If you've seen any of Terry Gilliam's other films, you can probably guess that this one is pretty bizarre. Based on the novel of the same name by Mitch Cullen, Tideland is an eccentric, grotesque and imaginative tale of a child's resilience.

I'm going to say right off the top, I wanted to like Tideland, and for two reasons. One, Gilliam has made some incredible films in his career, from Monty Python and the Holy Grail to Twelve Monkeys and Fear and Loathing in Las Vegas.

The return of the historical epic hit Hollywood hard in 2005/2006. Troy, Kingdom of Heaven, King Arthur and the two Colin Farrell vehicles, The New World and Alexander, all hit theaters pretty close to each other... and all flopped. The basic complaint was the same about all these films; they were too long, the pace was too slow and they were hard to follow. As much as these huge pictures cost, the studios quickly looked to the DVD cash cow to try to recoup some of the production co...

A small town is being terrorized by a gang of thugs who use extortion and violence to buy up all the businesses. The only person who tries to stand up to the gang is the sheriff, but then he meets a violent end. His son (Kevin Sorbo), who, one gathers from vague references, has military training, shucks his apathy, dons his father’s badge, and sets out to clean up the town.

The cover art is hilariously misleading, in that it shows what appears to be Sorbo leading his posse for the titular payback.

There's definitely no doubt in my mind that the Superman films, particularly the first two, will always be remembered as excellent pieces of film not only because they introduced the world to the late, great Christopher Reeve but also because they're simply great films. When word first came around that Superman director Richard Donner had filmed an ENTIRE version of the 2nd film only to have it scrapped at the last second, the interest of fans immediately piqued. What was so risqué about the Donner cut that made Warner Brothers basically shelve the film for some 20+ years? Well thanks to renewed interest in the Superman stories via Superman Returns, Warner has finally decided to let fans see for themselves what Donner's visionary ideas were all about by showing us his cut of Superman II.

Well, the news late today about Sony deciding to come into the affordably priced standalone market by introducing a Blu-Ray player of their own that will come out in the spring/early summer. The BDP-S300 will retail for $600 and unlike the first gen that’s $300 more, will actually include CD playback. So now that they’re making their strides towards affordable hardware (stop with the PS3 argument) with more price drops to come, it’ll be interesting to see when, how much and how often the cheaper HD-DVD equipment does...

The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.

Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed.

As I right this review, the date is February 24th, 2007 one day before the Annual Academy Award Ceremony, which is a show that this film is nominated in the Best Picture category for. Numerous other reviewers, whether they're critical or simply just internet journalists like myself, have labeled this one as this year's Crash. A statement like that made me worry going into this one because simply put Crash isn't Best Picture material nor is it even close to Best Picture material. While I haven't seen every other Best Picture nominee, I wouldn't completely mind if the Academy did award Babel with the Oscar.

The cult film collector will often have a rather divided personality when it comes to DVD editions of desired movies. On the one hand, perfection is ardently sought – no better example of this can be seen than the down-to-the-very-last-frame detail of the reviews in Video Watchdog. In a perfect world, all movies would be released by Criterion.

On the other hand, down that road lies both madness and bankruptcy. And the fact of the matter is that many films, particularly of the B-level (or lower) from ...

If you'd asked me last year whether I thought Ridley Scott and Russell Crowe should work together again, I would have said "absolutely." No hesitation. We're talking about the director and star of Gladiator, after all, and I'd love to see another epic picture from that team.

What I didn't expect to see was A Good Year, a romantic comedy that wholeheartedly joins the ranks of the "wine is like life" camp. What's with that, anyway? Maybe it's time to move on to another beverage, like coffee. You know, coffee and life have a lot in common - plenty of lessons to be learned there.

An epic is defined as an artistic work that celebrates the feats of a legendary figure. The film Cleopatra actually deals with many such figures, the title character being merely one of them. The truth is the film was never really about the Egyptian queen as much as it was about Rome and its relationship with Egypt.. Of course, Elizabeth Taylor's portrayal has achieved something of a classic status that is not completely deserved. Much has been made of the Richard Burton and Elizabeth Taylor pairing in this film.