Posted in: Disc Reviews by Gino Sassani on October 7th, 2005
Law and Order SVU really began to create an identity for itself in its second year. The addition of Ice T as Finn is one of the best casting decisions Wolf’s made since Jerry Orbach. I would have liked to see the combination of Munch and Finn used more often. Maybe I’m in the minority, but they are so much more interesting than Benson and Stabler. I think the show was bold and more edgy in year two. Part of the problem in year one was the inevitable comparisons to the original. Unlike the CSI franchise, Law and Order has created a unique vision for each of its shows. It’s not just “same stuff, new faces”. Except for location, any story on CSI Miami could be done exactly word for word on CSI: NY or the original. I applaud Law and Order’s attempt to deliver something else. Of course, the subject matter on SVU has far more potential for controversy, and so far the writers have handled the material with care and class. Don’t look for the series to ever reinvent itself within each show. Law and Order is the poster child for formula, but isn’t that what keeps us coming back for more?
Audio
Posted in: Disc Reviews by Gino Sassani on October 5th, 2005
Not to be confused with the current film of the same name, Taxi was one of the funniest shows in television history. There simply hasn’t been a sitcom to feature so many cast members who would go on to bigger but perhaps not better things. Christopher Lloyd’s Reverend Jim has to be one of the best characters television has known. In its third year Jim would finally be around for an entire season. The show simply swept the Emmys in its third year with statues going to Judd Hirsch, Danny DeVito, and Christopher Lloyd (oddly enough, for a script he penned for the series). This is the year Andy Kaufman delivered Vic Ferrari to the show’s mythology. Taxi was hitting its stride on all fronts in season three. This is the show at its peak.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 5th, 2005
Nothing much changes in the second season of Las Vegas. Of course, Danny comes home from his secret and apparently tragic tour of duty. Mike is a full fledged member of the security team. Otherwise it’s business as usual for the workers at the Montecito. The show works well as an ensemble piece, but the relationship between Danny and Big Ed is more fully developed here and is beginning to dominate the series. James Caan continues to impress with work most of his peers would consider beneath him. The flashy fast paced camera work continues to offer a dizzying ride through the glitz and glamour of Las Vegas. All in all the show probably improved in year two, if for nothing else the characters have been fleshed out more in season two. Sometimes the interrelationships get a little too complicated and I could certainly do with less of the cliché of everyone hooking up with everyone else. All in all, this is a unique series with plenty of laughs, glitter, action, and hormones to please almost anyone.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 4th, 2005
For the first time in Star Trek history it was decided to dedicate an entire season to tell a single story. Following a recent trend started by hits like Alias and 24, Enterprise boldly went where many had gone before. The problem with this grand idea is that character development and Trek lore were all given a back seat. Rick Berman felt the need for Trek to become more epic. Unfortunately what Enterprise really needed to do was return to its character and socially driven roots. The show did finally start in that direction, but not before losing a legion of fans. On DVD, however, this story plays out much better. Now you don’t need to worry about missing an episode and spending the rest of the entire year feeling like you’re the only one who doesn’t know what’s going on.
Season Two ended with a shocking attack on Earth that destroyed much of my home area, Florida. The Enterprise embarks on its single mission to find and stop the mysterious Xindi. Along the way we are treated to plenty of stories that are in some way interrelated to this new big picture. The season is much darker in tone, both in script and cinematically.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2005
Warm Springs is an HBO production based on a lesser known part of the life of Franklin Roosevelt. While most folks know about FDR’s debilitating bout with polio, few are aware of his long-term association with a rural Georgia resort. It seems the water there is high in minerals, which allows those suffering from crippling diseases a chance to stand or even walk in the super buoyant water. HBO films has a nice track record with historical films. Truman is one of the best Presidential bio films I’ve ever seen. This film limits itself perhaps too much and becomes more about polio than it is about FDR. Kenneth Branagh delivers an above average performance as the single-minded future president. Cynthia Nixon literally steals the show with a clever portrayal of Eleanor Roosevelt. The remaining cast including Kathy Bates holds up well.
