Posted in: Disc Reviews by Gino Sassani on November 2nd, 2007
This box set of three movies tries to take advantage of a college course theme to generate interest for films already available in these same editions. This collection uses Astronomy to bunch together three lighthearted science fiction adventures. The films are Killer Klowns From Outer Space, Spaceballs, and The Adventures of Buckaroo Banzai Across The Eighth Dimension. The lesson we’re really learning here is how corporate quests for profits can reach almost ridiculous proportions. Many studios are running low on the films in their libraries that have yet to be released but still have a market to sustain a DVD title. The obvious answer to this dilemma is double, triple, and beyond dipping. The idea is to repackage a film, maybe add an extra or two, often not, and put it in a newer, shinier package. In theory we unsavvy buyers are like wild raccoons who can’t resist putting their hands on that new glittering design and will buy products which we already own. It would sound silly, except that it works. Record companies have been doing it for decades. Elvis has been dead for almost 30 years, but there’s still at least one new Elvis CD every year since. OK. Rant out of the way. Let’s talk about the three films in the package.
Posted in: Disc Reviews by Archive Authors on October 29th, 2007
In my mind, Robert Wuhl has never really understood when to quit. The guy was the star of Arli$$, which was an anomaly on the HBO cable channel. Whereas all the other shows on the channel were ending too soon and were too well received, this show went on and on and on, and no one seemed to really like it. So when I saw he was doing a couple of one-off shows set at universities, I thought this was just another way to grab onto popularity.
AS it turns out, these specials, entitled Assume the Position, aren’t entirely horrible. What Wuhl manages to accomplish is to effectively discuss American history and perhaps introduce a point that history might not just be what was read and published. He discusses some things that many in the class (myself included) didn’t really know before, like the origins of the “Yankee Doodle” song and the benefit of the War of 1812. In between, he mixes in slides and animations that bring a smile, maybe even a chuckle, to these jaded lips. Don’t get me wrong though, there are times where Wuhl seems to hit a joke every so often that seems to be the perfect example of “old guy trying to connect to young audience”, and that’s why mentions of Ben Affleck and Outkast follow.
Posted in: Disc Reviews by Michael Durr on October 28th, 2007
What happens when the reviewer who did Dante's Cove decides to tackle its vampiresque cousin, The Lair? (Besides scheduling more sessions with his psychiatrist) You get somebody who starts understanding what makes up the Here! network. We're homies, we break bread together. Just don't expect me to wear my pants that low nor participate in your late night parties. I got an image to uphold. Season one of the Lair provides something that no other show on the Here! network has proved to this point. A show where there is actual dialog and something more than a cheap excuse to show lots and lots of male on male action. Welcome to the Fang Bang.
The Lair is the story of a journalist, Thom (played by David Moretti ) who is investigating the John Doe murders when he comes across a janitor, Frankie (played by Brian Nolan) who gives him information about a club called the Lair. The Lair as it turns out is a sex club with all gay male clientèle (expect gratuitous scenes of six or seven men at a time doing things that would make Ron Jeremy walk out of the room) who have much darker secrets than their lifestyle. They are vampires. The vampires are lead by Damian (played by Peter Stickles) and Colin (played by Dylan Vox). Colin looks like he should be the double for Billy Idol's next televised concert. Seriously, I expected him to bust out with White Wedding at any moment. The story starts to get interesting when Thom's jealous boyfriend Jonathan (played by Jessie Cutlip) goes to the Lair and finds himself in a deadly situation. This leads to Thom who must keep himself alive and in the process unravel the mystery of how the John Doe murders and the Lair are connected.
Posted in: Disc Reviews by Archive Authors on October 27th, 2007
I don't think any documentarian in history has been as famous as Ken Burns. His series on the Civil War is what first made him a household name, and his in depth looks at baseball, New York City and jazz are what has solidified his place in the American consciousness as the world's premiere documentary filmmaker. He is so well-respected, in fact, that his method of making still photographs interesting by zooming and panning is actually known as the Ken Burns Effect.
Burns' latest film endeavor focuses on World War II, which may be the most covered documentary subject in history. This topic should present his greatest challenge; a subject that has millions of experts and thousands of pre-existing documentaries, including the very well respected "The World At War", which is considered the gold standard. There are still many veterans of the war alive today, which could be both a blessing and a curse. While they can certainly help with insight into key events, they are also the first to criticize if the film does not accurately portray the battles as they transpired. It is a tall order, but if anyone could meet this challenge, Ken Burns is the one to do it.
