Posted in: Disc Reviews by Gino Sassani on October 23rd, 2005
Val Lewton produced 9 horror films for RKO back in the 1940’s. His films did not rely on terrible monsters or horrific images. Lewton was a master at atmosphere. Unfortunately these films have mostly been forgotten over the years, The Cat People being perhaps the most recognizable title in the collection. Sadly, this might be more for the lackluster remake in the 1980’s. Truth be told, these films are not really horror films in the usual sense of the genre. In most cases the evil is the product of an all too human hand rather than anything supernatural or fantastic. Not surprisingly Boris Karloff stars in the three best of the films including The Body Snatcher, one of the best horror films ever made. Please don’t confuse the title with the Invasion of the Body Snatchers.
Lewton’s films were all about mood and ambience. Violence more often than not occurs off-screen and portrayed as shadows, allowing the audience to imagine frights far more fantastic than could be placed before our eyes. Lewton’s productions were budget affairs but had comparable quality to the higher cost features that the big studios, most notably Universal, were creating at the time. This collection brings together all 9 films on 5 DVD’s…
Posted in: Disc Reviews by Gino Sassani on October 11th, 2005
Kenny’s gone and most of the season the boys are auditioning a new friend. While it looks like Butter has the inside track, you’ll have to watch the season to find out. Personally I miss the “They killed Kenny” jokes and was relieved that it eventually returned. South Park appeared to regain a bit of its lost creative energy in season 6. It can also be said that the show pushed its boundaries a little bit farther. There are times even I think the show goes too far. One of my favorite episodes can be found in this collection. The boys attempt to steal the master print of Raiders of the Lost Ark to thwart Lucas and Spielberg’s evil plot to add new digital effects and create a “special edition”. For all of us movie fans out there this touched home quite a bit. Cartman’s still my favorite character. The opening episode’s jab at Jared from Subway was one of the show’s most well deserved targets. Aren’t we all sick of that guy yet?
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Posted in: Disc Reviews by Gino Sassani on October 11th, 2005
First let me begin by admitting a bias. I have always loved this show dearly. Carl Kolchak is partly responsible for you reading these very words. When I was young and The Night Stalker first appeared I was enthralled with it. My father had already introduced me to the Universal Monsters so this was great fodder for my young and developing brain. I immediately knew I wanted to BE Kolchak. I decided I wanted to be a journalist and so began to write. Not only has that passion lasted through the decades since, but thanks to this job I often get to write about monsters and things that go bump in the night. Come to think of it, I am Kolchak, or at least I’m closer than the one ABC has put on Thursday nights this season. Enough about me and Carl.
The Night Stalker began as a TV Movie of the Week. Kolchak was a down on his luck reporter in Vegas looking for that one big story that would put him back in the game. Instead he discovered a real vampire killing women and demolishing police cars. Of course, no one believes him, and Kolchak must stalk the beast himself. The film’s success quickly led to another film, The Night Strangler. Now Kolchak’s in Seattle and this time the Boston Strangler is still alive and killing young girls to keep himself young. Once again Kolchak must take matters into his own hands, and once again he’s run out of town for his troubles.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2005
Law and Order SVU really began to create an identity for itself in its second year. The addition of Ice T as Finn is one of the best casting decisions Wolf’s made since Jerry Orbach. I would have liked to see the combination of Munch and Finn used more often. Maybe I’m in the minority, but they are so much more interesting than Benson and Stabler. I think the show was bold and more edgy in year two. Part of the problem in year one was the inevitable comparisons to the original. Unlike the CSI franchise, Law and Order has created a unique vision for each of its shows. It’s not just “same stuff, new faces”. Except for location, any story on CSI Miami could be done exactly word for word on CSI: NY or the original. I applaud Law and Order’s attempt to deliver something else. Of course, the subject matter on SVU has far more potential for controversy, and so far the writers have handled the material with care and class. Don’t look for the series to ever reinvent itself within each show. Law and Order is the poster child for formula, but isn’t that what keeps us coming back for more?
