Hi, I'm your fill-in host for the week, mister Kedrix (your game columnist). You know, one would think I know nothing about dvds, except the fact I'm looking at 400 of them in my new revolvey case thing. Anyhow, in this edition of the New Release Tuesday blog, we get a good look into this weeks top releases. A good smattering of releases this week, particually in the TV department. Well,on to the lists…

Top Film Releases

Synopsis

Robert Mitchum shows up twice here, as does Robert Ryan. The two clash in The Racket (1951), where Mitchum is the incorruptible cop, and Ryan is the old-school gangster whose brutally direct methods put him in conflict not only with Mitchum, but with the more sophisticated crime syndicate spreading over the land. The focus of the film is rather split between the two, but is pretty tense, and is further enlivened by a memorably sleazy turn by William Conrad as a VERY corrupt cop.

Tristram Shandy is the oddest and most entertaining sort of film. It is a film about the making of the film that you are watching, hosted by the fictional main character. It is sort-of like American Splendor, and sort-of like Spinal Tap. The film is the story of the life of Tristram Shandy, an 18th century Englishman of particularly stately means. The man's life is of note and worthy of such a film because... well, now that I think of it... I don't really know. You see, there are so many interruptions and different takes during the film that the actors are trying to make, that the viewer never really learns anything. Herein lies the genius of the piece. For all of the efforts the cast makes to tell the story, they never really tell us anything at all. Instead, the film is full of false starts, tales told out of order, and tons of disturbingly enjoyable comedy.

When reviewers talk about the desire to find new and interesting films, this is just the kind of thing they are talking about. This is a film that defies explanation, except to say that it is very, very funny. It is a fictional documentary about the filming of an unfilmable book. That in and of itself should sell you on picking up this disc.

There is a little more Tracey to go around with Tracey Takes On: The Complete Second Season, so fans of the show shouldn't be disappointed. However, I find her humor quaint and dry in an inescapably British way. No one can deny her talent. But it's hard to like a show when none of the laughs are connecting. Of course, humor - like beauty - is certainly in the eye of the beholder. With that said, I am not one of the lucky ones that can look at this raw oyster of a show and see the pearl. This season, Ullman inc...udes many of the same faces from season one. The humor also continues in the same light with its often irreverent pokes at social norms and behavior. There are a variety of guest stars accompanying Ullman, as was also the case last season. This time, we get Timothy Busfield, Jon Favreau, Julie Kavner, Michael McKean, Ron Perlman, George Segal, John Stamos, and Bradley Whitford; and their only purpose seems to be filling out the camera lens. After all, Ullman can't be everywhere at once, in spite of her talents. And to many of these celebrities, doing Ullman's show is the hip thing to do.

But hip doesn't make for funny, and there's only so much Chic, Hope Finch, and Linda Granger, a sane mind can take. Add in the myriad of quick vignettes in each of the 15 episodes, and you have one stone-faced reviewer doing his best to stay awake through a show that seems much longer than its sitcom-length running time would indicate. I wish we could see more serious acting from Ullman. She is incredible, and I respect her abilities so much. But the humor is flat; the format, tired. The simple fact she can still garner fame and acclaim after all these years of performing material such as this only hints at the even bigger accomplishments she could achieve, if only her mind was set to it. Until then, die-hard fans can cherish yet another collection of her antics; as for me, I'd rather she try something else.

Where your trusty columnist has joined the ranks of the Xbox owners…

Things have moved along like people have figured in the next-gen DVD wars, which is to say, there isn’t a clear winner since the last time we talked. There is some news from Paramount, being that Mission: Impossible III will release SD, Blu and HD DVDs all on the day and date (10/30 for those who are curious). The HD release and extras will be duplicated from the Blu-Ray extras, with the exception of a picture-in-picture commentary ...ith director J.J. Abrams and Tom Cruise. Whether Tom tries to induct J.J. into Scientology during the commentary or not remains to be seen, but the commentary will be exclusive to HD-DVD.

Horror films have transformed over the years. We’ve essentially gone from horror films using religion to frighten (The Exorcist, The Omen) to slashers (just about everything in the 80’s), to nothing (the early 90’s void), to post-modern slashers, (Scream, Urban Legends, I Know What You Did Last Summer) to torture (Hostel, The Hills Have Eyes).

