Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
The Cartwright boys continue to do right on the Ponderosa Ranch in the state of Nevada. Having lasted 14 seasons, the series was relatively young in Season 2 but had already established Ben Cartwright and his three boys (from three different mothers) as household names on American television.
Plot wise, a good chunk of the stories revolve around the importance of having land. The Cartwrights hold the most lucrative plot in the area, and many a villain tries to find devious methods of taking it from them. Unlike fellow Old West programs like Gunsmoke, Bonanza took a sometimes comical approach to the resolving these conflicts, and guns were hardly ever drawn.
Posted in: Disc Reviews by William O'Donnell on November 6th, 2011
Somewhere between Iron Maiden and Pink Floyd lies Queensryche's concept albums Operation Mindcrime parts one and two. Part One was released in 1988 and has since been heralded by many as one of the finest heavy metal albums (concept or otherwise) of all time. The sequel arrived in 2006. This concert film is from the subsequent tour that featured the band playing both albums in their entirety, back to back, with actors, animations, and an elaborate stage setup to perform this rock opera.
The plot follows a man who has been coerced into become an assassin of political figures. The sequel is a revenge story after he is jailed for his actions. A small team of actors fill in the roles that lead singer Geoff Tate does not.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Here are four evenings music fans did not anticipate coming, yet anyways hoped for. In 2005 Cream reunited for the first time since their breakup (save for one performance when they were inducted into the Rock n Roll Hall of Fame in 1993) for four concerts at the legendary Royal Albert Hall. The bad blood between the members of Cream was almost as famous as their influential music. With that in mind, it is wonderful to see these extremely talented men play just as tightly as they did in the 1960s, and some might argue that they've never played better than at these shows.
The set list is a rich mixture of chart topping originals (White Room, Sunshine of your Love...), classic covers (Born under a bad Sign, Crossroads...) and even some songs that the band had never played live before, such as 'Pressed Rat and Warthog.' The set that appears in this film is cobbled together with clips from each of the evenings, most likely to give us the best possible concert experience. As well, along with the songs, Ginger Baker gets a lengthy drum solo and, of course, Eric Clapton is alloted many opportunities to demonstrate some of the smoothest Blues guitar playing that has ever blessed our listening ears.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Bubokan is one of those venues that has become a goal for any major band. Dream Theater had toured Japan numerous times over the course of 12 years but never yet rocked this venue. Japan is, and has been, one of those markets that tends to embrace things differently than North America or Europe; and Progressive Metal is not exactly rocking the Top 40 stations (at least, not since RUSH were in their prime...and even then...). It was only a matter of time that the most relevant “Prog” band playing today would make it to Budokan, and they celebrated by making it into a concert film.
Each member of this group is a virtuoso at their instrument. Taking time for instrumentals or solos are rather commonplace for arena concerts. Instead of the standard guitar or drum solo, all but the lead singer of the group would flex their progressive metal playing muscles while putting on a clinic of just how flashy a musical education can be when the most technically impressive of scales and rhythms are played at breakneck paces and mixed with very strange time signature changes.
Posted in: News and Opinions, Release Announcements, The Reel World by William O'Donnell on October 30th, 2011
The Toronto After Dark film festival has left it's claw marks all over the Big Smoke and in the fallout, audiences were floored by two feature length delights by Canadian film collective ASTRON-6. Father's Day, a revenge tale about a vigilante group tracking a “father-rapist,” and Manborg, a lo-fi, sci-fi epic about a cybernetically altered soldier facing the forces of Hell in the future, both made their Canadian theatrical premieres at TAD and have been receiving not but rave reviews since.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. His adventures have been well-reviewed by my compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason) so I shall do my best to avoid redundancies while I speak of Season 6.
The formula (for lack of a better term) of each episode maintains in the sixth season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry's uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one's enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
An aging soap opera starred, played by Sally Field, is the target of a jealous supporting cast and a conniving producer (Robert Downey Jr.). The head writer of her show (Whoopi Goldberg) seems to be the only ally she has as a former love's character (Kevin Kline) is recast to throw her off her game, along with a mysterious family member barging into her world and work life.
Soapdish relishes in Soap Opera story tactics just as much as it wishes to lampoon them. Twists, secrets, romance, backstabbing, tears, sex changes, melodramatic speeches...all of these elements are parodied in the show within the film, but also work their way into the real-life drama of these characters. The success of this film relies on being able to display how ridiculous soap operas can be while still selling the audience a complete (and often over-the-top) soap opera tale. This is truly a soap opera world as nothing is grounded in reality (Abandon all hope, Vittorio De Sica fans who enter here). The plot twists are painted in broad strokes and the physical comedy bits are motivated by pure nonsense. That considered, it is a truly funny journey peppered with some outstanding yet subtle visual gags (constantly panning past beefcake actors in the production hallways for example).
Posted in: Disc Reviews by William O'Donnell on October 8th, 2011
Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.
As the months pass, the story becomes so elaborate and strange that many critics have questioned the authenticity of this film as a documentary. I personally find it is worth looking past any doubt or beliefs and simply enjoy the mystery bubbling under the surface of the romance plot, as well as surprising level of pathos and intriguing character drama one receives from this story.
Posted in: Disc Reviews by William O'Donnell on October 5th, 2011
Previously on this site I had reviewed Season 4 of this legendary program (https://upcomingdiscs.com/2010/10/15/gunsmoke-season-4-volume-1/) and Season 5 still predates the major changes that occurred over this show's 20 year run, primarily consisting of supporting cast changes so that review can just about double as fair coverage of this season as well; which I hope conveys a testament to this show's consistency of quality and not to my personal laziness as a writer. Indeed, this season continues to provide entertaining evidence as to why this show lasted so long and remains beloved to this day.
James Arness' Marshall Matt Dillon keeps a stern, watchful eye on the city of Dodge. The stakes were always high in each episode's adventure, and any slip up, be you a hero or villain, could cost you your life. Being a production from the late 1950s we do deal with more than a few character stereotypes. The gypsies are devious, the natives are primitive, and the white yokels are frighteningly ignorant and violent. Dillon, as the final word of the law in all situations, makes a decent mediator and remains without prejudice so long as you keep on the happy side of his law...or you end up on the business end of his gun in many cases
Posted in: Disc Reviews by William O'Donnell on July 23rd, 2011
I have never been a huge fan of Tyler Perry's creations. Particularly, House of Payne is something I really don't care for. Mostly this is due to the fact that the original story that made the household dynamic of mixed family members what it is throughout the series came from a story about a woman who was a crack addict and arsoned her own house. After seeing this story, and the completely insensitive way it handled drug addiction struck me as so foul that I have yet to find forgiveness. So here I stand, weighing my possible bias' versus my standard issue journalistic neutrality as a reviewer, and hoping my opinion remains respectable.
This bundle of 24 episodes continues the series' usual path of melding corny humour with major issues such as theft, drugs, racial topics and so forth. As much as it tries to be poignant, the setup and execution of each story is too unnatural to be ever be taken seriously. As well, there are just far too many negative black stereotypes being used for my own comfort level. I'm not asking it to be like the Boondocks and try to explode stereotypes while displaying them, but there certainly could be a lot more efforts made to not fall into such ugly situations or characters (none of which I shall honour by repeating here...if you are a masochist, investigate the show yourself).