Some great deals on the unholiest day of retail sales(source).

 Coby DVD Player - $9.99
 Curtis Home Theater System - $29.99 
 Philips HDMI Up Convert DVD Player - $29.99
 Sony 1000 Watt 5 Disc Home Theater System - $299.99
 Sony 1000-Watt 5-Disc Home Theater System - $299.99 
 Sony 800 Watt Home Theater System - $149.99
 Sony Combination DVD VCR Player - $84.99 
 Sony DVD Recorder With VCR DVD - $199.99 
 Toshiba HD-A3 HD DVD Player - $169.99
 Zenith DVD Player / VCR Combo - $39.99

Some things just go together. Like Peanut Butter & Jelly, Sonny & Cher, Siskel & Ebert (okay, not so much). Puzzle Quest brings something together in complete harmony like no other game before it. Puzzles and Role Playing Games. Sure the Zelda or Breath of Fire series have puzzles in the game, but we are talking full integration where every battle is decided in a Bejeweled-like interface. Complete with mounts, spells, and other rpg-like elements; this could be the best idea of putting things together since I tried fritos and cream cheese. (Come on, you know you are curious)

What happens when the reviewer who did Dante's Cove decides to tackle its vampiresque cousin, The Lair? (Besides scheduling more sessions with his psychiatrist) You get somebody who starts understanding what makes up the Here! network. We're homies, we break bread together. Just don't expect me to wear my pants that low nor participate in your late night parties. I got an image to uphold. Season one of the Lair provides something that no other show on the Here! network has proved to this point. A show where there is actual dialog and something more than a cheap excuse to show lots and lots of male on male action. Welcome to the Fang Bang.

Very few of us know A Clockwork Orange as the 1962 novel by Anthony Burgess, instead we know it as the 1971 Stanley Kubrick film adaptation. Not only did Kubrick direct this cult classic, he also wrote the adapted screenplay and produced it. There’s no doubt that Kubrick put a lot into this movie, and by now we all know the results. A Clockwork Orange is a perfect example of Kubrick’s career, highly controversial. After the cult hit 2001: A Space Odyssey, it was crucial for Kubrick to keep the audience on the edge of their seats, and what better way to do that than adapt A Clockwork Orange. There are those who would call this movie trash, and of course there are those who absolutely love it, then of course there’s everyone in between. Well A Clockwork Orange isn’t new news to me, it’s release on HD DVD already looks to impress.

The Invisible appears to have been marketed a couple of different ways when it was released in early 2007, but the most used phrase for the film appears to be “Supernatural Thriller”, which might address it to some degree if it was, you know, thrilling.

Christine Roum (Bodyguard II) co-wrote the screenplay, which David Goyer directed. Goyer has been a longtime writer, providing words to such films as Dark City, Blade and Batman Begins. And for all the good work he’s put in as a writer, you’d think he would have learned some things when it comes to directing, but ultimately, he’s just another guy who was talented in one area and needs some work in his new one.

I don't think any documentarian in history has been as famous as Ken Burns. His series on the Civil War is what first made him a household name, and his in depth looks at baseball, New York City and jazz are what has solidified his place in the American consciousness as the world's premiere documentary filmmaker. He is so well-respected, in fact, that his method of making still photographs interesting by zooming and panning is actually known as the Ken Burns Effect.

I know that some of what I’m going to touch on today is going to overlap with past topics, and so I beg your indulgence. But recent DVD releases have prompted some thoughts on the phenomenon of double-dipping. This is not something that is by any means exclusive to the cult movie scene, but plenty of it goes on here. Consider the umpteen “definitive” editions of Halloween that Anchor Bay has trotted out. But I want to look at a three cases, two of which are admittedly mainstream (though not unrelated to this column’s field), with the third representing an overt stab at cult immortality.

Mario Bianchi’s film is a 1982 remake of the recently reviewed Malabimba. The spirit of a newly deceased woman possesses her daughter, and proceeds to wreak havoc in the gothic castle that is the family’s domicile. Of course, given that the father is a murderous drug-addict, there isn’t that much for the possessed teen to do, as far as the plot itself is concerned. Curiously, this effort is less lurid than its predecessor (barring a couple of insanely OTT performances), with less nudity and taboo-busting, and also a rather less interesting deconstruction of respectable society. Plotting and motivation are haphazard at best. Still, it’s a not-unentertaining late-period Italian gothic, blessed with handsome sets.

There are plenty of reasons to be grateful for public domain rules, as they make plenty of movies easily available that wouldn’t be otherwise. But there are pitfalls as well, and there is no clearer example of this than what has befallen George A. Romero’s classic film. The great man barely saw a dime from his work, but all and sundry can fiddle with Night of the Living Dead as they see fit, and here is a textbook case. The basic premise is intact: young woman and her brother visit cemetery, are attacked by zombies, and heroine winds up part of a besieged group. Sid Haig lends his presence to liven things up a bit, but he have any real role to play until the movie is almost half-over, by which point many viewers will be sunk in boredom. The zombie attacks are tediously realized, and this is easily the most gore-free version of the story.

I can still remember the first time I saw Raiders of the Lost Ark. It was just after my birthday in June, and I had some time to kill on a weekday afternoon. I didn’t recall seeing a lot of hype, and it seemed no one knew just how huge the film was going to be. My expectations were not really high. The film looked interesting, and I was just looking to escape for a couple of hours. By the time I left that theater, I felt a little bit like Indiana Jones himself having made some grand discovery. I had to tell my friends.