Posts by Gino Sassani

Arc Entertainment is on a roll, and our followers are cashing in. The gifts just keep on coming, and it's not even Christmas yet. This time they've given us 3 copies of the DVD Louder Than Words. The X-Files' own Agent Mulder, David Duchovny stars  in this inspiring drama. A couple deals with the death of their young daughter. Their tragic loss becomes hope for other children when they create a special hospital in their daughter's memory. The film also stars Timothy Hutton and Hope Davis. It' a heartwarming story based on real life.

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Arc Entertainment wants to take you home with a collection of fanciful characters and hope for a small town. We're talking Home Is Where The Heart Is on DVD. It features Bailee Madison, Laura Bell Bundy and John C. McGinley. It can be yours. We have 2 copies to give away to a couple of lucky Upcomingdiscs fans.

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Three-time widower Ben Cartwright  (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s, westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen. Years later in syndication the series re-emerged as Ponderosa, and a handful of TV movies continued the tale into the 90’s.We never have grown tired of the genre that gave us such heroes as John Wayne and Clint Eastwood.

Unlike many of the 1960's Western television shows, Bonanza was all about the characters. You rarely saw a gunfight. There was often a bit of fisticuffs, but usually it ended with a lesson that violence never pays. The show prided itself on using the Western genre to deliver a family kind of show, and it's no surprise that series star Michael Landon would use many of the same kinds of stories and lessons on his own Little House On The Prairie. The Cartwrights are always helping widows, the wrongly accused, and the local Indian population. That help often lands them in hot water.

"My siblings and I are the first vampires in all of history. The Original Family. Three centuries ago, we helped build a town called New Orleans. Now a plot by witches has lured me back, hoping that I will defeat a tyrant, a vampire I created. My brother hopes I will find redemption through the power of family, a miracle child, part werewolf, part vampire, a hybrid. My sister is doubtful; she thinks I am beyond redemption. Despite my brother's best efforts, I have a plan of my own. I will take back my home and reclaim what was mine. I will be king."

If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.

If you've had a chance to catch the film Sanctuary: Quite A Conundrum you know the name Thomas L. Phillips. The film has taken a heap of awards on the film festival circuit and is finally available on DVD for the fans. It's more black comedy than horror but Phillips takes delight in one critic calling it Clerks meets Scream. I had the opportunity to chat with Phillips on Friday. Bang it hear to sit in on my chat with Thomas L. Phillips

75 Years Of WWII is a collection of episodes from A&E/History's various war programs that have aired on the networks and have already been released in full sets of their own. It's intended to be somewhat of a greatest-hits DVD collection. If you're not inclined to pick up any of the full sets, this might make a nice addition to your collection, but I believe the full sets are far more worth your time.

Disc one contains a three hour two-part excerpt from WWII In HD on D-Day.

The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.

If you need to know more before considering the fourth season, you need to go back to the beginning. It will be well worth the time and money to do so. You can check out our reviews of the previous seasons by banging it here: Walking Dead Reviews. These will quickly get you hungry for the first three seasons and get you caught up with the rest of us and into the breach with Season 4.

Is there anyone out there who hasn’t noticed that William Shatner the actor has become William Shatner the character over the years?  Give the man some credit for finding ways to reinvent himself. After Star Trek he was the only actor to find himself another regular television character and shakes the typecasting that most actors in the franchise have been victimized by. When TJ Hooker was gone, he found a few other shows and ways to take advantage of what could have been fleeting fame. By the time he did Boston Legal, he had completely reinvented himself as a somewhat humorous character and wonderful mate for James Spader. But all along there was and always will be more than a little Captain Kirk in the actor. And over time the two began to meld into a being that has been the fodder for jokes for most of the world. Shatner’s laughing, too, but not in the way you might think. Shatner’s been laughing all the way to the bank.

Part of his newfound shtick has been putting together these "films" that explore the mythology of Star Trek. As we climb ever closer to the 50th anniversary, expect Shatner to continue to cash in. His latest gets its name from an old Saturday Night Live skit in which Shatner admonishes some diehard fans at a convention to do just that. It's still one of the best SNL skits in decades, and it's an appropriate opening for this release. Unfortunately, we don't get the entire skit. We only get enough for Shatner to deliver the titular line.

"It's like Prohibition never happened but for one thing. Prices will increase twenty-fold. We got a product a fellah's gotta have. Even better is that, we got a product he ain't allowed to have."

The fourth season of Boardwalk Empire began pretty much the only way it could have after the bloodbath that ended the previous season. It was an explosive season that delivered the best gangland war in television history. Now there has to be some kind of peace or at least status quo after the end of the violence. Nucky is making his peace with Arnold Rothstein and his people. He also owes Chalky White for saving his behind when war broke out. It's all going to cost him: money to Rothstein and the rebuilt club on the boardwalk for Chalky. The new Onyx club is now run by a man who is not allowed to sit in the front section of his own club.

"Welcome to the SyFy Channel."

OK, not really. Revolution aired on sister network NBC, both part of the Universal family. Usually the sibling resemblances are not very visible. Revolution, however has all the elements of a typical SyFy Channel series. These shows almost always start with strong source material or a crazy but clever idea. Most of the time the idea gets lost in bad acting, cheap computer-generated images and very low production values. None of those are a problem for Revolution. The acting is pretty solid. The effects are innovative and impressive (except for the really bad guys-on-fire images). The production values could stand against any series on the air. The creative team is overrun by talented people with proven track records. So how did Revolution go so far off the rails and end up in a pretty much deserved cancellation after just two years? Let me count the ways.