Posted in Disc Reviews by Joshua Noyes

The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin's first starring role in a feature film and was also written by him.

Synopsis

Hey lookee here, in this movie called Off the Black, there are two Oscar nominees and one Oscar winner! So with this pedigree of talent, you’d expect to be a gangbusters piece of dramatic storytelling, right? Well, not exactly.

Synopsis

Holy crap, this movie made a boat load of money for Fox when it came out around Christmas 2006, making $250 million and running second only to the Pirates of the Caribbean sequel for box office money. And to see Ben Stiller finally appear in a film that could be considered a blockbuster success was nice too. And in Night at the Museum, he gets to play Larry, night security guard in the New York Museum of Natural History.

Dreamgirls created a substantial amount of buzz when it was first released at the end of 2006, and has since won two Academy Awards. Although this movie never really struck me as being something I just had to watch, I've been curious to check out what all the praise was about. For those of you that don't know, Dreamgirls is a musical, a whole whack load of singing intertwined with the ongoing plot; much like Grease or Chicago. Like most musical films, Dreamgirls is adapted from a pl...y of the same name, and inspired by the history of Motown Records.

The film takes place during two separate eras, the first taking place between 1962 and 1965. We then skip ahead a few years where the story continues between 1973 and 1975. Back in Detroit 1962, a trio of women (Jennifer Hudson, Beyonce Knowles, and Anika Noni Rose) known as The Dreamettes enter a talent competition with the hopes of awing the crowd with their apparently sensational singing. Things work out even better than they could have hoped when the R&B superstar James "Thunder" Early (Eddie Murphy) is in the need of backup singers for his evening’s performance. Curtis Taylor Jr. (Jamie Foxx) an aspiring young Cadillac dealer further arranges with Early's manager Marty (Danny Glover) for The Dreamettes to tour as backup singers. As time goes on, the group rapidly gains popularity and Curtis turns his Cadillac dealership into an office for his newly formed record label, Rainbow Records. After a short period of harsh times the group finds their way to the Apollo Theater and other top clubs. Along with the success comes a number of problems for the group, affairs, payola schemes, and betrayal amongst each other.

Synopsis

Well in the ever ongoing series of reviews of the James Bond series, this particular installment is the last of the Pierce Brosnan collection (the others are on the site, so go find them). And in Tomorrow Never Dies, I saved it for last because well, I needed some form of drama to keep me going.

Grace (Sophia Bush) and Jim (Zachary Knighton) are your average college students. They love each other and with the arrival of Spring Break, they want nothing more than to spend a week down in Mexico with their friends. Leaving their campus, everything is progressing smoothly until they nearly run over a man who simply wants a ride to the nearest motel. They speed off thinking they obviously shouldn’t pick up any stranger, especially in the pouring rain. Once they arrive at the nearest gas station, they’re shocked to...find out that the same man they didn’t pick up has just arrived at the gas station after receiving a ride. Now comes the fun part. The man asks Jim for a ride and, for some reason, Jim can’t refuse. Enter your midnight psycho who calls himself John Ryder (Sean Bean) who decides to torture these folks and you have yourself a decent remake of the 1986 classic.

As I just mentioned, this film is a remake of the 1986 film of the same name by Rutger Hauer. This film was clever and downright horrifying. You had the similar psycho killer who simply wanted to play a few mind games with our two lead characters. But where the 1986 film had a few twists and actual real horror that felt, well, real, this 2007 remake lacks everything that made the original so good.

Catch and Release is appropriately dubbed as a chick flick. Written by Susannah Grant, who also makes her directorial debut, is responsible for the screenwriting of some rather dismal movies in the past, including Ever After, Erin Brockovich, and 28 Days. Although I hint at a dislike for romantic comedies, I'll have you know that in the past I have enjoyed several, and am going into this completely unbiased.

The movie starts off on a sad note, Grey (Jennifer Garner) a grieving a...most widow mourns the death of her fiancé Grady. Originally they were to be married on that day, but due to an accident on a fishing trip, Grady was killed. Dealing with the loss in her own way, Grey sits in a bathtub where she can be alone with her thoughts. Before long, Grady's friend Fritz (Timothy Olyphant) bursts in and seduces a waitress. Waiting until the woman leaves, Grey reveals herself and tells Fritz she never understood why Grady was his friend.

Personal confession time, though I doubt I am entirely alone in experiencing the following. One of the odd side-effects of the fact that, sooner or later, EVERYTHING is making its way to DVD, is that some of that some of the more deliciously sordid mysteries of one’s youth are fading in the harsh light of day. Nowhere is this more the case than in the realm of the exploitation film.

As I’ve mentioned in the past, I’m of an age that places me between two stools. I’m old enough to remember the grindhouses her... in Winnipeg, and the ads for the movies that played there (not to mention the disreputable efforts that screened in the more mainstream venues as well). But I’m young enough that there was no way I could see those films when they first appeared. Heck, I was in elementary school for the 70s. But the ads that appeared in the papers haunt me still. Now, many of those alluring/terrifying/both films are easy to watch, and in nice prints at that. While I appreciate the opportunity, I also regret discovering the disappointing reality of so many of these movies.

Gary Lennon is a first time writer/director and it shows with .45. Milla Jovovich is the obvious centerpiece of this misguided drama. We know we’re in for a long haul from the opening shots of Kat (Jovovich). Talking about the sexual prowess of Big Al, her abusive boyfriend. Big Al is played quite single dimensionally by Angus MacFayden). It’s not that the actor’s don’t have the skills or the desire it’s that they are severely limited by the script. The only entertaining moments occur when the film heads more into ...he black comedy realm. This momentary effectiveness is soon lost with rather graphic displays of domestic violence. We are intended to feel for Kat but no matter how inclined we are to find her sympathetic I just can’t. With the help of her manipulated friends Kat sets out to rid herself of her partner in crime once and for all. When she finally does pull it off it is so senseless and anticlimactic. The trailer and box art promise a thrill ride journey of cunning and revenge. What the film delivers is boredom and no satisfaction when it’s done. The film tries to be too many things at once and ultimately succeeds at nothing. Trust me. Pass on this one. You’ll thank me for it later.

Video

Synopsis

A serial killer who sounds just like Jigsaw (only rather less interesting) and kills exclusively using explosives (!) blows up the brother of a criminal psychologist, then turns his unwanted attentions to seminary student Marc Blucas, taking his life apart one explosion at a time. Blucas is convinced that the killer is a dark figure from his past, and turns amateur sleuth even as he is consumed by guilt. Most of his time, however, he puts his energy into being one of the whiniest protagonist... ever.