With I”ll Always Know What You Did Last Summer, we take a short trip back into the slasher genre. And surprisingly, it still looks and fe...ls pretty good. I’ll Always Know is a direct-to-video sequel to I Know What You Did Last Summer and I Still Know What You Did Last Summer, the Kevin Williamson penned scare-fests that never felt as refreshing as his Scream trilogy, but did their jobs and did them well -- for the most part.

Today, anyone with a credit card and some free time can make a movie. But that doesn't mean it's always a good thing. Case in point is Kisses and Caroms, which sports a massive hard-on for Kevin Smith’s Clerks (it’s Clerks in a billiards store. Brilliant!), but its characters, dialogue and location fail to be funny or engaging. For one, how many oddball customers can a billiards store receive in one day? In Clerks, it was believable, since people from all walks of life need what is readily...available at the Quick Stop. In Kisses and Caroms, it feels forced. There are even multiple references to Smith’s films – none of which are funny. At one point in the film, a character refers to another as a “poser.” Maybe the comment was meant for the filmmakers.

Like Clerks, the plot is minimal. But what separates the two films is what they have to say. Whereas Clerks gave a voice to Generation X, K&C seems to exist simply to hold many boring conversations about various forms of sex -- threesomes, orgies and gang-bangs. The DVD cover promises many scantily clad women and lots of “Girls Gone Wild” type situations, but all the characters do is talk, talk, talk. Sure, there is some nudity and a light chuckle every 10-15 minutes, which may be enough for a desperate teenager, but those looking for Clerks-style enlightenment will only find themselves behind the 8-ball.

I've said it before, and as long as Warner Brothers keeps putting these classic discs out, I am going to keep on saying it. No studio respects their classic film catalog like Warner's. They have done marvelous things with their special editions of classic films, such as their fantastic 2-disc tin box release of King Kong. They have the largest collection of classic films on the planet, including the entire RKO Pictures catalog, and they are succeeding in introducing an entirely new generation of film fans to the best that cinema has to offer.

In addition to their wonderful single-title releases, they started releasing “Signature Collection” boxed sets of a couple of years ago. These are sets of films featuring a single actor or director, and they are packaged in beautiful boxes, complete with the original artwork for each film. This time around, they are focusing on five films by Ronald Reagan. Included in this box is the 1942 Best Picture nominee King's Row, 1949 film The Hasty Heart, the surprising (and way ahead of its time) drama Storm Warning, the inspirational baseball film The Winning Team and the beloved film Knute Rockne All American, which reminded the world to “win one for the Gipper”.

You would have to either be from another planet, been raised by wolves or be under the age of 15 to not have some sort of a personal history with Full House. The show was a staple of Friday night television for eight seasons, defying all logic and proving that the general public doesn't always know quality when they see it. The story about a non-traditional household was inexplicably popular, despite the fact that it got consistently poor reviews year after year. Even more surprising was how many careers came out of the show. Of course, Bob Saget went on to play a similar role as the host of America's Funniest Home Videos, but John Stamos went on to marry Rebecca Romijn... a match that nobody saw coming or truly understood. And then, of course, there is the multi-million dollar phenomenon that is the Olsen twins.

This particular season falls fight in the middle of the show's run. The big storyline here is the marriage of Uncle Joey and Becky, a plot line that runs from the proposal to the wedding and beyond. Other storylines include Stephanie getting glasses (apparently a major trauma) and one major character getting pregnant. I respect the fact that the show is trying to evolve, but in the end, this is just the same old soft crap that we have already seen for three previous seasons.

The work of H.P. Lovecraft has had a rather uneasy relationship with film adaptations. The attraction of his fiction for filmmakers is understandable: this is classic horror, and the cosmic evil on display can potentially lead to huge payoffs. Yet his prose style is very difficult, and most of the attempts at adaptation have been, at best, flawed. Stuart Gordon is the director who most consistently returns to his work, but he doesn’t really have the right touch. Re-Animator is a hell of a lot of fun, and it he...ps that the stories it is based on are Lovecraft being deliberately silly, but there is nothing very Lovecraftian about the result. The closest Gordon has come to getting it right is Dagon (which is actually his long-awaited adaptation of “The Shadow Over Innsmouth”).

Most of the other Lovecraft adaptations out on DVD aren’t really worth the effort to track down. There are a few that are rewarding. I’ll mention three. Two are mainstream releases. One will take a bit more effort (but not much) to obtain, and is more than worth it.