Posted in: Disc Reviews by Archive Authors on April 11th, 2007
It seems unbelievable to me that Scooby Doo was just on for three seasons. Undoubtedly there were individual cartoon tie-ins created all along the way, and there are new episodes being created even today. No, I’m talking about the original classic program. Just three short seasons were produced, the final one of which is now available on DVD.
What is there to say about this series, these cartoons that were such an integral part of my childhood? You would have to be living in the mountain caves of Afgha...istan to not know about Shaggy, Daphne, Velma and the rest of the Scooby Gang, riding around in the Mystery Machine solving crimes and debunking ghost myths. Each episode was an island unto itself, without any plot points that carried over from episode to episode. In fact, it was actually helpful if you didn’t remember what was going on the last time you saw the show, since every episode was pretty much the same. There is a guy that is secretly doing something bad for personal gain, Daphne Fred and Velma investigate and compile clues, and Scooby and Fred accidentally solve the crime. The funny thing is, he “would have gotten away with it, too, if it weren’t for you meddling kids.” The perpetrator is turned over to the police, the dog eats some snacks, and everybody piles into the van to go find another mystery.
Posted in: Disc Reviews by Michael Durr on April 8th, 2007
Synopsis
As a kid, I read Garfield on a daily basis. I collected the little books they would put out every so often (still have most of them). The cartoon show, Garfield & Friends; I always found funny & I even went to the first movie though I found it a little puzzling (like why would you animate Garfield but have a real live Odie, doesn't make much sense). In my head, I had even teased the idea of owning the Volume sets of Garfield & Friends. So when this title came across my desk, I wa... a little interested to say the least.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
A ferocious typhoon washes up a giant egg on Japan's coast. Unscrupulous entrepreneurs lay claim to it, planning to exploit it as a tourist attraction. The egg in fact belongs to Mothra, now nearing the end of her life cycle, and the twin fairies from Infant Island come to Japan in the hopes of having the egg returned. No such luck, but when Godzilla returns and begins another rampage, this time it is the inhabitants of Infant Island who are turned to for help in the hopes that Mothra will come to Japan's aid.
This was one of the Godzilla films that was least hacked about for its American release (the running times between the two versions here differ by less than 30 seconds), and of the first series of Godzilla films (running from the 1954 original to 1975's Terror of Mechagodzilla, this is arguably the best after the first. Colourful and exciting, with lively monster battles that never undermine the dignity of the creatures, this is Toho at the top of its game.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
Godzilla and Anguirus are discovered duking it out on a deserted island by two pilots working for a fishing fleet. Before long, the brawl makes its way to Osaka, devastating the city.
And that, as they say, is just about that, as far as plot goes. There's a fair bit of business about our heroes' friendship, and references to their private lives, but nothing that really has much of an impact on the plot, which remains one of the most basic in the entire Godzilla series. Lacking all of the first film's tragic grandeur and emotional punch, this film stands or falls on the strength of the monster scenes, and these, it must be said, are pretty damn good. The fight in Osaka is especially satisfying, and there is none of the horsing around that would show up in the later movies. The climax is overlong and rather static, a real disappointment after the spectacular second act. Still and all, for too long the film has been available only in the butchered US version, and on an VHS recorded in LP mode, so for Godzilla fans, this is an exciting release.
Posted in: Disc Reviews by Michael Durr on March 25th, 2007
Synopsis
As I get older, I notice my tastes for movies change. Sure, I still like over the top action and if there is an attractive girl on the screen it gets my attention. I'm human, however as I get older I start liking films that are older. Now, I'm not talking about keeping true to films of my generation but I find myself engrossed in films that were made before I was born. There are some true classics out there such as In the Heat of the Night. This movie starred Sidney Poitier ...s Virgil Tibbs and Rod Steiger as Police Chief Bill Gillespie. A murder has gone down in the little town of Sparta, Mississippi of a prominent businessman Colbert. He was going to bring hundreds of jobs to the town for both blacks and whites alike with building a new factory. Virgil Tibbs, a black Philadelphia homicide detective is merely passing through town when he gets arrested by Officer Sam Wood (played by Warren Oates) for the color of his skin. When he is brought into the police station; the mistake is realized by Police Chief Gillespie. After a call to Philly; Tibbs is coaxed into helping out the local police solve the murder. As one would suspect from the era and the locale, this movie is steeped in race relations. This was one of the last states that was truly racist (some would argue it still is)in the middle of the civil rights movement. However, the movie brings this across in such a way as a backdrop, not the forefront. This movie is basically a whodunit where solving the murder is more important than the prejudice that surrounds it.
