Posts by Gino Sassani

"Two years ago my son was taken from me. Since then I've lost everything: my job, my marriage, even my life. But I came back, and the dead came with me."

Ever since the hugely successful 1999 film by M. Night Shyamalan, The Sixth Sense, it was only a matter of time before the idea would spawn copycats both in film and television. The phrase, "I see dead people" became a cultural icon. It was a highly effective scene from a clever and refreshing movie. Unfortunately, not all of its spawn have carried on the same level of quality. Haunted falls somewhere in the middle of the pack. Cancelled after only 11 episodes,

Upcomingdiscs is finally on Twitter. Be sure to check us out and become a follower. We'll even run a contest or two that will only be open to those who follow us on Twitter.

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Deadly Impact is a rather sweet new drama just released by MGM on April 20th. They'll be a full review next week or so. We talked to director Robert Kurtzman. Next we had a very special treat when we talked to Sean Patrick Flanery about Deadly Impact. Of course, we also touched upon Young Indiana Jones and Boondock Saints.

To listen to my interview with Sean Patrick Flanery, Bang it here: Sean Patrick Flanery Interview

"Nothing worse than an old hippie, man."

When I think of Cheech & Chong, I am brought back to the 1970’s. It was then that the pair had their first success with an iconic brand of “stoner” comedy. Their LPs sold millions across the country. You didn’t have to be a stoner to appreciate the jokes. I was about as straight as they come, but I really loved listening to Cheech & Chong. The material was about more than just getting high. It was timely, at least it was then. It mirrored the culture that we could see from our own windows, and like all inspired comedy, it was relevant.

Howdy there friends.

I had a pretty sweet treat on Friday afternoon.

“Man lives in the sunlit world of what he believes to be reality. But there is, unseen by most, an underworld, a place that is just as real, but not so brightly lit, a darkside.”

Not since the likes of Rod Serling’s Twilight Zone or The Outer Limits has there been a really good sci-fi/horror anthology until 1984’s Tales. Not to say that each episode was a winner. In fact, most were pretty weak and relatively lame, but when this show was good, it was very good.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial.

Deadly Impact is a rather sweet new drama just released by MGM on April 20th. They'll be a full review next week or so. In the meantime, I had the chance to talk to a couple of folks involved in the film. The first was Robert Kurtzman, who directed the movie.

You may know Kurtzman for his extensive special effects work over the years. He's worked with Freddy and Jason. His own film, Rage became somewhat of a surprise hit recently.

Flight Of The Intruder is one of those films that appears and disappears off of the film world radar about as quickly as a stealth bomber. It has had its share of accolades but often passes swiftly into that entertainment night of obscurity. While it is at its core a Vietnam War film, the movie never really appears to be about the war at all. It attempts to capture some of the sartorial wit of Catch 22 while still trying to pass itself off as a serious enough movie. Make no mistake. This film leaves no war cliché unused, particularly in the stilted, sometimes gung-ho dialog of its characters.

You've seen me talk with a certain element of affection for the remarkable work that the Walt Disney Studios have done in the way of feature animation. Who can really argue with me when I state categorically that the studio invented that particular medium? The long line of classics could certainly fill a lot of space in this review, but these are things you already know. Left out of the list of classics, and deservedly so, is this 1980's Disney feature. the studio's take on Sherlock Holmes, The Great Mouse Detective.