Posted in: Brain Blasters, Regular Columns by David Annandale on November 9th, 2007
Many a month back, I talked about some essential reading material for fans of the cult/exploitation scene. Time (past time, actually) for an update on that subject, because there’s a recent book out there that, while taking nothing away from the excellent Sleazoid Express and Bold! Daring! Shocking! True!, at the same time sets the bar impossibly high for anyone else wanting to contribute to the field.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2007
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a
Posted in: Disc Reviews by Gino Sassani on November 9th, 2007
It’s probably a pretty bad sign when a film’s star makes a public apology to his fans for doing the film just when it is getting released on DVD. Brad Pitt did just that, and you know what? He should be sorry. This film is an absolute mess all the way around. I think it’s supposed to be a slasher film, but there are never any good 1980’s slasher moments to be found. It’s true that at this point in his career Pitt wasn’t exactly being offered the cream of the crop. He wasn’t paling around with George Clooney and friends just yet. So perhaps it’s not Pitt but the folks who made this film who should be apologizing.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2007
Wings was one of those unusual sitcoms that depended more on the characters than the situations they were in. While the setting was a small
Posted in: Disc Reviews by David Annandale on November 8th, 2007
Roger Corman is fond of saying that only one of his movies ever lost money. It was this 1962 release (shot in 1961), and it is his bravest film, and still arguably his most powerful. William Shatner plays Adam Cramer, a white supremacist associated with the “Patrick Henry Society” (read: John Birch Society), who arrives in the southern town of Caxton on the eve of racial integration of the school. The demagogue whips up the hatred of the white townspeople, leading to cross-burning, church-bombing, and worse.
Posted in: Disc Reviews by Gino Sassani on November 7th, 2007
I must admit that from the moment I first heard about this Pixar film I was abnormally indifferent. I can’t explain exactly what it was that kept me from the theaters, but this is the first time I missed a Pixar film in its original release. I like rats, so it wasn’t the subject matter. Perhaps the unpronounceable title is to blame. I will admit it conjures nothing for me, so I found it hard to get excited about what I might see. This is rare, because I have eagerly awaited these outings based not only on the story idea but knowing it will be a treat in every aspect from design to technological wizardry.
Posted in: Blog Posts, Release Announcements, The Reel World by Archive Authors on November 7th, 2007
Direct to DVD comes #1 of 4 direct-to-DVD Futurama feature length movies - "Bender's Big Score." Of note: lots of PR flackery over the fact that this production is "carbon neutral" with Fox apparently ponying up for offset credits against CO2 releases from energy and materials used in production. The extras (after the jump) also include a "Terrifying Message from Al Gore" - Huzzah!
Uncancel your plans for the future — Futurama is back! In this all-new, feature-length epic, evil nudist aliens send Bender on a rampage through time, forcing him — slightly against his will — to steal all of Earth's priceless historic treasures. Will the heroic Planet Express crew save the planet? Will Leela find true love? Will the ancient and terrible secret of Fry's buttocks be exposed? All will be revealed in Futurama: Bender’s Big Score, the greatest adventure of our time, and also the greatest adventure of several other times! In the words of a certain beer-fueled robot . . . “We're back, baby!”
Pricing: $29.98 U.S. / $37.98 Canada
Special Features follow after the jump...
Posted in: Disc Reviews by David Annandale on November 7th, 2007
Stop me if this sounds familiar: in a far-northern community, night lasts thirty days, which makes the area highly hospitable to vampires. Yes, Frostbitten shares a very similar premise to the excellent 30 Days of Night. And while the Swedish film predates its American counterpart, it is more recent than the graphic novel. At any rate, the similarities pretty much end there, as Frostbitten is more interested in comedy than its cousin, and is also nowhere near as good.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on November 7th, 2007
Hacking through Manhunt 2, Germans censor corpse desecration and Maniac Mansion censorship revisited - Welcome to the column that is unedited and contains plenty of swear words like *£ïΘ, &$%*, & *$&# known as Dare to Play the Game.
Welcome to another edition of Dare to Play the Game. Nope, still didn't get to Half Life Orange. *sigh* The girlfriend and I played a whole lot of Guitar Hero 3 which is why you got a handy dandy review so quick. That and I couldn't break my Guitar Hero streak on this site. No sireee bob. A lot of Puzzle Quest was also digested as my character has entered the mid 20's and the girlfriend is in her 30's. Just like our ages except in reverse. Damn, I'm old; but my girlfriend did turn 24 yesterday. Muhahahaa, perhaps it isn't nice to point and stare. But heck I do that anywhere on a daily basis. She also reads this column, I worry for her sanity.
Posted in: Disc Reviews by David Annandale on November 6th, 2007
Hmm. A vision of elaborate torture in washed-out tones on the cover. A three-letter title. Gee, could Gag be inspired by Saw? Perhaps, but fortunately not in any slavish way, limiting its connections to the idea of extended torture, and that’s hardly something Saw invented. As opposed to the Saw franchise’s increasingly risible plot convolutions, Gag keeps its setup simple: a pair a burglars break into a house where they first discover a man chained to a bed, and then are captured themselves by the resident nutjob. The ensuing drama is a claustrophobic one, with the main characters trapped in the torture room at the mercy of a lunatic who has a definite, if mysterious, goal.
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