Dolby Digital 2.0 (English)

“In the 1940’s and 1950's the juiciest roles for actresses in Hollywood were often in B pictures that explored the dark side of life, staring roles as cool, calculating girls who could stick a knife in a man's back and make him like it."

And so Sony collects 8 of these films as part of what looks like is going to be an ongoing series. But what exactly is Film Noir? You hear the term used from time to time, but what does it mean?

This film chronicles the career of Maurice “The Rocket” Richard, an NHL player for the Montreal Canadians, from his childhood days in a Junior hockey league, to the season in 1955 where his suspension from playing for the remainder of that season led to violent riots in Montreal. This film is more than just an examination of Richard as a French-Canadian citizen and legendary hockey player (many still argue as the greatest ever to play) but also a look at his impact as an icon and living legend to the people of Quebec.

Years after his wife's unsolved murder, Norman Reedus has retreated within himself, carrying on a morose existence in a low-end apartment, gloomily taking part in unofficial greyhound racing. His neighbour, Emmanuelle Béart, is in love with him. Since Reedus is obsessed with solving the murder to the exclusion of any other human interaction, Béart decides to present him a solution. Based on the tiny bits of information Reedus has on the suspect, Béart picks cabbie Harvey Keitel as matching the profile well enough to make for a good target. She begins a relationship with him in order to put him in the frame and give Reedus, though murder, the catharsis he needs.

Most people who call themselves friends of mine know that I absolutely adore the combination of John Carpenter and Kurt Russell. Escape from New York is my favorite movie of all time and I even liked Escape from L.A. as well. Now that my credibility is probably ruined, I was delighted to receive Elvis, a mini-series produced in the seventies that brought together this amazing duo for the first time. Kurt Russell is the King of Rock n Roll and I can’t help to enjoy watching.

Just as JAG closes out its 10th and final year I really think the show was peaking. Most regular readers to the site will remember I was not much of a fan when I started with the 5th season set. I thought the stories failed to work on the action or courtroom levels. As the show evolved, or I did, I was drawn in with the clever and unique types of stories the series began to explore. By the time it ended here I was ready for more, but no more will be forthcoming. Of course, it lives on in the two NCIS spin-off shows currently on the air.

By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.

"One year ago, the MOD test system at Eskmeals confirmed radioactivity of above normal background levels at the Corry Reservoir, Craigmills, Yorkshire. The usual emergency procedurals were activated under NAIR arrangements, and the reservoir was shut down. An independent inquiry was set up under the chairmanship of Dr. Anthony Marsh."

Edge Of Darkness is something of a classic to the British. It cleaned up in the 1986 BAFTA awards, taking almost every award they have with the possible exception of Best Coffee In Craft Services. The mini-series has apparently stood the test of time, maintaining such high regard for nearly 25 years.

This is the story of two young twins who are living completely different lives, one in a boarding school who is caught up in a child smuggling ring and the other is living with his struggling artist father, but are able to share their physical pain and emotions as if telepathically. Thomas, who is with his father, knows of Tom, the boarding school “orphan,” but everyone believes Tom is just his imaginary friend. Through a chance encounter the two are reunited and both must find a way to escape the smugglers who wish to take them sell them outside of England.

I'm a huge fan of Roger Corman. Who isn't, right? But these films are not the typical Corman offerings. Some of them have no apparent connection to the man himself. The ones that do are mostly as producer and not director. Some of the films might be notable for being an early film for this actor or that. But I would hardly classify any of these films as classics of any genre or good representations of the mastery of the B film that was Roger Corman's signature.

Many of the original talents behind the popular Mel Brooks' spoof Spaceballs have not returned for this sort-of sequel, but its spirit of relentless parody and often corny schtick lives on. While it may not hold a candle to the original source material, this animated series has a few shining moments that will hopefully keep the diehard fans from being too offended.