Some of my favorite fighting games include the likes of Marvel vs Capcom 2, X-Men vs Street Fighter, Marvel vs Street Fighter, etc. The appeal of these games was simple, fun fast arcade gameplay with cool easily-known characters (I did always have a fondness for Gambit). Along those lines, SNK was introduced into the series as a logical step around 1999 in the game series SNK vs Capcom. After SNK filed for bankruptcy in 2000, the company re-formed and was called SNK Playmore. In 2005, SNK Playmore decided to bring out a game that played very much to the old versus games in NeoGeo Battle Coliseum. In the last breath of 2007, NeoGeo Battle Coliseum makes it to the states for the Playstation 2 system. Now in my greedy little hands, I explore the game and see if it stands up as a true fighter.

Graphics
The Vs. games were always strong in graphics, you could recognize most of the characters immediately and know who you wanted to start playing with because of that look. NGBC is unfortunately just average. You could spend a long time looking at the various characters that you have to play with because you can't discern between one male fighter and the next. The characters and action appear very pixilated and this game has not improved since the console versions of the Vs. games already mentioned. In some ways, those seem better now; Marvel vs Capcom 2 for Xbox is a good example. Even Mai Shiranui of Fatal Fury fame isn't as beautiful as I hoped and there are few standouts in the background or animation department. While no progressive scan or widescreen is provided, in the options menu there is a Screen type setting (Type A / Type B) which stretches it out a bit. But it is not a widescreen option.

GPS on the PSP, DTV on the Xbox 360, and Provo gone? - Welcome to the column that recommends you take heavy doses of LSD and PCP to enjoy the sarcasm to its full extent known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. All Pro Football 2k8 is a mother. Well the season mode is, I'm currently trying to beat the Legends squad which is just as bad as it sounds. John Elway at QB, James Lofton at WR and a whole list of defensive squad all-stars guaranteed to make sure they score often and you score close to never. My team's gold players consist of Walter Payton and Jerry Rice. My QB is Randall Cunningham. I actually used my own likeness as a Bronze Tight End. I should have a lot easier time on offense but for the most part my defense does better which is anchored by DE Too Tall Jones and MLB Karl Mecklenberg. But you know what kills me in this game. The short pass. Screen passes murder me and there is no good package I can find to combat it. Not to mention they do it constantly. I also made a team to resemble the '85 Chicago Bears since the game seems fit to include 6 Bears already that played on that team. It was just a matter of creating five more. I chose Jim McMahon (QB), Kevin Butler (K), Steve McMichael (DT, but I had to put him as a DE since they list Dan Hampton already in the game as a DT and William Perry is the other DT), Richard Dent at DE and Jim Covert as OT. Four starred defensive linemen. Quarterbacks are going to run in terror. I really love creating teams & players, I just wish they didn't have a cap of twenty players which I will max out when I'm done with the current Philadelphia Eagles squad.

In the late 1960’s Northern California was being terrorized by the actions of a serial killer. This murderer was not content with his brutal slayings, but taunted the communities with cryptic letters and ciphers. He demanded these codes be published and promised more horrifying violence if his wishes were not carried out. Serial killers were actually quite common during those years. 1968-1980 produced more confirmed serial killers than any other time in our nation’s history. Of course, most of them get caught. What makes the story of The Zodiac killer a far more interesting case is that he was never caught. Like Jack The Ripper before him, his unsolved crimes allow for wonderful speculation and theorizing. All of us consider ourselves amateur sleuths, and we just can’t resist an unsolved mystery. The problem here is that the film doesn’t really engage our fantasy of finding clues and observing suspects. The film does settle on a suspect, but there isn’t enough on-screen evidence for us to play out the scenarios in our own mind. Director David Fincher does a good job of reproducing that era on the screen, and he certainly can’t be accused of not delivering a compelling story. The trouble is, this happens to be a nearly three hour film that doesn’t need to be half that long.

 

According to the Financial times, Paramount/Dreamworks has an out clause in their exclusivity contract with HD DVD. FT states that Paramount is looking to use that clause to move over the better looking pastures of Blu-ray.

Earlier this week Newline confirmed to Variety magazine that they would go Blu-ray exclusive as well. If this all comes to fruition, it would leave Universal as the lone soldier on the HD DVD side of the format war... most certainly leading to the formats demise. We here at UpcomingDiscs.com will continue covering both formats as long as they are supported. More news on this as it comes out.

Nathan Maguire (David Leon) is having a very bad day. The boneheaded bully at school has it in for him. Jessica (Samantha Mumba), the girl he loves, doesn’t show up for their meeting where he was finally going to declare his feelings, and then he sees her in the car of one of the local studs. Plus he gets soaked in the rain. And just to cap things off, he is accidentally hanged, and his distraught mother performs a voodoo ritual to bring him back from the dead, only the manual was missing a page and he returns as an infectious zombie. Oops.

Thank you, Shaun of the Dead, for turning the zombie comedy into a veritable cottage industry. Boy Eats Girl certainly doesn’t have the brilliance of the former film or the likes of Fido. The characters are pretty generic (the Nice Girl, the Losers, the Jocks, the Slut, etc.) as well. But the film is efficiently paced (a mere 80 minutes), and the performances are engaging. We may have gone down these teen comedy paths before, but the conviction of the cast and script makes it all seem fresher than it should be. There are some very funny moments (as Nathan starts exhibiting superhuman strength and an alarming lack of pulse, for instance), and the gore, which is remarkably restrained for most of the film, explodes with would-be Dead/Alive enthusiasm at the climax.