My main complaints can be found in the script. For one thing it runs too long at almost exactly 2 hours. The situations become repetitive and slow. The dialogue seems out of place at times. Flowery period talk can be taken too far, and it certainly was here. The sets are magnificent as is the atmospheric photography. The historical aspect is played quite loosely. Don’t expect great historical accuracy here.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2005
It was inevitable that the tragic events of 9/11 would spawn television and film dramatizations. The catastrophe quickly influenced almost everything produced immediately afterwards. Homeland Security is a failed NBC pilot. Unlike most discarded pilots Paramount decided to release this one as a direct-to-video feature. I’m not sure what the thinking behind this move was, but it was well thought out. The very things that made this a poor subject for a series make it an even worse feature release. There have been, and here will continue to be, dramas based on the attacks. Exciting episodes, particularly those in New York, have had to wrestle with presenting these events. All have been forced to deal with the reality of the impact on our society. Our entertainment simply must reflect our lives. With that said, this is simply a tasteless and obvious exploitation of those events. The film begins with a cursory look at the attack planning and soon moves into exposing the inter-agency problems which were partly responsible for the tragedy. Before you know it the attacks have occurred and a group of folks are being assembled to work in the newly formed Homeland Security department. The major flaw is how quickly the events themselves are given in the scheme of things. There would have been more promise if they had established the characters inside the organization and dealt with the aftermath of 9/11. Instead the show is exploitation and has little to offer.
Audio
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2005
I Love Lucy changed the fledgling television industry in the 1950’s. This was a time when network television was less than a decade old. Most folks had never heard of television just 15 years earlier. I Love Lucy defined the concept of a sitcom. The show was driven by the very strong personalities of the cast. Desi Arnaz was considered a charismatic Latin lover by American women. Lucy played the perfect foil and found a mountain of gold to mine in strong physical comedy. So many modern shows owe their roots to this classic that it would be impossible to mention them all here. With that said, the fifth season was a letdown. The simple truth is they were running out of ideas in the simplistic environment of this once very funny comedy. All of this season is spent taking the cast on a whirlwind tour of Europe with its forced situations. The lack of perceived spontaneity was gone. Lucy was no longer the fly in Ricky’s ointment. Oddly enough, the season does begin with one of the funniest stories of the series: Lucy stealing John Wayne’s footprints, and of course, his feet. If only that quality could have been maintained instead of a hokey tour of the Old Country.
Audio
Posted in: Disc Reviews by Gino Sassani on September 10th, 2005
First there was no James. This year no Florida. Yes, the Sunshine State is alive and well even after a year full of hurricanes, but the lovable mother Evans is not a part of Good Times 5th season. I found these episodes to be the show’s least funny. There’s no doubt that the scripts are trying way too hard to cover the awkward situations. The addition of young Penny is really no compensation. It doesn’t help that after 5 years JJ’s shtick is beginning to show its wear. Still, there are some good moments here for the show’s legion of fans. The Bookman character steals several shows. The series had always been known for its willingness to touch on some real ghetto issues, and that hasn’t changed. The opening series of episodes are quite serious. Michael has matured and finds himself in several serious ethical dilemmas this year.
Audio
Posted in: Disc Reviews by Gino Sassani on September 7th, 2005
ALF stands for Alien Life Form, but anyone who has seen this hit 1980’s comedy knows ALF stands for “laughing your ass off funny”. That’s what I had to say about season 1. Season 2 is just as funny, if not tons more. Of course, it helps that the show got its first full run of episodes in this year. Each episode shares its name with a song title. To the show’s credit, many are obscure. The big problem here continues to be the use of cut syndicated episodes. At least on this set the box clearly alerts you to this fact. An ethics issue I had with season 1 was the lack of any such warning. If this show were still around in syndication, at least here in the Tampa area, I would certainly forgo any bought sets and simply DVD-R them from broadcast. Uncut versions of these older shows is really the only reason to buy them.
Synopsis
Posted in: Disc Reviews by Gino Sassani on September 6th, 2005
This is not your father’s Sinbad. The emphasis is on the Bad, very bad. Seek and ye shall find no Ray Harryhausen magic to carry you away to distant lands and grand adventure. Lou Ferrigno was much better as The Hulk than as Sinbad. His much too modern use of slang coupled with a wise-guy barrage of one-liners makes this a difficult film to watch. Trust me. This film is really bad. Most disturbing is the total lack of respect the producers of this mess show for the grand traditions of previous Sinbad films. There is no majesty and mystery. You will also quickly become annoyed with the narration. A woman is telling the story to her all too inquisitive child.There is only mockery and triteness. They even try to pass off some of Lou’s Hercules footage as new stuff shot for this film. Well, the film wasn’t what needed to be shot here.
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