Posted in: Disc Reviews by David Annandale on September 11th, 2008
A mixture of biopic and musical, this vehicle stars Susan Hayward as Jane Froman, an incredibly popular singing star in the 40s who had to battle back from terrible wounds suffered in a plane crash after her first performance for American troops overseas during WWII. The film begins with Froman’s triumphant comeback, and flashes back to the events leading up to this. The pic is efficiently put together, and Hayward’s lip-synching (Froman dubbed in her own singing) is unusually convincing. But the crash itself is disappointingly undramatic.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
The show’s most basic premise remains intact. Melinda Gordon is a newlywed and owns the antique shop in a quaint
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
“You wanna be where everybody knows your name”
And who wouldn’t want that? In its landmark 10th year Cheers kept on delivering pretty much the same. It’s remarkable that this cast remained almost untouched since the first year a decade ago. Coach passed and Diane left, but the patrons just kept coming back week after week providing that friendly ambiance that Billy Joel likely understood when he wrote Piano Man. Cheers was a simple show with very little fluff.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
“Hey Hey Hey, It’s Fat Albert!”
That’s right, it’s Fat Albert. Bill Cosby invented the portly young Albert for his stand-up and album releases in the 1960’s. The character, like many of Cosby’s stories, is based on elements of his own youth. My parents were huge Cosby fans, so I had heard all about these Cosby Kids long before they hit television in 1972. Fat Albert And The Cosby Kids was an almost instant hit on the Saturday Morning cartoon menu.
Posted in: Brain Blasters, Regular Columns by David Annandale on September 6th, 2008
We have all encountered films that are less intelligent than they think they are. My favourite example of this syndrome would probably be Contact, the deeply serious Jodie Foster vehicle, directed by Robert Zemeckis, and adapted from the Carl Sagan novel. The film keeps the novel’s primary weakness (the ending, which, smacks of a writer who hasn’t worked out a full outline before starting) and introduces some unintentionally funny visual elements (the alien-inspired technology looks suspiciously like it was designed by Wile E. Coyote, and the first time out works like was designed by him, too). But the film’s biggest sin was not that it has some very silly aspects, but that it is completely unaware of same, and really seems to believe that it is Important Art. Similarly, M. Night Shyamalan has become the undisputed King of Movies Less Intelligent Than They Think They Are.
Posted in: Disc Reviews by David Annandale on September 5th, 2008
Denys Arcand’s conclusion to the loose trilogy whose first two parts were The Decline of the American Empire and The Barbarian Invasions takes place in a near-future Quebec of soulless bureaucracy and nonexistent human relations. Our hero (Marck Labrèche) is a civil servant with a wife whose job leaves no time for him, two iPod-dependent teenage daughters, and a giant suburban house that is not a home. He retreats from his dead-end life into a series of fantasies which see him as hero, shiek, rock star, celebrated novelist, and so on, always with women rushing to have sex with him.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2008
There has to be something wrong with anyone who doesn’t have at least a small soft spot in their hearts for Tim Burton’s A Nightmare Before Christmas. The film will assuredly earn its rightful place as a classic as more years roll by. The film just works on so many levels. Danny Elfman deserves as much credit as
Posted in: Disc Reviews by Gino Sassani on September 5th, 2008
NCIS is a spin-off, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The series has an incredibly global feel and honestly looks damn good for television. Production values are high, and the location stuff is out of this world, or at least all over it.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2008
Chris Rock has been one of those comedians that either hits a home run or strikes completely out. I’ve seen quite a bit of his stand-up and found I loved it or hated it. He’s not afraid to play the race card. Hell, Chris plays the whole dang deck at times, and Everybody Hates Chris is no different. The comedy is based, loosely I’m sure, on the young adolescent life of Chris Rock. It’s a black comedy that will bring back memories of those 1970’s shows we all watched as kids. Like Good Times and even Sanford And Son,
Posted in: Disc Reviews by Gino Sassani on September 5th, 2008
<>“I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my ability, preserve, protect and defend the Constitution of the United States.”
To Date 42 men have taken that oath to become President Of The United States. While our current president is #43, Grover Cleveland’s terms did not run consecutively and so he often is counted twice.
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