Posted in: Disc Reviews by William O'Donnell on July 16th, 2011
Somewhere between Spike TV and the Discovery Channel lies the History Channel's take on nature programs. Underwater Universe is the collision of sensationalist and informative television. 5 episodes profiling the deadliest attributes of the Oceans, all told with melodramatic statements, fast editing but still plenty of experts offering scientific analyses to the “hows” and “whys” of what each episode is featuring.
Each episode is a compilation of CGI recreations, interviews with experts and those that have encountered deadly animals or elements, and stock footage of those same animals and elements at work. The subjects (and episode titles) are “Killer Shockwaves,” “Predators of the Deep,” “Fatal Pressure,” “Tides and Currents of Death.”
Posted in: Disc Reviews by William O'Donnell on July 7th, 2011
A high school football team has a longstanding tradition of bringing their team good luck by sleeping with virgins and then crossing their names off of a secret list. Three girls on said list figure out the football player's plan and decide to strike back with pranks and some feminist rebellion that is supposed to be inspired by Lysistrata.
First and foremost, let me immediately address any connections to Lysistrata this film claims to have. While Lysistrata is about women withholding sex from men because of they have gone to war (to put it in simple terms), Wild Cherry is more about the girls seeking revenge over a sense of humiliation that their boyfriends may not like them as much as they'd hoped. Lysistrata empowered its female characters while the three protagonists of this film are ultimately still just trying to be liked by the popular boys. The rebellion they stage builds to nothing more than a couple juvenile pranks and a lame speech made at a the most sparsely attended football match in cinematic history.
Posted in: Disc Reviews by William O'Donnell on July 6th, 2011
A pair of serial “gawkers” are getting into awkward spots in their marriages until their wives offer them a 6-day “Hall Pass” that grants them freedom to act as single men for that time. As each couple go their separate ways, each do battle with the temptation to act on their freedom, versus learn some sort of lesson about the virtues of domestic monogamy.
Each scene has the actors standing in such a staged manner that nothing feels natural about this film. Not that the token R-rated language and lowbrow gags didn't already give that effect, but there is something to be said about actors being able to deliver their lines without cheating their bodies towards the audience, as if this were a theatre production. If only this were some magical new form of performing where a camera is able to show the audience angles of a performer we cannot see from stage, without the actor having to move at all! My goodness, what a marvel that would be! Alas, the Farrely bros have forgotten what century we live in and let each scene look the first off-book day for amateurs in an Intro to Comedy Acting course.
Posted in: Disc Reviews by William O'Donnell on July 6th, 2011
There is hardly any differentiation between the Jackass series and its films, aside from a few more celebrity cameos and bigger budget stunts as the years have gone by. A testament to this is the “.5” editions of each film, which are literally cobbled together using rejected sketches and stunts from the original release. Unlike when such films as X-Men or Spiderman put out a DVD called 1.5 or some such, this is not simply an expanded version of the original release, but a whole new film. Saying that the Jackass series has X amount of seasons on TV or X amount of movies is relatively useless because that would suggested there is a more defined time line in their history, and we'd have to exclude the copy-cats and offshoots such as Viva La Bam and Wildboyz in the canon. These boys have been filming for over a decade and whenever they get 3 hours worth of usable footage, they put out two movies (one to theatres, one straight-to video), that's the basic gist of it.
There is honestly not that can be criticized because, at this point, audiences know exactly what they're in for when it comes to Jackass. Mind you, those that are fans will notice that the stunts have become tamer. In some backwards way, some of the older stunts had either a way of being entertaining for being clever or cute in perfectly harmless ways, or even slightly educational when it came to becoming human guinea pigs for tazers, rubber bullets or other devices that are being used to harm humans on purpose. The stars of Jackass have become just that: “stars.” They have invested many injuries and humiliations to get to where they are today, and are not as willing to take chances these days. There was an interesting bit about paranoia and just how miserable being on a Jackass set can be because pranks can happen at any point. Perhaps some of the stars' hesitation comes from being exhausted of being victimized whenever they turn their backs or attempt to nap.