The only place that I think anyone would really know Andy Samberg is as the brains behind some of the hilarious Saturday Night Live digital shorts over the last couple of years. The most notable being a Christmas gift that you can give your beloved. A gift you can make yourself, using three easy steps. Step one, cut a whole in the box…

So he’s taken the five to ten minute short and tried to harness that humor into a ninety minute feature film, which everyone seems to be doing, right? Well in Hot Rod, the feature film debut of Samberg, he plays Rod Kimble, a stuntman without a lot of charisma or ability, relying on a moped as his means of wowing the stunt crowd. With the help of his friends Rico (Danny McBride, The Foot Fist Way), and Dave (Bill Hader, Superbad) and his stepbrother Kevin (Jorma Taccone), Rod tries to impress his stepfather Frank (Ian McShane, Deadwood), who Rod challenges to fights in order to win some respect. His mom Marie (Sissy Spacek, Coal Miner’s Daughter) tries to help him through it also, and Rod’s prospective love interest is his longtime neighbor Denise (Isla Fisher, Wedding Crashers) is a problem for him, since Denise is dating Jonathan (Will Arnett, Blades of Glory).

The big thing that gave Captivity the anticipation leading up to its release was a less than studio endorsed billboard showing its star Elisha Cuthbert (24) being tortured before getting killed. The main thing about the film was that Cuthbert had sunk so far downhill after renouncing her dad Jack Bauer. But holy crap, Roland Joffe directed this film! For those who don’t know, Joffe is a two time Oscar nominated director for The Killing Fields and The Mission. But since then, his success arc seemed to fall off the table completely since the mid ‘80s, with contributions like Super Mario Brothers and The Scarlet Letter, even directing an episode of an MTV sitcom. So I guess it’s only natural that he come into the torture horror genre much too late in the game with Captivity.

Written by Larry Cohen (Cellular) and Joseph Tura, Cuthbert plays Jennifer Tree, a successful model who finds herself captured by an unknown assailant, with no foreseeable hope for freedom. While in captivity (get it?), she meets Gary (Daniel Gillies, Spider-Man 2), and together they both try and find a way out of their hell. I wish I could give you more without diving into a spoiler or two, but that’s as far as I can get.

As the Harry Potter franchise heads into the home stretch of films, some of the film’s young cast members are attempting to break out into other roles, or at least employ a little bit more emotional depth in the roles that they’ve made into small cottage businesses. And of course, the biggest one in the bunch is Harry himself, Daniel Radcliffe. He’s appeared in a London played named “Equus”, in which he appeared nude in and got a lot of notoriety for, but received some praise based on his performance. He also appeared in the Ricky Gervais show Extras where he played himself in a role where he really really wants to break out from his childhood perception. But in December Boys, he plays a bit of a loner of sorts, though people seem to label the film for the sensationalist things Radcliffe does in the film. Look, Harry Potter smokes and gets it on with a girl, wow! But looking beyond perception, it’s a decent film.

December Boys was a film that was adapted from a Michael Noonan novel and directed by Rod Hardy, who has directed mainly television shows, most recently, Battlestar Galactica. But in the film, Radcliffe plays a guy known as Maps, along with his friends Misty (Lee Cormie, Darkness Falls), Sparks (Christian Byers) and Spit (James Fraser). The boys are slightly older orphans who have not been adopted by any prospective Australian families and are getting to the age where adoption is unlikely. They share the same relative birthday in December, and at the orphanage they live at, the nuns give them a chance to go to the beach and enjoy a holiday during Christmas, where two sets of families decide to welcome them. The younger family apparently has aspirations for adopting one of the children and Misty finds this out, and the boys are thrown in a competition of sorts. Maps finds Lucy (Theresa Palmer, The Grudge 2), who is staying there for a time, and shows Maps his first real look at the birds and the bees.

HBO’s Rome was cutting edge historical drama and, of course, was crazy successful. Is it any surprise that their largest rival Showtime would attempt to cash in on that success? Showtime’s The Tudors flashes forward a few centuries to 16th Century England and the rule of Henry VIII. The Tudors has more than just history in common with Rome. Both series have an almost obsessive fixation on sexual encounters. This one is not going to play well in those history classes for the kiddies. Both shows were filmed on location with lavish sets and costumes. The comparisons soon end as we examine the approaches each take on their subjects. The Tudors attempts to modernize the story more than a little. Henry’s attire is more akin to a rock star than a 16th Century ruler. The language is also more updated, often filled with modern colloquiums and the like.

 

When warner Brothers decided to start their Raw Feed line of direct-to-DVD horror films, Daniel Myrick was brought in to Produce. The choice of Myrick was a no-brainer, as he (along with his partner Eduardo Sanchez), was the creative force behind the "Blair Witch" phenomenon. While the team Directed the first film, they served as Producers on the second. Admittedly, "Blair Witch 2" was not as well received as its predecessor, but it was exactly the type of film that would be successful as a direct-to-DVD release.

Myrick Produced the first two Raw Feed releases ("Rest Stop" and "Sublime", which both received high marks on this web site), and he has moved back into the directing chair with the third film in the series, "Believers". Truth be told, this is really Myrick's traditional Directorial debut, as the faux documentary style of "Blair Witch" was not a typical feature. I had high expectations for this film, but unfortunately, it looks like Myrick is better wearing the hat of a Producer than that of a Director.