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Insert silly saying here, I’ve got no energy to do so, for it’s the day of rest in America.

What can I say, I’m going to sit and watch my butt expand this go round (damn, I’m doing it now), so here we go…

Taking place in the 1950’s, Good Night and Good Luck deals with the impending threat of Communism in the world. Many feared it so much they decided to never speak of it. One Senator in particular, Wisconsin Senator Joseph McCarthy used a type of propaganda basically creating this threat of Communism as one of the single biggest threats anyone could face. Ala President Bush, many Americans who wanted to take a stand against McCarthy and his views, decided not to for fear of being called an unpatriotic American....It wasn’t until eight members of a CBS radio show, lead by Edward R. Murrow (Clooney), decided to take a stand against McCarthy. The film, instead of showcasing Murrow’s entire career (and quite the career it was indeed), focuses on this one portion of his career. I applaud Clooney for doing this film, since a character like Murrow would be eventually viewed as a hero for standing up against the power. It just goes to show that sometimes, if you try fight the good fight, the right will prevail.

What makes a film like this so powerful and necessary viewing is not the direction of George Clooney (even though it is rather good), but more the power of the message behind these eight men. In a time of fear and worry in the country, these men stood up as one and decided to take a stand against a man who used fear and his power to take advantage of his audience (sound familiar no)? Subtle little things also make this film’s message powerful. Instead of casting a McCarthy look-a-like to shoot these scenes, Clooney, in a wise move that brings more credibility to the film’s message, used archival footage of McCarthy actually speaking about Communism. After viewing these messages in the film, one can easily see where a certain man may have come up with messages of fear in hopes of winning over an audience.

Synopsis

Protestors and loggers are in conflict over the cutting of trees on an isolated island. Unbeknownst to both groups, the logging company has been experimenting with something dangerous, and when this substance gets into the blood of an injured logger, he becomes a flesh-eating zombie, quickly spreading the virus. The son of the chairman of the board flies in to see why contact has been lost, and is quickly caught up in the desperate battle for survival.

Synopsis

This is the second film starring Lindsay Lohan that I’ve reviewed for Upcomingdiscs, the first being Herbie: Fully Loaded. So I guess you could call me a LoFAN, get it? But in doing an IMDB scan for the credits on Just My Luck, I’ve found that one of the producers is Bruce Willis. Yes, Bruce Willis from Die Hard. So I guess the bigger question is why didn’t Bruce appear in this film? Surely he could have made it a little more entertaining for me to watch.

The Bone Collector tells the story of a man named Lincoln Rhyme (Denzel Washington) who has been confined to his Manhattan bed after being injured on his job by a falling beam. Lincoln has since become a Quadriplegic who simply wants to kill himself, and his nurse (Queen Latifah) is planning on assisting him in his suicide. As he is planning this, Lincoln learns of a serial killer who has been abducting random people, throwing them in a taxi and proceeding to torture them in extremely gruesome manners. Lincoln...recruits detective Amelia Donaghy (Angelina Jolie), who is one of the first officers on the scene of a horrible murder. The murder scene features a man buried in gravel only showing a hand with each finger showing a different forensic clue. This scene shows that this killer is quite a different type of killer, one who leaves little hints and clues almost painting a canvas with the person he just killed.

The serial killer genre was really brought to a new level via 1991’s The Silence of the Lambs in regards to the power of the story, direction, score, and acting. The Bone Collector doesn’t really bring anything new to the table, which is not necessarily a bad thing. The Bone Collector adopts what is normal about serial killer films, such as standard plot ideas, characters and situations. This does tend to make the film lose a lot of replay value, but The Bone Collector is not as bad as one may think mainly because of the actors involved. For some reason I always find myself enjoying Denzel Washington’s performances, regardless if what he’s performing in is rather weak. He always seems to bring a higher level of skill and quality to his films. Relatively unknown at this point, Angelina Jolie definitely had the makings of a star. Granted since this film she’s had some weaker roles in films like Tomb Radier, but she still manages to do what she can with a film. I found it interesting how Washington, who was a bigger star at this time, spends the entire film kind of on the sidelines with Jolie doing a majority of the acting. I wonder if Director Philip Noyce realized early on that Jolie was going to be a big star eventually. Did he want to showcase something he already knew? Enough on this though.

Taylor Hackford’s drama Ray tells the remarkable story of singer Ray Charles’ life – dealing with subjects such as his drug addictions, his blindness and his family. We also get a look into his various recordings, his quick rise to stardom and his impact within the recording industry. More notable then the film itself is the Oscar-winning performance of Jamie Foxx in the lead role. Foxx does a fabulous job in his portrayal of Charles - most deserving of his Best Lead Actor statue.

There are scene... where, according to Director Hackford, Foxx acted so similar to Charles that he couldn’t distinguish between the two. Foxx did an unimaginable amount of work into acting just like Charles – from researching his life, to jamming and meeting with Charles himself, to wearing prosthetics over his eyes making him partially blind. In fact, Foxx is so truly good that you sometimes forget that Foxx is actually acting and wonder sometimes if Charles himself was acting in the film. Yes, Foxx is truly that good in this roll.

Synopsis

The jacket copy says it better than I could: “Museum director Dr. Zita Furneaux (Kylie Wyote), empowered by the Egyptian goddess Nephthys (Andrea Smith), regains her lost youth by dispatching a living Mummy to kidnap sexy young women, from whom she steals their ‘kas’ (spiritual twins), turning them into zombie-like love slaves. Reporter Elyse Lam (Christine Nguyen), investigating the case of the missing women, also falls prey to Zita’s lusts. But when Zita defies Nephthys... you’ll have to s...e this ‘horrotic’ sequel to the cult hit The Mummy’s Kiss

Synopsis

Young bride Anabel Shaw arrives at a San Francisco hotel to meet her husband, on his way back from a POW camp. His plane is late, and as she anxiously awaits him, she witnesses Vincent Price kill his wife in the next room over. She lapses into shock, and is found in this state when her husband arrives. The best psychiatrist around is summoned, and uh-oh, that turns out to be Price, who realizes why Shaw is in shock. He has her carted off to his private clinic, where he and lover Lynn Bari pl...t to keep her in shock permanently.

Johnny Depp continues to work hard in both good films and bad. While I didn’t care for this outing, I’m not sure I would call it a bad film… just one that didn’t connect with any of my tastes. Fans of Mr. 21 Jump Street will delight in yet another strong performance. He has the skill and talent to be remembered as one of the true greats. His performance in The Libertine does nothing to diminish that. But at the same time, there’s something dreadfully boring about films like these. Something not even Depp’s un...istakable craft can overcome.

Who the hell told writers and actors that films about them are so enthralling people will want to see them play the same characters in the same situations over and over again? It seems artsy folk are much more fascinated with themselves than John Q. Public, or any other moviegoer, could, or should, be. The weaknesses of The Libertine aspire to present them selves as the film’s strengths, and I, for one, am not buying. The plot is the same eccentricity finding redemption “on his own terms” theme that plays out in a lot of these films. Nothing much to say except that Depp plays an eccentric playwright, who insults King Charles II (John Malkovich) with a bawdy play that humiliates him in front of a group of French aristocrats. The stunt gets the playwright exiled, a punishment which seems more befitting than death to such a man, as he can no longer connect with his audience. Boredom ensues. The end.

Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.

Say what you will about Star Wars: Episode I -- The Phantom Menace, but there’s no doubting that it’s one of the best sounding films of all time on DVD. In my opinion, it is THE BEST. By now the film looks a little outdated, grainy in places and just fuzzy and washed out in others despite being certified by THX, but the sound more than makes up for it.