Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
It’s another case of mistaken identity that gets our boys (Abbott and Costello) in trouble, this time with a couple of gangsters. I’ve always been an Abbott and Costello fan but somehow missed this 1948 film over the years. It’s possible that because it was one of only a few pictures the duo did outside of Universal it did not enjoy the wide release their other works had. A few gems from the boys’ routines can be found. Look for the “horse eating his fodder” and “I’ll bet you you’re not here”. There is none of the Big Band Era song and dance routine to slow this film’s pace. It will certainly fly by you. If you like the boys, you’ll find this a pretty routine outing.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
The Naked Truth is a 1958 British farce that benefits most from an excellent performance by Peter Sellers. Sellers plays Sonny Boy MacGregor as a comedic Lon Chaney. Each of Sonny’s characters is a complete package from the makeup to the accents. Moments of the inspired genius that would be better displayed in The Pink Panther films make this average production something more. The comedy is decidedly European in flavor and probably not for everyone. Most of the film slows when Sellers is not on the scene
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2005
Synopsis
Many people have provided screwed up metaphors as to just how important Led Zeppelin has been to music in the last 35 years. So of course, I’ve gotta throw one in. Imagine today’s rock musicians as workers in a factory, all punching in and out for work at a time clock each day. Led Zeppelin is the clock. There really was nothing before it that could compare to it, and while there have been some imitators, real or implied (Whitesnake and Kingdom Come being two names from the 80’s hair band metal day...), not many things have matched the impact of the vocals by Robert Plant, Jimmy Page’s blistering, blues-rooted guitar solos, and the rhythm section of John Paul Jones and John Bonham. They were among the first to put radio-unfriendly songs on their albums, with many songs running past the 3 or 4 minute radio single time, some songs going 6, 7 or 8 minutes. And their live performances were legendary. Their performances symbolized the 70’s with sprawling, maybe even pretentious, versions of songs like "Dazed and Confused" or "Whole Lotta Love." Live versions of these songs stretched into the 20 to 30 minute duration. During these times, Page would break out a violin bow to play his guitar with, Jones would play mysterious organ pieces, and Bonham’s work epitomized the drum solo, with a mix of power and touch, sometimes using his sticks, sometimes using the same power when hitting the drums with his hands. The group managed a period of fanatical success from 1969 to 1980, culminating in the unfortunate death of Bonham.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2005
Synopsis
Well, considering that there were so many different strange film ideas in the 1980s, it was only a matter of time that someone write and produce a film about a dead guy, right? Well, you’re in luck, as two names from the period (Andrew McCarthy, St. Elmo’s Fire and Jonathan Silverman, Brighton Beach Memoirs) fulfill your wish as Weekend at Bernie’s finally comes to DVD.
Posted in: Disc Reviews by Gino Sassani on July 20th, 2005
Synopsis
Let me get this out of the way first: I’m a Homicide junkie. While I’m grateful it got the run it did, to see it almost eternally on the graveyard TV timeslot of Friday at 10pm crushed me. And to see it get beaten in it’s time slot by Nash Bridges and remain virtually anonymous in the shadow of NYPD Blue discouraged me. But I’m a fanboy. It was filmed in my hometown (Baltimore), and while some of its actors were noteworthy elsewhere (among those were Ned Beatty, Yaphet Kotto an... Jon Polito), others, most notably Andre Braugher (City of Angels), used their time to earn consistent dramatic praise and spawned it into a solid movie career. And when Hollywood director (and Baltimore native) Barry Levinson (Rain Man) executive produces a show written by the outstanding veteran Tom Fontana (Oz, St. Elsewhere), some quality writing and exemplary performances were soon to follow. Directors often were taken aback by the almost automatic pilot nature of the production, but it did not stop them, as well as others, from guest directing an episode. Among the names (and faces) you will find on the first two seasons of Homicide are Edie Falco (The Sopranos), Julianna Margulies (ER), Wilford Brimley (The Natural), and Oz regulars Lee Tergesen and Zeljko Ivanek. Guest directors included the late Bruce Paltrow (St. Elsewhere), Martin Campbell (GoldenEye), Alan Taylor (The Sopranos) and John McNaughton (Wild Things).
Posted in: Disc Reviews by Gino Sassani on July 20th, 2005
Synopsis
Before they became the musical powerhouses that adolescents have grown to love and adore as part of the entertainment landscape, it’s common knowledge that Britney Spears, Justin Timberlake and Christina Aguilera all appeared on Disney’s “Mickey Mouse Club” show in the early ‘90s. But what you may not have known is just how many other semi-recognizable names appeared in the show during its run. Not only was another boy band musician on the show (JC Chasez), but you also had quality acting talents i... Keri Russell (Felicity) and Ryan Gosling (The Notebook). If you look at the noteworthy names that came out of this show, this is probably the 1983 NFL Draft, when it comes to teen acting, singing and dancing talent.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2005
Synopsis
John Woo did not just direct Tom Cruise from a big rock in Mission Impossible:2, nor EVERY recent action movie with featuring either Nicolas Cage or John Travolta. He was only a name you heard about whenever the hot director of the moment (Quentin Tarantino comes to mind) talked about their film influences. Woo was recognized as a top directing talent before his move to the West, and is the one name people consistently mention when talking about the Hong Kong crime/action film genre. This fi...m was his last before coming to the US, his American debut was Hard Target, and following that were several other action films. His creativity and action sequences seemed to resuscitate the American action film, which, until that point, had stagnated for a few years. One can only subject oneself to so many Chuck Norris 80’s action films without losing sanity.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2005
Synopsis
Well, I’m unsure how many people would see a romantic comedy involving a 59 year old man and a 26 year old woman (unless you saw Autumn in New York awhile ago), but the romance between Clark Gable (Gone With the Wind) and Sophia Loren (El Cid) in It Started in Naples is just a little creepy for me. Especially when you consider Gable seemed to always appear in his mid-60’s.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
I didn’t know what quite to expect from watching D.E.B.S. for the first time. So, it looks like a group of college girls who double as CIA assassins, right? OK, I can buy that, I mean, I’m a fan of Alias, so I can dig it. You’ve got Amy (Sara Foster, The Big Bounce), D.E.B. Academy’s top notch student with her pick of anywhere she wants to go; her friend, the tough and ambitious Max (Meagan Good, The Cookout), along with the younger Janet (Jill Ritchie, Herbie Fully L...aded) and the very French Dominique (Devon Aoki, Sin Cit).
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
One could make an attempt at witty prose by comparing Jackass to the works of Kubrick, Cassavettes, Scorsese, or what have you. But look, it’s a bunch of guys, some of whom have reputations in other circles, such as skateboarder Bam Margera and acclaimed director Spike Jonze, doing stunts that you may not have thought, dared or remotely considered doing, and keeping parts of the general public off guard. The gang made a huge splash on MTV, and scores of crazed teens wanted to try what these guys we...e doing, and maybe appear on the show. I think the quote from Millhouse on the Simpsons says it best: "All those warnings on TV make me want to do it more". The kids would get burned, broken, what have you, and parents who couldn’t crack the whip hard enough at home decided to sue anyone under the sun, despite the profuse warnings on each show, as well as a timeslot shift early on in the series’ life. So Johnny Knoxville became this decade’s Beavis, which I guess makes Steve-O Butthead. So, after judging (perhaps correctly) there wasn’t anything really left to do on TV, they decided to step things up and do a movie, and a $5 million budget led to a gross of over $60 million. Do they have enough for a sequel with those kinds of numbers behind them? I shudder to think what a sequel could bring.
