes on a Train, where a giant snake eats a train, remains one of the most unusual sights I’ve encountered in the last few years).
Back in the 70s, a little something called Jaws inspired innumerable imitators. Most were execrable. One, Piranha, actually managed to become its own wonderfully oddball work, thanks to the warped sense of humour of Joe Dante, John Sayles, et al. But today, let’s consider a far lesser work: the 1977 Italian exercise in cheese known as Tentacles (released a while back as a double-bill with Empire of the Ants as part of the MGM Midnite Movie series).
Posted in: Disc Reviews by Gino Sassani on November 21st, 2008
There have been many films about the Vietnam War. Some have been epic. Some have been emotional. Some have even been very bad, but now comes one that is absolutely funny. Are we ready for this kind of a send up? That might be the overriding question, but I think that we are. Tropic Thunder took the chance that the public was ready to accept such a film and be able to enjoy it. To soften the blow, it was likely a good idea that the film doesn’t address the war in itself. The film takes aim at movies about the war, and in an extension of that theme it pokes a lot of fun at
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on November 19th, 2008
Real Pirates, Street Fighter IV Arcade, & Who exactly owns a particular piece of Software? - Welcome to the column that holds all rights and privileges to the work contained within, except there really is no work involved within known as Dare to Play the Game.
When you love a hobby such as video games and collecting dvds, you often find yourself running into problems. One of these problems is storage. The holidays are fast approaching and that spinner that is holding the majority of my dvd collection is filling up fast. The only things it doesn’t hold is some random TV sets that sit in a shelf towards the back of the family room and the adult dvds which *caugh*, sit in the game room, away from people who might frown upon such things that might visit us. The normal dvds are filling up so fast, that I am probably going to buy another spinner pretty soon. Once I figure out the shade and size of my current one. I often go through the labor buying dvds and putting them in a shelf above my computer where I will take forever to catalog them into my database before figuring out how to fit them into my spinner.
Posted in: Disc Reviews by Gino Sassani on November 18th, 2008
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