Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
I’m not a wrestling fan. There is very little about that world that holds any charm for me. I find the grandiose posturing to be rather dull. The characters aren’t all that interesting to me, and I don’t find myself compelled to spend 100 bucks on a “free for all” pay per view event. With that said, this film did bring back a flood of memories for me. When I was a kid, perhaps 11 or 12, I looked at wrestling a little differently. I had an uncle who would watch it from time to time, but the television version never held much for me even then. I grew up in a relatively middle sized town in eastern Pennsylvania. If you play Monopoly, you’ve heard of the Reading Railroad.
Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
Sin City arrives in high definition with some pretty high expectations. You get both versions of the movie here, and I have to say that I’m very pleased to see that. By now fans of the movie have seen the recut version of Sin City and likely have your own opinions as to what you thought of it. The fan base appears to be somewhat divided on the effort. For me it’s never been a case of better or worse. It’s merely a case of different. The two versions are very different experiences. Watching the recut version is not really like watching a movie at all. Frank Miller presents them more akin to the original graphic novel experience.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
The Last Kiss is based on the internationally acclaimed Italian movie L’ultimo bacio which was written by Gabriele Muccino and adapted for this American version by screenwriter Paul Haggis. From all reports the movie is remarkably similar to the Italian classic with only the ending modified. Haggis tells us in the extras of this release that he attempted to merely translate the original work and performed little in the way of modifications. From the looks of things, the ending was a bit of a struggle for these filmmakers,
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
Everybody who is old enough remembers Mutual of Omaha’s Wild Kingdom. It was once one of the highest rated shows on television. On NBC it ran from 1963 until 1971. It would continue to run in syndication for decades. An elder Marlin Perkins would host the show, while a young Jim Fowler would be out in the field. Every week they would show us animals in the wild from all over the world. Long before there was a Crocodile Hunter or Nigel, there was Wild Kingdom. Strange Wilderness attempts to urinate all over our fond memories,
Posted in: Disc Reviews by Gino Sassani on April 16th, 2009
Raise your hand if you’re sick and tired of Lindsay Lohan. Fortunately I can type with one hand. Honestly. How did this girl get to be so big? Why is she dominating our entertainment news cycles? Are there more than a handful of folks out there who think she has any talent at all? She’s nothing close to hot. It’s that wonderful modern phenomenon of being famous for being famous. It really does tend to color one’s opinions when you watch her in a film. She’s so overexposed, in more ways than one, that it’s impossible to watch her play any character without seeing the spoiled bratty whiner she has become so perfect at.
Posted in: Disc Reviews by Gino Sassani on April 14th, 2009
In 1951 Robert Wise made the Earth stand still. The United States, in fact the entire planet, was in the middle of a frightening cold war. If you believed the media at the time, we were standing just moments from nuclear annihilation. We were given images of a crazy man’s itching trigger-finger poised over a button. School kids were led in air raid drills that promised protection from this powerful menace by the wooden tops of your desks. The government and private sectors were engaged in witch hunts to smoke out “commie” sympathizers. The fear touched every aspect of our lives. Hollywood was no exception.
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
We all knew it had to happen eventually. With the success of the “torture porn” films like the Hostel and Saw series, we had to expect that there would be some lightweight twists and turns on the thriving genre. Shuttle is one of those attempts. It gingerly treads on the now familiar ground of the aforementioned films, but each time it makes the obvious moves in that direction, it pulls back and stalls. Edward Anderson is the writer and director of this mess.
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
Jim Carrey’s life and career are in a sort of mid-life crisis. He has avoided doing his usual goofball comedy films and opted for more serious roles. His appearance in Number 23 was a bit of a shock for most of us, but he pulled it off reasonably well. Even his more recent comedies have often been less about one crazy character and more about the story elements. It seems that he has decided it was time to return to the parts that made him a household name with Yes Man. But after watching Yes Man,,I have to wonder if maybe that genre has passed him by.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
“Some of the old time sheriffs never even wore a gun. Most folks find that hard to believe. Jim Scarborough never carried one, that’s the younger Jim. Gaston Boykins wouldn’t wear one up in Comanche County. I always liked to hear about the old timers. Never missed a chance to do so. You can’t help but compare yourself against old timers. Can’t help but wonder how they would have operated in these times.”
I know I’m getting old myself when a film set in the 1980’s is now considered a period piece. And No Country For Old Men is about as much of a period piece as anything else.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
It’s official. I’ve just totally given up on Adam Sandler. Honestly, I haven’t laughed at anything he’s done since the music video for The Lonesome Kicker. How many times can the same absurdity and Romper Room antics work on a film audience? Even in a Walt Disney film that required Sandler to clean up his act a bit, the same sophomoric humor was showing through the threadbare shtick. You just knew there were times he wanted to let loose with some off color remark or obscene gesture. While I was pleased that he gave it the effort, it’s like asking a mute man to talk after you just tied up his hands.
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![The Last Kiss [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-last-kiss-blu-ray-large.jpg)
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