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Parker Lewis Can’t Lose as anyone could guess was heavily influenced by the cult classic Ferris Bueller’s Day Off. It lasted for three seasons and seventy three episodes. It actually did a fair amount of decent ratings (as far as Fox was concerned) during the run. The living cartoon as many have described it has kept its fans through the years. As a result, Shout Factory has decided to go ahead with the release of the 2nd season. Hopefully it still keeps its charm after all of these years.

The title, “Somebody`s Gonna Miss Us” is cute but also rings true. This is not a Documentary that details why this band rocked the entire music world, because they did not. This film shows how a Pop Punk outfit from Pennsyvania arrived at the right time with a lot of energy, the willingness to tour endlessly and made some tunes that people genuinely loved.

It seems to be commonly believed that Robin Williams’ acting career took an abrupt change from outlandish, eccentric comedic choices (Aladdin) to more dark, complex and satirical roles in the early ‘00s (Death to Smoochy). But Williams has always played both ends of the spectrum and roughly everything in between. He channeled a father willing to do whatever it takes to reconnect with his children in the 1993 classic Mrs. Doubtfire, a role that nabbed him a Golden Globe Award for Best Actor

Disney has a knack for turning television shows into profitable movie franchises-- Lizzy McGuire, Hannah Montana, and now The Wizards of Waverly Place. Since the formula hasn’t deferred much, it should come as no surprise that its latest show has caught on like wildfire. In the wake of a Harry Potter-crazed nation of tweens, Disney’s latest show follows the Russos—former wizard father Jerry (David DeLuise), non-magical mother Theresea (Maria Canals-Barrera) and their three wizards-in-training.

By day, this reviewer is not just a writer but a glorified cubicle jockey. For lack of a detailed job description, I am a computer software administrator. So as many cubicle jockeys, I've watched Office Space. To be honest, I'm not in love with it. I did find it mildly funny and there were a few “I've been in that situation before” moments. But interestingly enough, I was pretty excited to see Extract (Mike Judge had directed both). Perhaps it was my infatuation with Mila Kunis or seeing how Jason Bateman has progressed in comedic films or maybe I just wanted to see Ben Affleck in a full grown beard.

“Inspired by a true story,” two youth hockey teams on either side of the Canada/US border find friendship and bond through their mutual love of the game while tensions rise between those that support and those that protest the Iraq invasion and assorted post 9-11 security fears.

Tycoon Tom Arnold sends employee and all-signs-point-to-being-future-son-in-law David O'Donnell and daughter Sarah Thompson (a ghastly person who is clearly Ms Wrong) to O'Donnell's home town in order to seal a real estate development deal. There O'Donnell comes up against former flame Nicole Eggert, who is fighting to preserve the town's pristine self. And yes, all of this is happening over the Christmas holiday, though it could just as well be the Fourth of July. At any rate, based on this setup, if there is a single one among you who can't anticipate every single turn of the story, allow me to be among the first to welcome you to the planet Earth.

Eight-year-old Buddy (T. J. Lowther) likes living in the Alabama countryside with cousing Sook (Julie Harris in a tiny role), but circumstances dictate that he go to New Orleans for Christmas, there to stay with the father he has never seen (Henry Winkler). Old dad is, it turns out, a con artist with an inflated sense of self-importance, currently wooing Swoozie Kurtz, whose mother (Katharine Hepburn) recognizes Winkler for what he is. This being a Christmas movie, hard lessons and redemption will be called for.

Kate Frazier (Kelly Macdonald) has fled her abusive husband and begun a new, solitary life for herself in Chicago, where she fends off the romantic interest of a number of men, and the curiosity of a great many people who all want to know how she received her black eye. One night, leaving the office, she sees a man about to jump from a building roof, and her scream startles him, breaking his suicidal trance. The man is Frank Logan (Michael Keaton), a contract killer. No longer interested in killing himself, he tracks down Kate, initially intending to kill her, since (though she doesn't realize this), she saw him moments after a hit. He collapses with pneumonia before he can carry out his plan, and she helps him to the hospital, whereupon a most unlikely relationship begins to bloom between two wounded people.

Here is an interesting fact for those reading this review. I don’t drink alcohol. In fact, the only time I’ve actually drank anything alcoholic is when somebody else spiked my drink (usually some kind of juice). So imagine my surprise when I receive a copy of a show based on alcoholic drinks to review. However, it might not be so bad when I realize it is in the style of all those “Travel to Destination A, show me all of the cool stuff that goes on there while making funny anecdotes” ones on the Travel Network that I actually enjoy.