Dolby Digital 5.1 (Spanish)

“Life is a tightrope. You’ve got to learn to dance.”

We’ve all had bad days. Everyone can relate to that. We’ve all had moments when we weren’t at our best, when we’ve said or done something in the heat of the moment that wasn’t exactly our most shining moment. We can only hope that these momentary lapses of reason don’t cause permanent harm to ourselves or to others. We can only plead our case that we aren’t ultimately defined by these brief acts of frustration brought about by mitigating circumstances.

Director Brad Anderson and writer Scott Kosar were unable to find backing or support from any of the American studios when they were shopping this movie. Apparently there were worries that it wasn’t very commercially viable. It turns out they were correct. The film made just over $1 million in domestic box office. That’s not a mistake. I meant $1 million. Even the foreign market came up short, coughing up only an additional $7 million total. Because of the lack of interest here in the States,

It’s hard to imagine that this was only Pixar’s second ever feature length CG animated release. While Toy Story was the first, this was actually Pixar’s first film as an independent company. So, for many of us it feels like their first film. There must have been a tremendous amount of pressure on the young team. Toy Story was a break out smash hit that captured the hearts of audiences of all ages. Now on their own the team led by John Lasseter was determined to prove that Toy Story was no fluke and that they could stand on their own feet

For many, Saving Private Ryan has been the measure of the perfect war film in the modern era. Without question the Steven Spielberg film is a milestone in depicting battle on the screen. But I’m going to make the possibly unpopular statement that Enemy At The Gates is a better film, and the standard by which war films should now be measured. The movie is at least almost as good technically as Private Ryan.

“I don't know who you are. I don't know what you want. If you are looking for ransom, I can tell you I don't have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that'll be the end of it. I will not look for you, I will not pursue you. But if you don't, I will look for you, I will find you, and I will kill you.”

That pretty much sums things up quite nicely for you. The filmmakers must agree, because the scene figured prominently in their marketing campaign for the film.

“White supremist world was cancelled.”

When you talk about Wayne’s World 2 you can’t help but talk about disappointment. I mentioned in my review for the first film that over the span of nearly 20 years the skit had lost some of its luster. I certainly wasn’t nearly as entertained now as I had been when I first saw the film in the early 1990’s. That same principle appears to have been true just a year later when Wayne’s World 2 was released.

Have you seen the Chris Farley/David Spade film Tommy Boy? If you have, then you’ve also seen Black Sheep. The circumstances might have changed, but the general idea is still there. Farley plays the mentally challenged family member, yet again. This time he’s Mike Donnelly, and his brother Al (Matheson) is running for Governor of Washington state. Spade once again plays the faithful employee who is charged with babysitting Farley’s character and trying to keep him out of trouble.

“Your life is defined by its opportunities... even the ones you miss.”

F. Scott Fitzgerald is one of those great American writers from the classic age. In school most of us were required to read various works from the writer. For many students those works included The Curious Case Of Benjamin Button. The original work is a mere 20 page short story. For the last 15 years Hollywood has made one attempt or another to bring the classic story to the screen. The closest anyone got was Ron Howard who expected to bring in John Travolta

The Uninvited is yet another in a long string of Asian films that are translated and retooled for American audiences. It’s been a rather strong and long running trend that was kicked off with the wildly successful The Ring, from the Asian classic, Ringu. But, for every effective spooky thriller that comes out of this Asian pipeline, there appear to be a dozen or more complete failures. Some American directors think that all they need to do is throw fast moving creepy ghosts at us and often have them inhabit some modern electronic device. Presto! You have a horror movie for the purposes of generated cash. I’m happy to report that The Uninvited is a fresh approach

Citing personal history, I don’t do really well with horror films. As mentioned in other reviews, my parents let me see scary movies such as Exorcist & Poltergeist (as well as R-rated action films) when I was no more than ten years old. While, Poltergeist sits proudly in my DVD collection, I still have trouble to this day with Exorcist. Yes, I can be a scaredy cat at times. To be also perfectly honest, I was a bit worried when I received The Uninvited in the mail to review. After all, it proclaims proudly on the cover that it is made by the producers of the Ring(which I absolutely hated) & Disturbia. By the end of the movie, I was very pleasantly surprised.