Posted in: Disc Reviews by William O'Donnell on July 4th, 2011
The story begins with the immediate validation of superstition. Anesi Gebara is the head of an illegal lottery and so numbers are crucially linked to his life, both in his work and in the aforementioned superstitions that haunt his life.
The first episode features Gebara's dearest son, Anesinho, killing himself, and the rest of the series follows his remaining 3 sons as they vie to take Anesinho's respected place. As seems to be customary with the majority of HBO programs, dark secrets about each character's past come to light before our eyes. Said secrets often involving lurid sex and death (again, staples in the HBO realm).
Posted in: Disc Reviews by William O'Donnell on June 20th, 2011
Brendan Fraser plays Mo, a man who has the special power of a “silver tongue” which means he has the ability to bring characters and elements from books into the real world by reading their stories out loud. There is a serious catch to this power. Someone from the real world must go into the book in exchange. Mo discovered this by accidentally reading his wife into a story called Inkheart while pulling three of its characters out. Nine years after this event, and with his daughter and a couple of heroic literary characters at his side, he finally tracks down a copy of the rare book to try and bring her back.
The mashing of literary references does not get its legs until the monstrous climax of the film. Until then, the adventure seems a bit light and lacking in the essential energy to gain our full interest. There are also issues with establishing the mood of the film. The disappearance of Mo's wife seems tragic at times, as indeed the loss of a loved one should be, but at other s\times it simply seems like a reference in their fantastic quest amongst outrageous characters of fiction. No character seems to get enough times to dwell on the uncanny, such as an author meeting one of his characters face to face, or the heartbreaking, such as the aforementioned disappearance.
Posted in: Disc Reviews by William O'Donnell on May 16th, 2011
LXD is a two seasons of collected web shorts, originally appearing on 'Hulu.' A secret society is recruiting dancers and each short reveals prospects who demonstrate masterful performances of different, modern dance techniques.
At first glance, the concept seems to be a bit hammy and contrived. A random, elderly black man (Morgan Freeman must have been out of their price range) narrates in a almost broken hearted yet ever-wise tone, speaking in fortune cookie sayings with promises of mystical yet adventurous things to come. Thankfully, less time is spent on this and more time spent on profiling each dancing character.
Posted in: Disc Reviews by William O'Donnell on May 11th, 2011
Lesser know than the Loch Ness Monster, Chupacabra and many other crypotzoilogical monsters is the Mongolian Death Worm. This SyFy production gives the mythological beast the Tremors “graboid” treatment and makes them desert prowling beasts with extending tongues/second mouths. Being compared to Tremors is a high summit to reach., as this film is outclassed by that film in all aspects.
Things are shaky right off the hop. The opening title has the same size and font as the text used to detail the characters' location, making it seem as if Mongolian Death Worm is the name of the setting. Such things are not monumental problems, but there are enough of these lofty mistake to mark sloppy composition and lack of care by the filmmakers.
Posted in: Disc Reviews by William O'Donnell on May 11th, 2011
Based on actual Old Bailey court records from the 18th Century, Garrow's law tells the true story of William Garrow, a young barrister you revolutionized the legal system. This first series may only be 4 episodes long, but with each clocking it an an hour long a piece, this series offers plenty of drama to invest in.
The first episode kicks off with Garrow's earliest attempt to be a proper defense attorney, with the mindset to stop “blood money” from influencing convictions, and to cease the casual executions and/or barbaric treatments of innocent people. The proceeding episodes each contain a highly tense adventure, as Garrow has to not only prove his clients' innocence, but must also fend off bounty hunters, judges and other callous opponents of what he views as true justice.
Posted in: Disc Reviews by William O'Donnell on May 10th, 2011
I suppose there is something to be said about shows where we literally watch the main characters grow up. This season of Boy Meets World sees Cory Matthews (played by Ben Savage) and his cohorts enter their final year of high school. In some fashion, this is the season where the boy really is about to “meet the world,” but perhaps that is just a little too much poetry smeared onto this season of family friendly prose.
If you can somehow crawl past the horrendous theme song and opening title sequence, you will witness an acceptable Disney comedy, filled with cheesy smiles, over-acting supporting cast, madcap scenarios that have no edge whatsoever, and hearty doses of family oriented life lessons.