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We all know what today is, so let’s skip the tagline.

Well, for all the news (interesting and otherwise) that the Blu-Ray camp made last week, Universal announced their round of November titles for HD-DVD release. Among them are Waterworld (I met Kevin Costner on the set of that film when I was in the Army, true story), The Hulk (a better movie than people give it credit for and one that should blow out a subwoofer or two) and the granddaddy of them all, King Kong. Release for all three...is 11/14. What makes this interesting is that Kong is also due for an Extended Edition release on the same day, which mildly disappoints me from that standpoint. Do I buy a movie with more Jack Black and Naomi Watts, or do I watch them as is in high def? Oh well, it’s a somewhat pleasant dilemma to have. Release news has been lacking otherwise, no new Blu-Ray releases of note (though The Da Vinci Code will NOT receive a Blu release), and You, Me and Dupree bows as a combo disc on 11/21.

Sahara tells the story of Dirk Pitt (Matthew McConaughey) and his buddy Al Giordino (Steve Zahn) as they travel to a country called Mali in search for what the locals call “The Ship of Death”. This “Ship of Death” is a lost Civil War ship named the CSS Texas that has a huge cargo of what was thought to be gold. Once there, Dirk and his buddy run into Doctor Eva Rojas (Penelope Cruz) who’s about to be executed for muddling in business that is, well, none of her business.

This “business” turns out to ...e rather huge, with ruler General Kazim (Lennie James) wanting to rid the ocean of all of its life. He figures that he will accomplish this by releasing this virus into the water system and, as it flows downstream, it will eventually reach the ocean. Why exactly Kazim wants to do this involves a standard for films such as this… for money. Dirk, Steve, and Doctor Rojas must investigate this disease and decide why it is not only infecting the water system, but causing a vast amount of pollution to the area and its surroundings. Add in a few explosions, chase scenes, and a pretty cool ending battle sequence and there you have Sahara

The 2003 remake of The Italian Job is about five men named Charlie Croker (Marc Wahlberg), Handsome Rob (Jason Statham), Lyle (Seth Green), Steve (Edward Norton), and Left Ear (Mos Def) who are all part of a group that pull off elaborate heists. The leader of the pack, John Bridger (Donald Sutherland), has decided he wants to quit the game presumably to spend more time with his daughter Stella (Charlize Theron). The only thing is that he wants to commit one last going-away theft so that he can not only secure ...is spot in the hall of fame, but also secure his retirement. The job in question revolves around the city of Venice, Italy and a heck of a lot of gold (Try $35 Million). The plan goes off without many problems but what occurs next is somewhat of a shocker and helps to outline the rest of the film.

The first obvious comparison that this film had to deal with was the comparison with the film Ocean’s Eleven. While not as star-packed or explosive as that film, The Italian Job does a fine job at telling a somewhat ordinary story in a manner that makes the film interesting and charming at the same time. While Ocean’s Eleven had the star-punching power of George Clooney, Matt Damon, and Julia Roberts to name a few, The Italian Job rather focuses on stars not as huge, but most that rival the stars of Eleven in terms of quality of acting (don’t get me wrong, Damon and Clooney are fine actors). With the likes of Edward Norton, ‘Marky’ Mark Whalberg, Charlize Theron, Donald Sutherland, Seth Green, and the funny Jason Statham, the film’s characters make the film enjoyable mainly because these actors turn their roles into characters you’ll hate (Norton), characters you’ll laugh at (Green), and character’s you’ll laugh with (Statham).

Poseidon doesn’t waste any time getting to the action so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc...). But we don’t watch movies like Poseidon for character exposition, do we?

Poseidon is a rip-roaring 90 minutes of intensity and even delivers some gory goods. Yes, I said gory. I know Poseidon...is a PG-13 movie, but it is chock full of carnage. It's also very exhausting. I haven’t had a movie leave me feeling beaten down in a long time, if ever. Does that make Poseidon an excellent movie? No. But it’s 100% effective for a disaster film – and deserved a better fate at the box office.

Synopsis

Jean Peters is Vicki, a top New York model, who is found murdered in the opening scene. Burnt-out cop Richard Boone comes pounding back from his vacation, rabid to take over the case. He is convinced her press agent Elliott Reid is the guilty party, and the screws are put to Reid. In flashback, we see Vicki’s rise to fame, and the effects it has on the people around her, including her sister Jeanne Crain, who might harbour feelings for Reid.

Synopsis

A young Richard Basehart climbs out onto the ledge of his fifteenth-floor hotel room. He could jump at any moment. Paul Douglas is the traffic cop who is first on the scene, and becomes the only person Basehart will willingly talk to. Hour after hour goes by as the authorities do everything they can to bring the troubled young man in.

There you have it, HDMI over UWB. Time to get creative with your setups!

Synopsis

Maybe it’s because of their funny accents, or maybe it’s because of the natural desire to see ancient history relived, but the British sure have a knack for their period piece dramas and making everyone want to watch. And when Elizabeth I aired on HBO over a two-part miniseries during the spring of 2006, it won a truckload of Emmy awards, not only for the production, but also for the title character, played by Helen Mirren (Excalibur) and one of the supporting actors (Jeremy Irons, <b ...Reversal of Fortune).

Synopsis

Anna Faris takes a job as a social worker, moving into a house with the evil presences we know and love from The Grudge. Meanwhile, next door, Craig Bierko is about to deal with The War of the Worlds. And off we go, as the movie riffs one parody of recent films after another.

Something must be drawing Michael Douglas to the upper-crust "man in peril" role. He's been stalked by a woman who likes to boil rabbits, sexually harassed by his sexy boss, and is currently being framed for the assassination of the President in The Sentinel. Douglas plays Peter Garrison, a Secret Service veteran who is also having an affair with the wife of the man he is sworn to protect, First Lady Ballentine (Kim Basinger, still looking good at 53). When Garrison is framed by the assassins (one of who... may be another Secret Service Agent), he must stay one step ahead of former protege Agent Breckinridge (Kiefer Sutherland, doing Jack Bauer as a SS agent) and rookie agent Jill Marin (an underused but gorgeous Eva Longoria), who are hot on his trail, believing he really is trying to kill the President.

The plot is lifted from dozens of other films and simply injected into different surroundings. Instead of a doctor and a one-armed man, it's a Secret Service agent and a plot to kill the President. Despite the lack of plot originality, director Clark Johnson (The Shield, The Wire) and the professional cast, especially Douglas and Sutherland, always keep things moving at an economical clip. The Sentinel never lingers on anything long enough for us to question it, and it hits all the right marks in its 108 minute running time. It even takes some time to show us the daily grind of a Secret Service agent, which adds to the film's authenticity.