Billy Madison (Adam Sandler) is the son of the founder of Madison Hotels. The company is on the Fortune 500, having started from a few hotels in PA and now has become a huge company. Like many fathers he wants to pass the business onto his son. The only unfortunate part of this equation is that Billy is a complete and utter moron who does nothing but drink beer, get high and basically act like a child despite being 27. After learning that his father basically paid his way through school bribing his teachers, Billy is determined to repeat the 12 grades he never completed. The only catch is that Billy must pass each grade within a 2-week grace period and by June 15th.

Written by Evan Braun

Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.

To avoid uneccessary confusion, I’ll say that I certainly enjoyed the set. That having been said, it wasn’t without its problems. The stories are short and uninspired, at least by modern standards. Just about every Space Ghost segment (and I can’t think of any exceptions) ends with a deus ex machina moment in which the title character pulls himself out of a bad situation with a new ability or bit of gadgetry we were previously unfamiliar with. That, however, seems to be merely a part of the formula.

Written by Evan Braun

Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.

To avoid uneccessary confusion, I’ll say that I certainly enjoyed the set. That having been said, it wasn’t without its problems. The stories are short and uninspired, at least by modern standards. Just about every Space Ghost segment (and I can’t think of any exceptions) ends with a deus ex machina moment in which the title character pulls himself out of a bad situation with a new ability or bit of gadgetry we were previously unfamiliar with. That, however, seems to be merely a part of the formula.

Written by Evan Braun

I was prepared right from the get-go to absolutely hate this set. I could not imagine any scenario by which I would be able to get any enjoyment out of MTV’s My Super Sweet 16. So colour me surprised. It turns out there is some appeal in the show after all.

There can be no question that I’m nowhere near the show’s intended demographic (12-18 year old girls, if I had to guess it). Everywhere you look on the set you’re destined to find large amounts of loud, glossy pink lettering, whereas I’m more of a minimalist myself.

Written by Evan Braun

I was prepared right from the get-go to absolutely hate this set. I could not imagine any scenario by which I would be able to get any enjoyment out of MTV’s My Super Sweet 16. So colour me surprised. It turns out there is some appeal in the show after all.

There can be no question that I’m nowhere near the show’s intended demographic (12-18 year old girls, if I had to guess it). Everywhere you look on the set you’re destined to find large amounts of loud, glossy pink lettering, whereas I’m more of a minimalist myself.

Hah. Looks like the format wars are over, from DVD Dossier, via Engadget.

We called the store to verify this and were told that, yes, they were wiped out of Blu-ray Discs on Sunday, about seven thousand bucks worth.

Two interesting movie-related bits have popped up on BoingBoing already today.


The Color of Money: BB points to an analysis of the colors used in top grossing movie posters. Restrictive ratings and big earners are dark and fleshy colored. [from BB]

Rock Band breaks the bank, The Wii and HDD?, and why I'm not getting Guitar Hero 80's this week - Welcome to the column that knows no shame and promises to bring it to the rest of you known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. I am the unfortunate guinea pig of the new website and blog format. I'm sure the administrators are pure pros at this but I feel all out of sorts. Hey, you know that Wednesday I talked about in my last column; you know the special lunch. It went very well thank you. No, there is no immediate fallout from it; but there is hope for the future and at the very least I gained a very close friend who will probably look differently at me now. (cause I'm a sexy beast...okay not really but it sounds good!) Sorry if I'm a bit weird; I blame it on the new format of the website. It makes me feel crunchy :).

Streets of Fire is yet another welcome addition to the ever growing number of high def titles. This movie, self-described as a rock and roll fable, was first made in 1984 and stars Diane Lane, William DaFoe, Michael Pare and Rick Moranis in a rare serious role. Diane Lane plays Ellen Aim, who has returns to an old haunt that looks much like the Battery of New York City, to give a charity concert. After the conclusion of her first song, Ellen is kidnapped by a biker gang. Her manger, Billy Fish wants her back. Enter the film’s hero, a soldier of fortune named Tom Cody (Michael Pare).

In Good Company is a 2004 film from the director of About a Boy. It tells the story of Dan Foreman, an experienced 50 something head of an ad agency. His comfortable and familiar world is torn apart when a young executive impresses and is promoted to the job Dan held, despite the agency having its best period in 20 years. That young man is Carter Duryea, played by Topher Grace. Upon his arrival, he tries his best not to upset the balance, attempting to befriend Dan and his family. Corporate politics force his hand into firing people for profit balancing. Eventually he invites himself over to the house of Dan for dinner and meets his daughter, Alex.