The Failure of Wii Online, Blizzards starts up the Sue wagon, and the British offering cash for lies? - Welcome to the column that promises to stick to the truth except when it comes to whether or not Silent Hill still makes us wet the bed at night known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. After bludgeoning people with my Bloody Brass Knuckles all week in WoW, this fist weapon is here to stay for now in my 34th level Troll Rogue's arsenal. I find this to be the case because simply there aren't a lot of appealing blues at my level to begin with.

Tim Burton, Johnny Depp, Helena Bohnam Carter, and a 1970’s Broadway musical by Stephen Sondheim about a barber with a penchant for truly close, and rather bloody, shaves. With these kinds of ingredients you have a can’t miss recipe for Sweeney Todd, The Demon Barber Of Fleet Street. The finished product is a wickedly clever and most unusual movie experience. Tim Burton’s style blends so seamlessly with the dark humor of the original production.

Aqua Teen Hunger Force has hit mainstream, well for the most part. The Tv Show has been on Cartoon Network's Adult Swim for a few seasons now and they even released a theatrical film. The film entitled Aqua Teen Hunger Force Colon Movie Film wasn't exactly a run away success. The film only made 5.5 million dollars nationwide. However, this was also about 7 times the budget which made the film a profitable success. So with the movie behind them, would the fame of past efforts fill their minds and make the creators' (Dave Willis & Matt Maiellaro) heads swell with pride? Let's turn into Volume 5 (Season 4) and find out.

Stargate Atlantis went into its third season with a lot to prove. Its companion and older series SG-1 was winding down and preparing to take its show to the longer direct to video path.  Atlantis rose to the challenge and had what was arguably its best season to date. The best decision the show runners could have made was the one to concentrate on their core characters and give us episodes that were obviously intended to help us learn more about them. We meet McKay’s sister and Ronon’s wife and family along the way.

In The Mist, Frank Darabont returns to familiar territory, directing another movie based on a short story by Stephen King. Darabont struck gold in 1994 with The Shawshank Redemption and then came close to, but did not equal, that magic with 1999's The Green Mile.

Is the third time a charm for Darabont working with King material? The answer is a resounding "yes".

The Mist is near-perfect on every level.

Horror movie? Check.

Morality tale? Check.

Metaphor for today's world? Check.

Let’s consider today’s exercise a companion piece to my colleague’s excellent Dare to Play the Game column. That’s by way of saying to that I’m going to risk slightly poaching on his turf by considering a tangentially game-related topic.

I’m probably not going too far out on a limb to assume that just about anyone with access to an Xbox 360 or a sufficiently powerful PC played Bioshock at some point in the last year. Among its many qualities, Bioshock is one of the best-written games to have come down the pike, and one of its not-inconsiderable delights is the dialogue it engages with the ideas of Ayn Rand. Specifically, it is her magnum opus Atlas Shrugged that provides most of the game’s philosophical fodder. Anyone with the time to slog through the book’s utterly lunatic thousand-plus pages will surely find their appreciation of the game increased (and this is one of those rare cases where the writing, characterization and ideas of a game are consistently better than the work of literature it is bouncing off). And the book is so insane that is has an absolutely compulsive, Biggest Train Wreck Ever appeal. But let’s pretend you don’t have that much of your life to give up to an experience that can best be described as the philosophical equivalent of high camp. There is a more time-efficient alternative.

Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.

Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood.

Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family oriented plays upon which many of his movies are based.

After Diary, Perry went on to star in and direct the sequel, Madea’s Family Reunion, which did even better at the box office. And since then, he’s created his own studio, released three more movies, is set to release a few more, and currently produces a sitcom, Tyler Perry’s House of Payne, on TBS.

The Kite Runner is one of those films that is extremely hard to pin down. On the surface it’s a moving story about friendship and redemption, but I have to wonder if that is really the collection of themes intended by either the original novel’s writer Khaled Hosseini or the film’s director, Marc Foster. The story begins with two young Afghan children who appear to be friends, but they are from different worlds.

It has always been odd to me that for as popular as Bollywood films are in India, they really haven't made much of an impact here in the States. Films from other countries find their place here, but Indian works are pretty widely overlooked here. Maybe it has to do with the wide cultural differences. Maybe it is because so many Bollywood films rely heavily on the traditions of the American musical. Whatever the reason, no Indian films have really caught on here, and the same can be said of the beautiful and talented Indian actors and actresses.