Posts by Gino Sassani

First there was no James. This year no Florida. Yes, the Sunshine State is alive and well even after a year full of hurricanes, but the lovable mother Evans is not a part of Good Times 5th season. I found these episodes to be the show’s least funny. There’s no doubt that the scripts are trying way too hard to cover the awkward situations. The addition of young Penny is really no compensation. It doesn’t help that after 5 years JJ’s shtick is beginning to show its wear. Still, there are some good moments here for the show’s legion of fans. The Bookman character steals several shows. The series had always been known for its willingness to touch on some real ghetto issues, and that hasn’t changed. The opening series of episodes are quite serious. Michael has matured and finds himself in several serious ethical dilemmas this year.

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ALF stands for Alien Life Form, but anyone who has seen this hit 1980’s comedy knows ALF stands for “laughing your ass off funny”. That’s what I had to say about season 1. Season 2 is just as funny, if not tons more. Of course, it helps that the show got its first full run of episodes in this year. Each episode shares its name with a song title. To the show’s credit, many are obscure. The big problem here continues to be the use of cut syndicated episodes. At least on this set the box clearly alerts you to this fact. An ethics issue I had with season 1 was the lack of any such warning. If this show were still around in syndication, at least here in the Tampa area, I would certainly forgo any bought sets and simply DVD-R them from broadcast. Uncut versions of these older shows is really the only reason to buy them.

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This is not your father’s Sinbad. The emphasis is on the Bad, very bad. Seek and ye shall find no Ray Harryhausen magic to carry you away to distant lands and grand adventure. Lou Ferrigno was much better as The Hulk than as Sinbad. His much too modern use of slang coupled with a wise-guy barrage of one-liners makes this a difficult film to watch. Trust me. This film is really bad. Most disturbing is the total lack of respect the producers of this mess show for the grand traditions of previous Sinbad films. There is no majesty and mystery. You will also quickly become annoyed with the narration. A woman is telling the story to her all too inquisitive child.There is only mockery and triteness. They even try to pass off some of Lou’s Hercules footage as new stuff shot for this film. Well, the film wasn’t what needed to be shot here.

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Evil sells. From the time of Adam and Eve it appears that Satan makes for great storytelling. The mini-series from NBC gets its name, obviously, from Revelations, the final book in the Bible. Combine the idea of pure evil and the end of times and you get... well, The Omen. Revelations deals more with the impending Armageddon than it actually does with the Anti-Christ. The clash of science and religion is far more important in this film than past films like The Omen. Bill Pullman is a good choice here. His portrayal of a Harvard scientist caught in the middle of this epic tale contains just the right reserved element to make him completely believable. Natascha McElhone is too stereotypical. Her constant ranting of scripture gets tiresome. I’m not really sure I blame the actress more than the way the part was written. This is a long tale that would have benefited from tighter editing. Of course, NBC had to fill 6 hours of prime-time.

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Season Two of Star Trek Enterprise was without a doubt the weakest of the series. It’s no mystery that the show’s demise was already being talked about by the time Year Two was finished. The stories were unoriginal and it appears budgetary concerns often meant unimaginative bottle shows. The words Star Trek were finally added to the title. Rick Berman has always tried to distance himself from Gene Roddenberry. When Enterprise was first released he felt it was time to finally cut the umbilical cord and drop the franchise tag. If that doesn’t tell you something about his level of respect for Star Trek, then the countless instances of disregarding traditional Trek continuity should. The franchise officially jumped the shark with the episode “A Night In Sickbay”. Come on, Berman, that cute puppy in a fight for its life is so... Lassie.

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Tim Allen was fortunate enough to ride a couple of trends and nurture them into a steady paycheck without really having to do anything. He was a stand-up comic in the mid ‘80s and early ‘90s and was pretty good at it. And like many other stand-ups during the time, he was given a sitcom with which to basically recycle his act onto a smaller stage. And to his benefit, the public enjoyed it, and Allen’s pet project Home Improvement was a smash hit, and would later go on to enjoy eight seasons o... ABC, and included a small unknown actress named Pamela Anderson.

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Akira Kurosawa’s impact on filmmaking and storytelling will be part of Western cinema for decades to come. Despite being slightly underappreciated in his later years in his native Japan, some of the work he put to film is some of the greatest and most influential ever seen. His work, such as Rashomon, The Hidden Fortress and The Seven Samurai, to name a few, have been remade or cited as major influences in the films and/or careers of George Lucas, Clint Eastwood and James Cobur..., among others. I’ve become increasingly interested in Kurosawa’s work, and I recently picked up the Kurosawa DVD Collection, which is available as an Amazon.com exclusive as part of a limited edition run of 5,000. The 3-disc set contains the documentary on the sensei (Kurosawa’s nickname), aptly titled Kurosawa. The other two discs house Kurosawa’s last film, Madadayo, and the Masterworks Edition of Ran. In terms of packaging, it’s a bit hard to describe, the box opens much like your standard amaray case. On the left side, Kurosawa is at the bottom, and on the top, there is a greeting card sized package of materials. Aside from the obligatory certificate of authenticity, four 5x7 glossy cards that are Kurosawa storyboard illustrations for Madadayo and Ran are here, as well as a small booklet that is mainly comprised of biographical information. The discs for Madadayo and Ran are on the right side, as well as a small board (Amazon says it’s a “Japanese-style miniature shoji screen”) that has art from Ran on it. It’s nice artwork, plus it’s been clear-coated to help prevent damage to it. To round out the goodies, there is a reproduction of the poster that trumpeted the re-release of Ran in 2000, but the poster is reduced to a more manageable size to fit the case.

The term Reivers, it is explained, is a turn of the century word for thieves. From that explanation one might expect an action adventure heist film. What you get instead is a Faulkner coming of age story. While the film has quite a few memorable moments of pure Americana, there seems little point in anything that happens on screen. Even the wonderful acting of Steve McQueen leaves most of the film muddied in a period piece about nothing at all. Burgess Meredith does a fine job of narrating the film from the point of view of an old man recalling a moment in his 11th year. I think I would have rather had Meredith providing a books on tape version of the original Faulkner work. The cinematography appears older than its 1969 production year implies. I don’t feel like I got to know these characters enough to simply want to be with them. The adventure is anything but. There’s a questionable moral character to the entire premise.

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Peter Bogdanovich may be the victim of having too much too soon, as he was well known for his work in the early 1970s, starting with The Last Picture Show and Paper Moon, but experienced a string of poorly received work as well. Following the 1980 murder of his girlfriend Dorothy Stratten (at the hands of her estranged husband), he stayed out of the business (and was bankrupt) for awhile, but returned in 1985 with the excellent film Mask. In Illegally Yours, he manages t... cast Rob Lowe (The West Wing) as a lovestruck kid named Richard Dice who returns home to Florida.

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Lately various studios have been releasing films with Gene Hackman onto DVD, films like Scarecrow and Twice in a Lifetime. And after a run in 1983’s Uncommon Valor, he teamed with Matt Dillon (The Flamingo Kid) in 1985’s Target, the proverbial Cold War spy thriller.