The Fast and The Furious: Tokyo Drift is not as solid as the previous two in the Furous series, but the addition of a totally new local does add quite a bit to the film’s strength. Anyhow, Sean Boswell (Lucas Black) is your typical high school character. He loves fixing his car, racing and subsequently gets into a lot of trouble. After ‘gawking’ at the girlfriend of Clay (Zachary Ty Bryan), an immediate race occurs through the backlot of a new development. Chaos ensues and the police, due to Sean’s high...trouble rate, end up sending Sean to live with his father in Tokyo. So let me understand this… If I were to get into a lot of trouble and my father lived in a foreign country, I would avoid jail time and get to go stay with him? Riggghhhttt.

Anyhow, besides this minor story flaw, Sean soon arrives in Tokyo and promises his father he won’t do any street racing. Obviously Sean quickly becomes involved in an underground “drifting” racing scene (which is totally new to him) after meeting Twinkie (Bow Wow). For some reason, Sean gets to prove himself by racing the ultra famous Drift King (Brian Tee) who goes by DK. Han (Sung Kang), one of DK’s friends, (Sung Kang) lets Sean borrow his vehicle. It being Sean’s first time “Drifting”, he ends up destroying Han’s car. To repay his debt, Han enlists Sean as his new boy. The two quickly develop a friendship and Han decides to have Sean become one of his racers, but first Sean must learn the art of drifting.

Synopsis

Following the success of The Cartoon Network’s entertaining Space Ghost: Coast to Coast, someone decided to include one of the characters from the show as part of a spinoff series. The Brak Show recalls the encounters of the space cat of sorts, as he’s placed in a home with a loving mother and father, sort of in the vein of a Leave it to Beaver scenario.

Wow, something special makes the top 100 in Amazon sales…

Well if you read comic books and own a next-generation DVD player, this was definitely your week to primp and preen. Batman Begins is coming out on 10/10 to HD-DVD, along with Tim Burton’s Charlie and the Chocolate Factory. Both films will include the Warner In-Movie Experience (and Batman’s will apparently include participation by star Christian Bale if you look at your Warner inserts right). Begins will get a TrueHD track that ...s sure to be a floor rumbler, and Charlie and the Chocolate Factory will include one as a score-only feature, and extras will mirror the two-disc special edition treatment each got.

Steven Soderbergh’s Traffic tells so many stories intertwined into one unique story that one can’t help but be drawn into what we’re viewing. The story involves many different characters including, Javier and Manolo (Benicio Del Toro and Jacob Vargas), newly appointed Presidential Drug Czar Bob Wakefield (Michael Douglas), daughter Caroline (Erika Christensen), Drug Enforcement agents Castro (Luiz Guzman) and Gordeon (Don Cheadle), drug kingpin Carlos Ayala (Steven Bauer) and his wife (Catherina Zeta-Jones). < ...p>

Traffic deals with the issue of drug trafficking, and drugs in general. Soderbergh presents all the aforementioned characters in this drug world giving each character their own story resulting in each story containing a purpose and a point that makes us get involved. What we eventually learn is that the film isn’t necessarily about drug lords like Carlos Ayala trafficking drugs, but rather trafficking a part that belongs in everyone’s life, as we find out in the film.

Ron Howard’s Backdraft tells the story of two brothers, Brian and Steve McCaffrey (William Baldwin and Kurt Russell), who are part of Engine Company No. 17 in Chicago. The two brothers always seem to have a sense of rivalry in their blood. Ever since their father passed away, Steve has always tried to prove to Brian that he is the true firefighter in the family. Well, despite all their problems, Steve and Brian soon find out that they will have to put aside their differences rather quickly since there is an ar...onist going around setting fires that are meant to kill off selected firefighters.

Having never seen this film before, I had only read numerous praise for this film. Critics loved the acting and, most importantly, the drama presented. Possibly because I saw the film Ladder 49 first, I couldn’t really get into Backdraft all too much. Granted I did enjoy the acting by Kurt Russell and Robert De Niro, but I couldn’t ever find myself feeling a connection to these characters. All I felt like I was watching a scene after scene of a huge fire explosion followed by Brian and Steve arguing. Speaking of the characters, I felt the role played by De Niro, albeit kind of useless in terms of using his acting abilities, was one of the only positives here.

Synopsis

So what we have here is Season 4, Volume 1 – i.e. the first 20 episodes of the season. I’m not sure I’m wild about this new trend to trap us into shelling out our hard-earned dollars into buying TWO box sets per season, but there you have it. None of which is to take away from the actual qualities of the show. Either I’m growing softer in the head with age (an entirely likely event) or the series just keeps growing funnier. Everything here is funny, but some are epically so, forcing you to r...wind (after a bout of painful-to-the-ribs laughter) to confirm that you really saw what you think you did. “Mermaidman & Barnacleboy VI – The Motion Picture” is a case in point. Here SpongeBob and Patrick make a movie with their heroes, and the final result is as concentrated a does of rapid-fire, blink-and-you’ll-miss-it hilarity as I have seen in recent years.

