”A philosopher once asked, ‘Are we human because we gaze at the stars, or do we gaze at them because we are human?’ Pointless, really...’Do the stars gaze back?’ Now that's a question.”

They do more than gaze in Stardust, a quirky, enjoyable film that’s not the epic tale it’s made out to be. The film adaptation of Neil Gaiman’s graphic novel of the same name, Stardust is a tale about a young man from a small English village who gets caught up in a magical adventure in another realm. With evil witches, fratricidal princes and a cross-dressing sky-pirate, there’s a lot of fantasy in Stardust, but director Matthew Vaughn’s penchant for Lord of the Rings-style sweeping cinematography creates a canvas much too grand for this simple fairy tale.

Xbox is Crack, SNK breaks out the catalog, and Counter-Strike deemed not Brazilian friendly? - Welcome to the column that keeps living in the past as long as it can keep making money in the future known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. My new router is going pretty well. Speed has picked up a good deal, however I still feel the pain when I'm doing something at peak hours. WoW is much improved as is the Xbox Live Marketplace.

Have you ever walked down the street and heard a chorus of “Five Oh” making the rounds? In street lexicon that means the police. It’s a warning to the drug dealers and any other illegal activities that the police are on the way. That’s just one of the ways that Hawaii Five-0 has invaded our pop culture. Who hasn’t heard the phrase, “Book him Danno”? It’s no surprise, because until Law & Order, Hawaii Five-0 was the longest running crime drama on television.

What started as a Neil Simon play and eventual film became one of ABC’s most endearing comedies of the 1970’s. One could credit the clever premise of putting a neat freak and a slob under the same roof. One might look to the fact that both the film and play were considerable hits to explain the success of the series. The truth is, it was none of these things. Plenty of hit films have spawned crappy shows. Remember That Big Fat Greek Wedding? Even Neil Simon plays have been the starting point for bad television. Remember Barefoot In The Park? My point exactly.

Shattered, whose original (and more original) title was Butterfly on a Wheel, presents us with the household of Gerard Butler and Maria Bello. Life seems idyllic. They have a nice house, a lovely little girl, and the money is flooding in as Butler rises in his career (though his tactics don't always seem entirely fair). Into their lives erupts Pierce Brosnan, who kidnaps their daughter, then forces the couple to perform one strange act after another, each event destroying their lives further.

I don’t particularly care how many times filmmakers recycle old tales, so long as they produce enjoyable films. The Invasion revisits sci-fi scribe Jack Finney’s “The Body Snatchers” for the fourth time on film, following in the steps of the original 1956 film and the ’78 and ’93 remakes. Dave Kajganich wrote the screenplay, and Oliver Hirschbiegel (The Downfall) directed. Then Warner hired the Wachowski brothers (The Matrix) to rewrite some scenes and inject more action into the film, and James McTeigue (V for Vendetta) to direct the re-shoots.

So is The Invasion a case of too many cooks in the kitchen, or just the right creative balance to bring Finney’s classic horror tale to life in the new millennium?

Screwball comedies can be fun, sometimes. The comedy where the main cast members have the intelligence of a three-toed sloth...combined. Dumb & Dumber was a good example. Gags that get created simply on the premise of their inadequate brain power. However, Dumb & Dumber created an awful sequel. What's worse is that created a few wannabes in the process. One of those films arguably is Brothers Solomon. However, this viewer hoped just for a second that I wouldn't be holding my head in my lap the entire ninety three minutes asking for my very painful headache to go away.

As expressed before, I have a certain fondness for Garfield. The larger than life orange tabby cat has been a staple of my comic strip reading diet for more than 20 years. I've watched Garfield & Friends, seen the longer animated specials, and even sat through the first of the full length movies (I couldn't stomach the nerve for the second one). So naturally, I was a little excited when I heard that Garfield would be a full CGI showing in a new dvd called Garfield Gets Real I just hoped it would be better than what I've heard about the Tale of Two Kitties

This is one of those wholesome movies the entire family can enjoy. From veteran director Michael Apted (Coal Miner’s Daughter), Amazing Grace is the true story of William Wilberforce, the 18th Century political activist who spent nearly his entire adult life campaigning to end the British slave trade. It’s a simple but compelling story wonderfully told, with a superb cast including Ioan Gruffudd (Fantastic Four), relative newcomer Benedict Cumberbatch (Atonement) and stage and screen legends Albert Finney (Big Fish) and Sir Michael Gambon (Harry Potter and the Prisoner of Azkaban).

And so here we are, on the opening night of Cloverfield. This is a film that, as a huge fan of creature features, I devoutly hope will be good. So my thoughts on that perhaps next week. But with the possibility of the first original giant monster movie to come out of Hollywood since... since... Tremors?... being worth seeing, an unfortunate screening experience last night has moved me to reconsider some remarks I made here some time ago. At the time, I was mounting a defense of cheap CGI creature-featrues (of the sort that inevitably winds up on the Sci-Fi Channel) by making the case that they were analogous to the B-level monster movies of the fifties.