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Woody Harrelson is Arthur Poppington, a child-like adult who fights crime by night in the guise of Defendor. His costume and weapons are DIY: a helmet that records his adventures on VHS, a duct tape “D” on his black turtleneck, a trench club, a slingshot, marbles, lime juice. He is obsessed with tracking down “Captain Industry,” a mythical figure whom he blames for the death of his drug-addicted mother. He runs afoul of corrupt cop Dooney (Elias Koteas at his scuzziest best), beating him and “rescuing” prostitute Kat (Kat Dennings), and the latter convinces him that the crime boss Dooney works for is, in fact, Captain Industry. Arthur sets out on his crusade, and the question is whether his naiveté will triumph, or get him killed.

I get this terrible knot in the pit of my stomach whenever I discover that I have to review a Kevin Smith film. I know there are a core of solid fans out there who appear to get the inside joke. It's long been my belief that he must have the best blackmail file in the industry to keep getting studio deals to release films. It's not like any of his films have broken any box office records. Still, he keeps getting work. So, it was with that admitted prejudice and knot with which I approached my viewing of Cop Out. My shoulder had developed this nasty twitch as the disc menu took forever to load.

I'm reminded of my innocent childhood days when Mr. Rogers would come on my black & white television to change his shoes and put on a sweater. I have to say that I always found the guy a little creepy. He would sing to us in a soft hypnotic voice: "It's a wonderful day in the neighborhood, a wonderful day in the neighborhood. Could you be mine. Would you be my neighbor." Mr. Rogers had quite a fanciful neighborhood indeed. The place was mostly populated with puppets and strange creatures of all sizes. And while today he'd look and sound like a pedophile, Mr. Rogers welcomed everyone to his neighborhood. So, I can't help thinking how he'd feel about "The Girl".

"This is Hell, and I'm going to give you the guided tour."

There have been a lot of great prison and prison break films over the years. Who can forget Dustin Hoffman in Papillon or Clint Eastwood in Escape From Alcatraz? Of course, more recently we had The Shawshank Redemption. Lock Up won't ever taste the rare air of those classic films. In fact, it's not really a prison break film at all. There is an attempted break, but it's not quite the focus of the film. I almost felt like I was watching the sequel to a break film.

In 2007, nineteen years after a similar uprising was crushed by Burma’s military junta, frustrated citizens once again took to the streets. Led by troops of monks in peaceful demonstrations, they made their voices heard by the generals, demanding freedom and democracy. The reaction was swift and violent. Men with riot gear and guns descended on the demonstrators and after many clouds of tear gas, numerous beatings, and even some shootings, the government quickly broke the spirit of its people again.

USA Network has certainly found a little niche for themselves, milking their "characters wanted" run of television shows. It all started with Monk and has progressed through several successful reincarnations of the quirky character-driven shows. In some cases the quirky nature of the characters gets pretty out of control, and while I liked Monk a ton, his OCD was significantly over the top at times. This tends to draw too much attention and minimize whatever might be happening in the episode itself. That's not the case with White Collar. This series has a ton of potential to be the next big breakaway hit for the cable network.

There was a time when racial stereotypes on television and in the movies could be very funny. Shows like All In The Family and Sanford And Son brought an entire generation to their knees with laughter. Today audiences are a little more timid when it comes to that kind of humor. This is the kind of movie you end up looking both ways before you think about letting out even the slightest giggle to make sure no one is watching, or worse, training their cell phone camera on you.

"Would you give up 20 years to prove a stranger's innocence?"

That's the question that is asked and answered, at least for one person, in the docudrama The Wronged Man. The film is a made-for-television movie that appeared originally, and still does from time to time, on Lifetime.

The Cartoon Network Hall of Fame seems to be expanding. Some of you might remember my review of Johnny Bravo Season One which was one of the first titles under this distinction. Courage the Cowardly Dog seems to be the most recent entry in this series and we can only hope that it is as good as ole JB, the king of people who sound like Elvis and excessive machoism.

As the name suggests, this is a collection of ten movies on LGBT themes. In chronological order, here's what we have:

The Children's Hour (1961): Shirley MacLaine and Audrey Hepburn are the headmistresses of a girl's school, and their lives are turned upside down when one ghastly little child accuses them of being romantically involved. It is clear, though, the MacLaine would very much like to be. This was director William Wyler's second stab at adapting Lilllian Hellman's play, and this time was able actually to deal with the play's central issue, rather than disguise it as he had to