Posted in: Disc Reviews by David Annandale on March 17th, 2007
James Caan is a sailor whose stopover in Seattle becomes much longer than he expects, as first he has to wait for new orders when a medical exam forces him to miss shipping out with his crewmates, and then his records disappear. During this time, he meets Marsha Mason, a prostitute with an 11-year-old son. Caan falls for both of them, and a finely developed sense of responsibility sees him moving heaven and earth to make life good for all three. His task won’t be an easy one.
On the one hand, the film has the quality common in films of this era (it’s from 1973) to take its time and soak the audience in a convincingly quirky ambiance. Screenwriter Darryl Ponicsan (adapting his own novel) and director Mark Rydell have fun bouncing the various characters off each other, and we have fun as they do so. But the further into the film we go, the more predictable everything becomes, until there is a generalized collapse into hackneyed melodrama. Ponicsan also wrote the book that The Last Detail was based on, and here, as there, he seems incapable of conceiving of female characters who are not prostitutes (that is, when they are not needy, self-absorbed, neurotic, self-destructive prostitutes). The film has fine performances, is crafted well, but is also badly flawed at its core.
Posted in: Disc Reviews by David Annandale on March 15th, 2007
Long the bad boy of French novelists, Jean Genet directed this 25-minute short in 1950. Borderline pornographic, it is a silent portrayal of (literally) imprisoned desire. Two prisoners convey their longing for one another through the prison walls, while a voyeuristic guard watches, becoming aroused and frustrated to the point of violence. Poetic, fetishistic, and intensely personal, it is a startling and historic piece of underground cinema.Audio
Consider the rating a place-holder, because we don't have a star equivalent for "Not Applicable." This is a completely silent film. Not even a score. As for the extras, they are clear enough.
Posted in: Disc Reviews by David Annandale on March 14th, 2007
Dustin Hoffman and Mia Farrow wake up in bed together, having just met the night before. Much cautious circling of the one another ensues in the apartment, and as they go their separate ways, more anxious debating follows regarding whether they should get together again. Is Farrow the one for Hoffman, and what about the fact that he doesn’t even know her name?
This is a film that could only have been made in 1969 (unless your name is Woody Allen), what with its incessant interrogation of character neuroses and a very self-conscious attempt to present us with How Romance Works In The New Scene. The script is not as smart as it thinks it is, and a perfect example of this is the scene where are two characters first meet. The context is a disagreement over a movie that another character thinks is pretentious nonsense. The film, never mentioned by name, Jean-Luc Godard’s Weekend. So the reference is lying there for film-savvy viewers to catch and feel superior to the characters, this is hardly a film that can justifiably be name-checking that corrosive satire. In two words, the film is pretentious and contrived. In one word, tiresome.
Posted in: Disc Reviews by Archive Authors on March 11th, 2007
Dubbed as the frat boy comedy that started it all, Revenge of the Nerds is a 80�s cult classic making its way to DVD as a special Panty Raid Edition - Basically you get a standard slipcover and a handful of features thrown at you. I remember seeing this movie about ten years back I found it amusing then, so I look forward to being able to watch it again, maybe this time I�ll get more of the jokes.
The movie takes place where two nerds played by Robert Carradine and Anthony Edwards are off to attend the fictional Adams College. They have both enrolled in the acclaimed computer studies department. The two dress like typical nerds with tucked in shirts, thick black-rimmed glasses, buckteeth, and pens in their shirt pockets. This is of course noticed by some of the frat members the minute they step foot into the quad and they are already labeled as nerds. The Alpha Beta frat house are the apparent bullies of the school who also happen to all be star players on the football team coached by the arrogant John Goodman. While partying the group accidentally burns down their frat house and take over the freshman dorm, forcing them all to sleep in the gymnasium. Of course while some of the freshman are recruited for frats and sororities a group of them are left out, the nerds. Sick of living in the gym they set out to find a house, which they turn, into a frat house, Lambda Lambda Lambda. Gaining some respect around the school the jocks of Alpha Beta set out to make their lives hell, while the nerds get a little revenge for themselves.
Posted in: Disc Reviews by David Annandale on March 11th, 2007
WWII over, three soldiers return to their home town of Boone City. Dana Andrews is the bomber officer unfit for any other kind of work, who foolishly married a party girl just before the war. Fredric March is the banker who is having trouble adjusting to the fact that his children have become adults in his absence. Harold Russell is the sailor who lost both his hands, and can’t bring himself to believe that his girlfriend still truly wants him.
Though clocking in at 168 minutes, this 1946 effort never drags, and does justice to all three characters, but Andrews is ultimately the real focus of the film. Russell himself really was a double amputee, and his scenes could easily have fallen into freak show elements or excessive sentimentality. Both traps are avoided. The film is powerful and moving without ever being sappy, and certainly earned its clutch of Oscars.