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Posted in: Disc Reviews by Gino Sassani on October 5th, 2005
Not to be confused with the current film of the same name, Taxi was one of the funniest shows in television history. There simply hasn’t been a sitcom to feature so many cast members who would go on to bigger but perhaps not better things. Christopher Lloyd’s Reverend Jim has to be one of the best characters television has known. In its third year Jim would finally be around for an entire season. The show simply swept the Emmys in its third year with statues going to Judd Hirsch, Danny DeVito, and Christopher Lloyd (oddly enough, for a script he penned for the series). This is the year Andy Kaufman delivered Vic Ferrari to the show’s mythology. Taxi was hitting its stride on all fronts in season three. This is the show at its peak.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 5th, 2005
Nothing much changes in the second season of Las Vegas. Of course, Danny comes home from his secret and apparently tragic tour of duty. Mike is a full fledged member of the security team. Otherwise it’s business as usual for the workers at the Montecito. The show works well as an ensemble piece, but the relationship between Danny and Big Ed is more fully developed here and is beginning to dominate the series. James Caan continues to impress with work most of his peers would consider beneath him. The flashy fast paced camera work continues to offer a dizzying ride through the glitz and glamour of Las Vegas. All in all the show probably improved in year two, if for nothing else the characters have been fleshed out more in season two. Sometimes the interrelationships get a little too complicated and I could certainly do with less of the cliché of everyone hooking up with everyone else. All in all, this is a unique series with plenty of laughs, glitter, action, and hormones to please almost anyone.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 4th, 2005
For the first time in Star Trek history it was decided to dedicate an entire season to tell a single story. Following a recent trend started by hits like Alias and 24, Enterprise boldly went where many had gone before. The problem with this grand idea is that character development and Trek lore were all given a back seat. Rick Berman felt the need for Trek to become more epic. Unfortunately what Enterprise really needed to do was return to its character and socially driven roots. The show did finally start in that direction, but not before losing a legion of fans. On DVD, however, this story plays out much better. Now you don’t need to worry about missing an episode and spending the rest of the entire year feeling like you’re the only one who doesn’t know what’s going on.
Season Two ended with a shocking attack on Earth that destroyed much of my home area, Florida. The Enterprise embarks on its single mission to find and stop the mysterious Xindi. Along the way we are treated to plenty of stories that are in some way interrelated to this new big picture. The season is much darker in tone, both in script and cinematically.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2005
Warm Springs is an HBO production based on a lesser known part of the life of Franklin Roosevelt. While most folks know about FDR’s debilitating bout with polio, few are aware of his long-term association with a rural Georgia resort. It seems the water there is high in minerals, which allows those suffering from crippling diseases a chance to stand or even walk in the super buoyant water. HBO films has a nice track record with historical films. Truman is one of the best Presidential bio films I’ve ever seen. This film limits itself perhaps too much and becomes more about polio than it is about FDR. Kenneth Branagh delivers an above average performance as the single-minded future president. Cynthia Nixon literally steals the show with a clever portrayal of Eleanor Roosevelt. The remaining cast including Kathy Bates holds up well.
My main complaints can be found in the script. For one thing it runs too long at almost exactly 2 hours. The situations become repetitive and slow. The dialogue seems out of place at times. Flowery period talk can be taken too far, and it certainly was here. The sets are magnificent as is the atmospheric photography. The historical aspect is played quite loosely. Don’t expect great historical accuracy here.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2005
It was inevitable that the tragic events of 9/11 would spawn television and film dramatizations. The catastrophe quickly influenced almost everything produced immediately afterwards. Homeland Security is a failed NBC pilot. Unlike most discarded pilots Paramount decided to release this one as a direct-to-video feature. I’m not sure what the thinking behind this move was, but it was well thought out. The very things that made this a poor subject for a series make it an even worse feature release. There have been, and here will continue to be, dramas based on the attacks. Exciting episodes, particularly those in New York, have had to wrestle with presenting these events. All have been forced to deal with the reality of the impact on our society. Our entertainment simply must reflect our lives. With that said, this is simply a tasteless and obvious exploitation of those events. The film begins with a cursory look at the attack planning and soon moves into exposing the inter-agency problems which were partly responsible for the tragedy. Before you know it the attacks have occurred and a group of folks are being assembled to work in the newly formed Homeland Security department. The major flaw is how quickly the events themselves are given in the scheme of things. There would have been more promise if they had established the characters inside the organization and dealt with the aftermath of 9/11. Instead the show is exploitation and has little to offer.
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Posted in: Disc Reviews by Gino Sassani on September 23rd, 2005
I Love Lucy changed the fledgling television industry in the 1950’s. This was a time when network television was less than a decade old. Most folks had never heard of television just 15 years earlier. I Love Lucy defined the concept of a sitcom. The show was driven by the very strong personalities of the cast. Desi Arnaz was considered a charismatic Latin lover by American women. Lucy played the perfect foil and found a mountain of gold to mine in strong physical comedy. So many modern shows owe their roots to this classic that it would be impossible to mention them all here. With that said, the fifth season was a letdown. The simple truth is they were running out of ideas in the simplistic environment of this once very funny comedy. All of this season is spent taking the cast on a whirlwind tour of Europe with its forced situations. The lack of perceived spontaneity was gone. Lucy was no longer the fly in Ricky’s ointment. Oddly enough, the season does begin with one of the funniest stories of the series: Lucy stealing John Wayne’s footprints, and of course, his feet. If only that quality could have been maintained instead of a hokey tour of the Old Country.
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