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“Truly, for some men nothing is written unless they write it.”

In discussing the ultimate departure of Omar Sharif — the legendary actor, born Michael Shalhoub, died Friday after suffering a heart attack at a hospital in his native Egypt — it's only fitting we talk about his most famous arrival. After becoming a star in Egypt, Sharif's first English-language film was the David Lean epic Lawrence of Arabia. Sharif — who earned his sole Oscar nomination for the movie — played Sheriff Ali, who makes one of the most indelible entrances in the history of cinema. The actor seemingly materializes out of thin air; it's meant to evoke a mirage, which is fitting because moviegoers could hardly believe their eyes.

His striking, exotic looks allowed him to play everyone from Genghis Khan to Che Guevara. Sharif went on to make a pair of other iconic films, taking on the title role in Doctor Zhivago and starring opposite Barbra Streisand in Funny Girl. On top of accumulating more than 100 movie and TV credits, Sharif cultivated a sophisticated, well-rounded image off-screen. (The actor once ranked among the top 50 bridge players in the world.) Needless to say, this was a man and a performer who charted his own path and wrote his own story. Join us in celebrating Sharif's work with a trip through the UpcomingDiscs archives.

"I don't want to sound gloomy, but at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again."

That was how Christopher Lee described his long-time friend and frequent co-star Peter Cushing when he died in 1994.
The two shared the screen dozens of times, most notably in the Hammer Studios cycle of horror films. The words can also describe the man himself. Hammer had picked up on the popular movie monster when the Universal cycle had pretty much run out its string. Following in the footsteps of Boris Karloff, Bela Lugosi and Lon Chaney (both Sr. and Jr.), Lee was part of a next generation of horror film icons. Vincent Price, Peter Cushing and Christopher Lee would become the horror giants who would pick up where the Universal greats left off. It started with Curse Of Frankenstein, but it was Dracula for whom he will always be remembered. Not surprisingly, Lee never cared for the term “horror film”. He would borrow a French description often used by Boris Karloff and referred to these films as "the theatre of the fantastique" 

"We are assembled here today to pay final respects to our honored dead. And yet it should be noted that in the midst of our sorrow, this death takes place in the shadow of new life, the sunrise of a new world; a world that our beloved comrade gave his life to protect and nourish. He did not feel this sacrifice a vain or empty one, and we will not debate his profound wisdom at these proceedings. Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human."

Many of the headlines read: "Spock is dead". Of course, that's not really true. Spock is a fictional character that will live on likely longer than any of us. But fans of science fiction in general and Star Trek fans in particularly have lost a friend today who was very human. Leonard Nimoy was 83.