Godzilla and Anguirus are discovered duking it out on a deserted island by two pilots working for a fishing fleet. Before long, the brawl makes its way to Osaka, devastating the city.

And that, as they say, is just about that, as far as plot goes. There's a fair bit of business about our heroes' friendship, and references to their private lives, but nothing that really has much of an impact on the plot, which remains one of the most basic in the entire Godzilla series. Lacking all of the first film's tragic grandeur and emotional punch, this film stands or falls on the strength of the monster scenes, and these, it must be said, are pretty damn good. The fight in Osaka is especially satisfying, and there is none of the horsing around that would show up in the later movies. The climax is overlong and rather static, a real disappointment after the spectacular second act. Still and all, for too long the film has been available only in the butchered US version, and on an VHS recorded in LP mode, so for Godzilla fans, this is an exciting release.

I’ve always been fascinated by ocean life much more than space. Sure, planets and stars are cool, but growing up I was reading books about sharks, not supernovas. That interest in the wonders of the sea has never really faded, so you can imagine that I was pretty stoked to watch IMAX: Deep Sea.

Unfortunately, I missed this one in theatres when it was IMAX: Deep Sea 3D. The only thing three-dimensional about this DVD release is the sweet lenticular slipcover. If you stare at the cover while you turn it slowly, a shark appears to swim up to have you for lunch. Nice.

Once Roger Moore left the Bond franchise (some would say three or four films too late), quite a few things left with him. When Timothy Dalton, whose most well-known work before this was an excellent supporting turn in The Lion in Winter, was brought in, several things seemed to change. First and perhaps most notably, the return of a James Bond that smoked cigarettes was most startling. Second, supporting characters like Lois Maxwell (who played Miss Moneypenny) and Bernard Lee (M) were replaced with younger, fresher (?) perspectives. Was all this change in the perspective of "modernizing" Bond worth it? Well, Dalton's role in The Living Daylights was the first of two Bond films, so easy come, easy go I guess.

In this installment, based on an Ian Fleming story that was adapted to a screenplay by current Bond producer Michael Wilson and Richard Maibaum (Diamonds are Forever), James helps a Russian general (played by Jeroen Krabbe, The Fugitive) defect to England from Russia, but he is unfortunately reacquired by the KGB and kidnapped. James is dispatched to Russia to kill the Russian general that was presumably behind it (played by John Rhys-Davies, The Lord of the Rings), and along the way encounters a beautiful musician named Kara Milovy (Maryam D'Abo, White Nights), who is also reaching out to the defecting general.

Admittedly after George Lazenby left the James Bond franchise when On Her Majesty's Secret Service was released, producers Harry Saltzman and Albert Broccoli wanted to go with a more American-based Bond in their seventh film, and were pretty serious in their intent. At one time, Adam West (yes, Batman) was even involved in negotiations to play the part. Actor John Gavin (Psycho) was signed and sealed for the role a week before principal photography started. But Sean Connery was pitched for it, a bunch of money was thrown at him, and he went upon his merry way to reprise the role that made him famous.

In this film, which was adapted from Ian Fleming's novel by Richard Maibaum (Goldfinger) and Tom Mankiewicz (Live and Let Die) and directed by Guy Hamilton (The Man with the Golden Gun), James finds himself at the beginning of the film thwarting yet another attempt at world domination, this time by Blofeld (Charles Gray, who ironically played a Bond ally in You Only Live Twice). SPECTRE does make a larger plan though, with the planned kidnapping and impersonation of a mysterious and reclusive Las Vegas-based millionaire, in order to proceed with nuclear testing with the goal of mutually based destruction.

The Odd Couple on DVD was something that admittedly was a long time coming out on DVD. The set was previously available as a Time Life exclusive, and now Paramount has come to the rescue, releasing this as a standalone set. From the Neil Simon play (not to mention inspired by the 1968 film with Jack Lemmon and Walter Matthau), the show chronicles the lives of roommates Felix Unger (Tony Randall, Will Success Spoil Rock Hunter?) and Oscar Madison (Jack Klugman, 12 Angry Men), one's a neat freak, the other lives like a slob, and they live in New York.