Synopsis

Boy, this haunted technology stuff is getting out of hand. Seems a body can’t touch a single appliance or toy without some evil spirit emerging in smite-mode. In this instance, the problem is a survival-horror video game called Stay Alive, which not only refuses to let you stop playing, after your character dies, you die in the same way. At the root of it all is the Countess Elizabeth Bathory, who has been the subject of many a film already. Unaware of this, our usual batch of charact...rs (the Regular Guy, the Regular Girl, the Goth Chick, Her Annoying Brother and the Nerd) must try to beat the game in real life before it beats them.

Recently, Anchor Bay released, at long last, Cemetery Man< to DVD. In so doing, they made available one of the last gasps (for now) of truly first-rate Italian horror, and it might be worth while to spend a few minutes considering the director, Michele Soavi, a man who has been nowhere near as prolific a filmmaker as might be devoutly wished.

In my piece on Joe D’Amato a few weeks ago, I mentioned that the best film he was involved with was Soavi’s debut, StageFright (1987). One of the fascina...ing aspects of this effort is that, while Soavi had been assistant director on films either directed by Dario Argento (Tenebre, Phenomena) or produced by him (Demons< .I>), Argento had no role to play in the making of StageFright. His influence, however, looms large. We can be thankful that it was his aesthetic sense that was a model for Soavi, and not D’Amato’s. In event, this film did wonders with its basic slasher set-up, and its killer’s mask (a gigantic owl’s head) is one that is not soon forgotten by any viewer. Micro-budgeted but a feast for the eyes, StageFright promised much for the future of its director. It remains, as well, his most purely terrifying film.

Fortunately, American Gun does not appear to be about the debate on owning guns. It’s a trap, and I doubt there will be much movement on either side of the issue. The film instead mostly deals with members of a community where three years earlier a Columbine-like school shooting occurred. The story slowly plods through the lives of several families, most notably the mother and brother of one of the deceased gunmen. This is where the title and its advertised premise confuse me. The story is more about the emotional toll any tragedy takes on a small town. Except for a paranoid obsession of a principal trying to keep the school free of guns, the weapons have less to do with the stories than one would expect. The most confusing factor in the film is the B story of a girl who works in her grandfather’s gun shop. This sidetrack takes place across the country and seems unrelated to the main plot. We never get a satisfying answer as to the connection. She has supposedly moved there from the West coast, and while it is never explained, one might guess she was at the school during the shooting. The film tries to stay away from the hit you over the head emotional plea to ditch all guns… that is, until a shocking and quite unnecessary convenience mart scene at the film’s end.

There are a ton of speaking parts in the film. It’s estimated at over 50 in the making of feature. The cast is quite good. I don’t only mean the obvious heavy hitters in Forest Whitaker and Donald Sutherland. Chris Warren, Jr. is marvelous as a kid who doesn’t really like guns but feels forced to carry because of his neighborhood. He considers walking around without a gun as being “naked”. Chris Marquette also has a strong role as the brother of one of the killers. I can’t even imagine what it must be like to be forced to attend a school where your brother killed students and teachers three years prior.

The team of Hanna and Barbara are as much a part of my childhood as Uncle Walt Disney. The Flintstones, The Jetsons, Johnny Quest, and yes…Tom and Jerry, were like faithful companions that were never farther away than our 15 inch black and white television set. Nostalgia is very in these days. Baby boomers are all facing the midlife years, and not surprisingly there is a warm longing for those buddies of our youth. It’s simple economics that studios would attempt to cash in on our bygone days. Now in our direct to ...VD marketplace, shows like Tom and Jerry are resurrected as much for these pining adults as they are for the eager youth just looking for a good toon. Add to this the popularity of pirate themes of late and you have the setup for the latest Tom and Jerry adventure. As much as it is good to see the cat and mouse team back in action, it reminds us yet again that you really can’t go back home. Now under the direction of Warner, Shiver Me Whiskers plays more like a Loony Tunes entry than the traditional Tom and Jerry buffoonery. Now this isn’t all bad, because Loony Tunes were some sweet toons. It’s just different.

Tom and Jerry are hanging out with one of three pirate brothers, Red Pirate Ron. Tom finds a map leading to one of the largest treasures in pirate lore. With dreams of wealth and a life of ease, the duo plot to plunder the booty for themselves. Naturally, the three pirate brothers might have something to say about that plan. Plenty of gags ensue.