All right, after a longer delay than expected (my apologies), here with go with John Brahm’s The Lodger (1944). This is actually a remake of Alfred Hitchcock’s 1927 effort, but Brahm’s film stands just fine on its own, thank you very much. Laird Cregar plays the title character. He is none other than Jack the Ripper, renting an upstairs room in a fashionable district. There he performs some rather dark medical experiments and obsesses over his deceased younger brother. Meanwhile, the family (pater familias Sir Cedric Hardwicke, mother Sara Allgood and singer/dancer daughter Merle Oberon) have more and more unanswered questions about their tenant. Hardwicke holds his suspicions at bay, but Allgood and Oberon become more and more nervous. Oberon has every reason to be, as her profession marks her as a likely Ripper target (so, yes, the fact that the actual killer’s victims were all prostitutes is rather glossed over). George Sanders shows up as the Scotland Yard detective assigned to the case, and also as Oberon’s love interest.

There have been so many Jack the Ripper movies, one must be very, very cautious about calling this or that one the definitive tale. I won’t make such a claim for The Lodger, but it is easily one of the best. Unlike Brahm’s The Undying Monster, which, as I wrote two columns ago, is fun but uneven, here Brahm has a film that is perfectly consistent in tone. The opening murder is chilling, a textbook perfect exercise in showing just enough to set the mind in overdrive, imagining all sorts of brutal horrors. Thereafter, the film becomes a case of gradually mounting suspense, as Oberon unknowingly places her neck in a slowly tightening noose.

Mel Gibson has had a bit of a rollercoaster life these last couple of years. He has apparently given up on the mainstream films that have made him such a hot property over the years. His DUI arrest and subsequent anti-Semitic rant have caused many to look less favorably upon the man himself. It doesn’t help that his last two films have been less accessible and in obscure ancient languages. These films have not come without their own controversies. Still, no matter how you view Gibson or his work today, it can’t be denied that he has created one of the more compelling films of our day in Braveheart.

"Warner Bros.' move to exclusively release in the Blu-ray disc format is a
strategic decision focused on the long term and the most direct way to give
consumers what they want," said Meyer. "The window of opportunity for high-
definition DVD could be missed if format confusion continues to linger. We
believe that exclusively distributing in Blu-ray will further the potential for
mass market success and ultimately benefit retailers, producers, and most
importantly, consumers." - Barry Meyer(WB CEO)

Every two years, the Wo Shing Society, an ancient Triad, elects its chairman. The two candidates this year are Lok, an amiable, level-headed, managerial type, and Big D, a flashy hothead cut from the same cloth as Tybalt. Big D throws bribes and around in an effort to win, but to no avail. Refusing to accept defeat, he resorts to violence, threatening to tear the Society apart. The question is whether Lok is made of the necessary stuff to make good his victory.

This is the first of two films recounting a crime epic, and though this effort stands very handily on its own, it is to be fervently hoped that Part 2 makes it to DVD very shortly. From a deceptively placid beginning, the story builds to a climax worthy of Shakespeare and his blackest and most violent. There are also surprising moments of humour (there’s a scene involving a two simultaneous phone calls that is one for the ages). The sheer number of characters can be a bit confusing, but this is tight, smart, economical storytelling at its finest.

So here we are again with a second collection of episodes from The Young Indiana Jones Chronicles television series. This is the middle of a three volume set and concentrates the stories around World War I and II. It can hardly be a surprise that Young Indy kept himself quite busy during these war years in Europe. He was a pilot, secret agent, and even ballet dancer all for the cause. The set has as an appropriate subtitle: The War Years. Except for the bountiful features, the information from the first set is still valid and repeated here for the sake of convenience.

from engadget:

Slated to launch sometime in Q2, the networked player would purportedly allow owners to stream in movies for viewing on their television, and it's being reported that the feature would be "included in all of its various price plans... at no extra charge." Pricing deets on the LG device have yet to be disclosed, but we're told that the firm could "embed the receiver into its $799 dual-DVD player [likely the BH200]." According to Netflix Chief Executive Reed Hastings, the LG partnership will hopefully be "the first of many such deals" for the company, and he added that he'd love to "see a hundred Netflix-capable boxes," suggesting that there could be deals struck with internet-connected gaming consoles as well as cable / satellite providers.