The show could have easily capitalized on the success of the movie, but it helped break away from it by letting Klugman and Randall make the characters their own. In addition, their chemistry was also something that was crucial for the show's success, and it completely worked. Not to mention a guy named Garry Marshall helped get the show realized. Let me see, helped get Happy Days and Laverne and Shirley on air, not to mention writing for greats like Lucille Ball, Dick Van Dyke and Jim Nabors back in the golden days of television.

Prior to this review, my familiarity with Jeff Foxworthy began and ended with his famous stand-up routine, "you might be a redneck if". That's how this comedian made it big back in the early to mid-90's, but his attempts at television, which is the usual next step for stand-ups, have failed.

And so, apparently, it goes for Foxworthy's Big Night Out, which aired last year on Country Music Television. This 2-disc release presents all 12 episodes of the sketch-comedy variety show that never really got off the ground. In the past, Foxworthy has explained his sitcom cancellations by arguing that the big networks just didn't know how to market his brand of common man, redneck comedy to a national audience. Surely, though, CMT is the place to be for Foxworthy. After all, country fans are just a bunch of gun-toting rednecks with single-digit IQs, right?

In theatres now (and no doubt hitting DVD before long) is the Korean film The Host. It’s been a long time since we’ve had a monster movie this good, and even longer since we’ve had one with this much depth.

Any text, of course, has its subtext, and this is as true of giant monster movies as any other work of art. But some films are much more a much richer subtext than others, partly because the filmmakers were quite deliberate in seeing their monsters in a metaphorical or symbolic light. Though the e...d results are very different, this level of depth is most clearly visible in the likes of King Kong (1933), Godzilla (1954) and Them! (1954).

The first question I ask about any new version of a film is the obvious - is it better than the original? Same goes for Payback - Straight Up: The Director's Cut. Sometimes, the difference between versions is so minor that the answer is straightforward. In the case of this Special Collector's Edition DVD, however, we're talking about a very different film.

What's changed? I've seen the original a couple of times, but I'm definitely working from memory here. The director's cut is shorter, by about 10 minutes, and darker in tone. There's a new opening that doesn't explain what Porter is after, and his voice-over is gone This results in Porter being a meaner S.O.B. than in the original, as he does plenty of bad stuff before we learn what he's up to, and why his actions might be justifiable. Also absent are a lot of the jokes, which didn't sit well for me in the theatrical cut. Finally, the last third of the film is completely changed to something less complicated and less happy, with an extra shot of ambiguity.

Pedro Almodévar is a big deal in Spanish film, and well respected worldwide by those in the know. Almodévar - director, screenwriter and producer - has had major success with films that explore complex themes and favor female characters. His latest, Volver, remains true to those qualities.

Starring Penélope Cruz (Vanilla Sky), Carmen Maura (Comunidad, La) and Lola Dueéas (The Sea Inside), Volver is a film about female resilience, and the power of death over life. Raimunda (Cruz) is a hardworking mother with a lazy husband and a teenage daughter, Paula. When Paula's dad drunkenly approaches her for sex, claiming he's not really her father, she accidentally stabs him to death. Raimunda, taking charge and protecting her daughter, cleans up the mess and hides his body in the freezer of her neighbor's nearby vacant restaurant, which she's supposed to be minding.

Lovewrecked appears to be a standard teen movie chick flick, starring the likes of Amanda Bynes and Chris Carmack. Off the get-go the only things appealing to me about this movie are I get too see Chris Carmack on my TV for the first time since he played Luke on The OC and it takes place on a colorful island.

Jenny (Amanda Bynes) is a bookworm who just graduated high school and plans on attending medical school after the summer, during which she will be working at a resort with her best frien... Ryan. Ryan�s with her because he obviously has a thing for Jenny, and Jenny�s because she hears her favorite pop star, Jason Masters (Chris Carmack), frequents the resort. Before long Jason does show up, and Jenny competes for his attention with her rival, Alexis.