Posted in: Disc Reviews by Gino Sassani on October 24th, 2007
I can still remember the first time I saw Raiders of the Lost Ark. It was just after my birthday in June, and I had some time to kill on a weekday afternoon. I didn’t recall seeing a lot of hype, and it seemed no one knew just how huge the film was going to be. My expectations were not really high. The film looked interesting, and I was just looking to escape for a couple of hours. By the time I left that theater, I felt a little bit like Indiana Jones himself having made some grand discovery. I had to tell my friends. I even managed to drag a friend who hadn’t liked a movie since 1972 to see it with me the very next day. Of course, the film was followed by The Temple Of Doom, and my faith in old Indy Jones was shaken somewhat. Along came The Last Crusade, and I was born again into the world that was Indiana Jones. All of us are now gearing up for a fourth film after what seems like decades, because it has been. However, the decades have not been a complete Indiana Jones blackout. For a short time Indiana Jones could be found in the most unlikely of places… network television. Enter The Adventures Of Young
Posted in: Disc Reviews by Archive Authors on October 17th, 2007
Director Peter Bogdanovich has a theory that you can make almost any movie better by cutting the first 20-minutes off of it. Exposition is intended to set-up the background of the characters for the audience, but it usually just ends up slowing things down until the conflict eventually arises. After watching Bug, I would be willing to accept Bogdanovich's argument, and double it.
Bug is the story of a down-on-her-luck waitress (Ashley Judd, doing her best impression of Charlize Theron from Monster) who lives in a cheap motel and works as a waitress in a honky tonk bar in Oklahoma. Her only friend comes by one night to party, and leaves a drifter behind when she leaves for the evening. The drifter turns out to be a pretty interesting character, though clearly of mysterious origins. The two form a quick bond, and as the drifter's pre-existing mental illness starts to present itself, the waitress buys in to his delusions, with disastrous results.
Posted in: Disc Reviews by Michael Durr on October 15th, 2007
Do you know what happens when creative people get toys and wacked out people get a tv show? Robot Chicken happens. The first season was a great success on Adult Swim, so that meant two things. One, creators Seth Green and Matthew Senreich would be able to move out of their parent's house (okay, not really) and we would get Season 2. Robot Chicken for those who don't know is toy figures (or special sculpted toys) put to life in hilarious sketches and parodies with the use of stop motion capture technology. The show has gotten such fanfare that it recently produced a Star Wars parody sketch show that was even supervised by George Lucas himself. Unfortunately that was the start of Season 3, and isn't on this dvd (but there is the infamous Star Wars sketch included that led to the whole sketch show in this box set).
The amount of bizarre pop culture references in this show is staggering. From the Brady Bunch meets the Mr. & Mrs. Smith to Inspector Gadget meets Terminator 2 Judgement Day, the show goes everywhere and beyond. Sometimes it finds the references too obscure and depending on the audience might not get all of the jokes. One that is brought to mind is the Spy Hunter 11:00 News Sketch. Not everybody like me has played the game 40-50 hours and gets the "joke". I might be on the floor for it but the person next to me might have a totally blank expression. However, where one fails, the next ten might be gold. That is where the show really succeds. The other great thing about Robot Chicken is the amount of talent on the show when it comes to voices. One of the great things is that they go and get the original voice talent in what it parodies with their toys. From little guys such as Michael Winslow (Police Academy) to the Coreys (Haim & Feldman) to big stars like Charlize Theron. It adds realism and humor to the show in spades.
Posted in: Disc Reviews by Archive Authors on October 13th, 2007
"Spidey's back, and better than ever." Good thing, too, because in this third installment in the highly successful comic book-to-film franchise, Spider-Man faces off against a trio of villains: Sandman, the new Goblin and, of course, Venom. Each is a handful on his own. Together, they're Spidey's toughest challenge yet. But he's up to it, so long as he can first overcome his own internal conflict.
Spider-Man 3 hits store shelves October 30, on DVD in both a single-disc widescreen edition and a two-disc special edition, and on a two-disc Blu-ray release. I got my hands on the single disc and put it through its paces. Does the bare-bones DVD hold its own? Read on to find out.
Posted in: Disc Reviews by Michael Durr on October 11th, 2007
Box Sets that compile older titles usually just make me cringe. Think about it. Recycled discs, tired old movies, and a fancy somewhat new box cover. In other words, I get to sleep for 4-5 hours and then wake up in a cold sweat wondering what happened. Alright; so that just sounds like my first honeymoon. Anyway, I happened to get the Partying 101 Boxset (because I am a wild and crazy guy) which featured Bio-Dome, Back to School and PCU. These are the old MGM discs from 8 to 10 years ago. Be afraid.
Bio-Dome is the story of two losers ala Bud (played by Pauly Shore) and Doyle (played by Stephen Baldwin) who are wasting away in their life and not being very eco-friendly. Their girlfriends who are more than eco-conscious try to convince them to turn over a new leaf. Soon, Bud and Doyle find themselves trapped in the new and ecological utopian Bio-Dome after one of them has to find somewhere to take a piss (I'm not making this up). For the next year they are trapped in this bubble with other scientists studying the effects. Well actually Bud and Doyle just cause mayhem and the scientists pick up after them. Of course they have a moment and a happy ending. Of course, I also have a gag reflex.
Posted in: Disc Reviews by Gino Sassani on October 10th, 2007
For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities. Growing up in Eastern Pennsylvania, it was
