Posts by Archive Authors

Shia LaBeouf and Michelle Monaghan are on the run from a series of carefully orchestrated catastrophes. All are ominously foretold by a rather humorless young lady that may or may not be a robot in the new thriller Eagle Eye, a film that purports to be “from Stephen Spielberg.” Spielberg-lovers, don’t get your hopes up. Authorial rights belong more to director D.J. Caruso and a smorgasbord of writers that include John Glenn,

Ghost Town, the new romantic comedy from writer-director David Koepp, succeeds in not only introducing its British star Ricky Gervais to a wider audience but also in telling a simple, familiar story with an addictive charm all its own. Gervais plays Jack Nicholson in As Good As It Gets without the extreme OCD. What he lacks in this, however, he makes up for in his hatred of humanity.

Visits – “an anthology of bone-chilling horror”? Well, it has its moments, I will say that. The most effective scenes are the ones that don’t call attention to the scare elements. Scenes that involve one or two little things out of the ordinary that don’t smack you in the face, but actually force a double-take in considering what it was you just saw

Posted by Ken Spivey

"The History of Black New York” thematically explores various aspects of the black experience through the use of historian testimony and period specific media. The documentary begins with the early arrival of the Dutch on Manhattan Island and their fair treatment of black slaves. With the arrival of the English, morality and race became intertwined in New York, as with the rest of America, leading to the ensuing years of black oppression and segregation.

To me, the Power Rangers phenomenon was always a hard one to figure. Here we have a kids’ show featuring heroes and villains that look like they’ve escaped from a Ninja S&M Bar. Much like Ninja movies I have reviewed in the past – see my review for Ninja Collection Volume One: 10 Feature Film Set – these six episodes of Power Rangers Jungle Fury: Way of the Master share identical plotlines with subtle variations thrown in here and there for good measure.

What ever happened to Shawn Mullins?

I often mull over this question whenever I hear him sing, “Ev-e-ry thing’s gonna be all right… Rockabye! Rockabye!” on the radio. The dude lands in the late nineties with this song that has maybe the most unimaginative chorus in the history of pop music, and then he bolts on us, leaving that small remnant to get stuck in our collective heads for the rest of our humdrum lives.

Every now and then, the good folks at Upcoming Discs think it’s time I receive a little culture in my dreary, work-a-day life. There was the time they thought I could use some sensitivity training, so I ended up with Old Yeller, a film I had avoided for years because of the painful memories of Tommy Kirk gunning down his beloved pet. Sure wasn’t easy. (Bastards.)

Come ride the little train that is on its way to the junction. Petticoat Junction. This forgotten show is a blast to behold at the junction. Petticoat Junction. Lots of curves for you to watch, much better than Who’s the Boss?, is the junction. Petticoat Junction – The Official First Season.

What do you get when you mix three juvenile delinquents, an enterprising police captain, and a load of social commentary mixed into the confines of an hour-long police drama? Why, TV’s “The Mod Squad,” of course; or, for the purpose of this review, The Mod Squad – Season 2, Volume 1. Yes, aggravating as it is, Paramount is still pushing their half-seasons on the public,

Larry Bishop’s Hell Ride plays like a childhood fantasy I might have had in the third grade had I known more about boobies and the joy they bring to my basest male desires. As a film, however, it’s terrible. It’s like Bishop set out to honor the bad movie genre by laying a turd so rancid the qualities of those other films shine brightly alongside it. Sitting down to watch Hell Ride a second time