This coming weekend will be the start of the NFL Playoffs and the end of college football. Most people are drawn to play a football game of some sort at this time. Whether it would be an old classic or the newest Madden title, we feel the need to be close to the action. Some of us just really don't care that the Patriots might end up 19-0 and win the SuperBowl and would rather simulate some other scenario. That's why I chose to bring you a football review at this time of the year rather than the beginning of football year like most other columnists.I also chose a game that people might pass up at first glance. Madden isn't the only game in town (despite that whole license lockup issue) and perhaps there are other games out there with stronger gameplay.

Graphics
I've been playing football games before even the first Madden. (Colecovision babie!). With each new system that I play a football game, things keep getting better. Try going back to any of the first few Maddens on Sega Genesis and you can see the difference immediately. The last football game I played was NFL 2k5 on the PS2. All Pro Football uses a lot of the same elements and looks strikingly similar. The graphics do look more crisp and it makes good use of the new widescreen format. However, it simply hasn't changed much since NFL 2k5 and a lot feels like the same software on a newer console. Another problem is when you are playing as the QB and watching passing routes. Unless you know the routes backwards and forwards, you will sometimes miss which button to push to throw to the appropriate receiver.

Smack the Wii, Scalp Half-Life, and XBox Live Broken Down - Welcome to the column that realizes that the gaming newsworld is a vacant wasteland during the holidays but trudges on anyway known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. The girlfriend and I are trudging on through Marvel Ultimate Alliance, we finished the Atlantis stage. Saved Prince Namor, beat Kraken and thankful I don't have to touch another water stage. I really don't like them. Perhaps it's all of the "authentic" water-like sounds. Like gurgling. I also received my copy of the Xbox 360 Arcade Compilation disc that was packaged inside the 360 Arcade machine. Ebay is a wonderful thing. I quickly became addicted to Pac-Man Championship Edition. I usually suck at Pac-Man, well actually I still do. But for some reason, I'm just a little better or feel like I am when it comes to this version. I completed the Championship Mode fairly easily and almost beat Extra Mode #2 (3 seconds left, I'm not kidding) but the rest of the modes I'm usually a couple of minutes off from beating them (10 minute timer). I've gotten half of the achievements and it's listed as an easy game on Achievement sites. I think the reason behind that though is so many people in their younger days threw bucket after bucket of tokens into the game or Ms. Pac-Man. However, I did not. I spent my time playing Dig Dug, Pole Position, Mappy & Galaga. So as to my meh Pac-Man scores, I hope to improve. If not, I'll still own you all in Mappy!

In the recent days and weeks since the Lindsay Lohan film I Know Who Killed Me arrived on video, she’s discussed the details behind a car accident in which she may or may not have been under the influence of alcohol. It only seems fitting, since this film is a carwreck of substantial proportions, and we probably have to ask whether or not Michael and Dina’s daughter was on something when she agreed to make the movie.

Written by Jeff Hammond in his first feature film screenplay (big shocker there) and directed by Chris Sivertson (The Lost), Lohan appears as Aubrey Fleming, who is abducted and tortured by a mysterious criminal mind. The next thing Lohan knows, she wakes up in a hospital, without any memory of what’s happened to her except for some telling physical signs, and has no memory of this person named Aubrey. In her mind, she’s Dakota, an exotic dancer and proverbial grown up girl. In Aubrey’s absence, Dakota frequently bumps heads with her parents Daniel (Neal McDonough, Minority Report) and Susan (Julia Ormond, Legends of the Fall) and with boys at school.

Sometimes I absolutely adore anime. Great action from the far east that breaks boundaries one could only dream of. Or perhaps to tell an engaging story about a love lost long ago. Once in a while, I hate anime unfortunately. This usually occurs when they break no boundaries, tread over the same story or it plays out like hentai (tentacles in places where they don't belong). So I receive Paprika to review. Hoping I would like it, I quickly stuffed it in my dvd player and found the following:

Paprika is the story of what would happen if somebody built a machine (called the "DC Mini" here, presumably the Mini DreamCatcher) that would allow psychotherapists to enter their patient's dreams and help them understand their hidden meaning. The DC Mini was designed and built by Dr. Kosaku Tokita, an extremely large fellow who is basically a child at heart. The main therapist Dr. Atsuko Chiba uses the device to enter her patient's dreams as "Paprika". Paprika is a fun and whimsical being and in contrast to the doctor who is very serious and laid back. Her primary patient for the film is Detective Konakawa Toshimi. He is having a recurring dream where he is trying to find this killer on the case he is working on. However, he can never make that breakthrough as the killer keeps escaping thru the various scenes in his dream.