Posted in: Disc Reviews by Archive Authors on April 4th, 2007
To the credit of James Bond film producers Michael G. Wilson and Barbara Broccoli, they realized that recycling a storyline with Russian antagonists or other satellites of communism, was stale even several years after the Berlin Wall fell. But in its place, the big Bond villain was a Serbian national of sorts named Renard, who was shot in the head, and the bullet, still lodged in his brain, made him magically impervious to pain.
When it comes to The World is Not Enough, the ideas and aspirations (the script was written by Neal Purvis and Robert Wade) were fairly lofty, and the directing choice (Michael Apted of Gorky Park fame) was interesting. In this installment, Pierce Brosnan reprises his role as 007, this time following the death of a wealthy English businessman whose daughter (played by Sophie Marceau, Braveheart) was kidnapped and held for ransom. How does Renard play into it? Well, he's holding the daughter for ransom, part of a larger plot to control the world's oil supply.
Posted in: Disc Reviews by David Annandale on April 4th, 2007
David Lynch’s twisted horror/crime/comedy/grotesque/soap opera came to a close with this season, wherein we learn who killed Laura Palmer, who shot Agent Cooper, and what at least some of the secrets of the Black Lodge are (the Lodge being a threatening, supernatural space). Viewers coming into this series without having seen the first season (got 120 bucks to buy it used on Amazon?) will be hopelessly confused, and we can only hope that a reissue of where it all began is not far down the road. And though many people thought that the show went off the rails in the second season, there is so much here that is deliriously funny, macabre and mystical that it remains one of network television’s finest hours.
Audio
Posted in: Disc Reviews by Archive Authors on April 3rd, 2007
Edward Wilson (Matt Damon) believes in all that America stands for and will do whatever he must to protect what his country stands for. As one of the founder members of the CIA in 1939, Wilson is also one of the most trusted members of this group of secrecy. When the idea that a mole may be working within the CIA is found, Wilson is told to find out which member is the mole. The path Wilson must take to discover this mole will lead him to question not only the CIA as a group, but also his personal life.
The biggest enjoyment out of this film is that it demands that you pay attention to every little detail present on the screen. As Wilson struggles to balance his personal life with his life of secrecy inside the C.I.A., we experience a story about a man who tries to uncover the ultimate secrecy inside a group of secrets. De Niro, having only directed The Bronx Tale before this, shows that his craft in the directing chair has improved (no one really needs to question his acting talents though). Most of the characters he presents (with the exception of his role, Baldwin�s role and some of the more minor roles) felt in place, adding to the tenseness of the story as it unfolded before our eyes.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
Godzilla and Anguirus are discovered duking it out on a deserted island by two pilots working for a fishing fleet. Before long, the brawl makes its way to Osaka, devastating the city.
And that, as they say, is just about that, as far as plot goes. There's a fair bit of business about our heroes' friendship, and references to their private lives, but nothing that really has much of an impact on the plot, which remains one of the most basic in the entire Godzilla series. Lacking all of the first film's tragic grandeur and emotional punch, this film stands or falls on the strength of the monster scenes, and these, it must be said, are pretty damn good. The fight in Osaka is especially satisfying, and there is none of the horsing around that would show up in the later movies. The climax is overlong and rather static, a real disappointment after the spectacular second act. Still and all, for too long the film has been available only in the butchered US version, and on an VHS recorded in LP mode, so for Godzilla fans, this is an exciting release.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
A ferocious typhoon washes up a giant egg on Japan's coast. Unscrupulous entrepreneurs lay claim to it, planning to exploit it as a tourist attraction. The egg in fact belongs to Mothra, now nearing the end of her life cycle, and the twin fairies from Infant Island come to Japan in the hopes of having the egg returned. No such luck, but when Godzilla returns and begins another rampage, this time it is the inhabitants of Infant Island who are turned to for help in the hopes that Mothra will come to Japan's aid.
This was one of the Godzilla films that was least hacked about for its American release (the running times between the two versions here differ by less than 30 seconds), and of the first series of Godzilla films (running from the 1954 original to 1975's Terror of Mechagodzilla, this is arguably the best after the first. Colourful and exciting, with lively monster battles that never undermine the dignity of the creatures, this is Toho at the top of its game.
Posted in: Disc Reviews by Archive Authors on April 2nd, 2007
Turistas is a horror film about six hard-bodied 20-somethings whose vacation in paradise turns bad when they're drugged, robbed and kidnapped on behalf of a crazed doctor who wants to harvest their organs while they're still alive.
I think that about sums it up. Now let's talk about why this film isn't any good. First, while I realize characters in horror movies are supposed to fall into traps, never before have I seen characters this stupid. They don't just make one or two dumb choices. No, these kids take every single chance they get to put themselves in danger.Even when someone - in absolute terror - tries to warn them away from the evil doctor's home in the middle of the jungle, they insist on going anyway.
Posted in: Disc Reviews by Archive Authors on April 1st, 2007
I’ve always been fascinated by ocean life much more than space. Sure, planets and stars are cool, but growing up I was reading books about sharks, not supernovas. That interest in the wonders of the sea has never really faded, so you can imagine that I was pretty stoked to watch IMAX: Deep Sea.
Unfortunately, I missed this one in theatres when it was IMAX: Deep Sea 3D. The only thing three-dimensional about this DVD release is the sweet lenticular slipcover. If you stare at the cover while you turn it slowly, a shark appears to swim up to have you for lunch. Nice.
Posted in: Disc Reviews by Archive Authors on March 31st, 2007
Prior to this review, my familiarity with Jeff Foxworthy began and ended with his famous stand-up routine, "you might be a redneck if". That's how this comedian made it big back in the early to mid-90's, but his attempts at television, which is the usual next step for stand-ups, have failed.
And so, apparently, it goes for Foxworthy's Big Night Out, which aired last year on Country Music Television. This 2-disc release presents all 12 episodes of the sketch-comedy variety show that never really got off the ground. In the past, Foxworthy has explained his sitcom cancellations by arguing that the big networks just didn't know how to market his brand of common man, redneck comedy to a national audience. Surely, though, CMT is the place to be for Foxworthy. After all, country fans are just a bunch of gun-toting rednecks with single-digit IQs, right?
Posted in: Disc Reviews by Archive Authors on March 31st, 2007
The Odd Couple on DVD was something that admittedly was a long time coming out on DVD. The set was previously available as a Time Life exclusive, and now Paramount has come to the rescue, releasing this as a standalone set. From the Neil Simon play (not to mention inspired by the 1968 film with Jack Lemmon and Walter Matthau), the show chronicles the lives of roommates Felix Unger (Tony Randall, Will Success Spoil Rock Hunter?) and Oscar Madison (Jack Klugman, 12 Angry Men), one's a neat freak, the other lives like a slob, and they live in New York.
The show could have easily capitalized on the success of the movie, but it helped break away from it by letting Klugman and Randall make the characters their own. In addition, their chemistry was also something that was crucial for the show's success, and it completely worked. Not to mention a guy named Garry Marshall helped get the show realized. Let me see, helped get Happy Days and Laverne and Shirley on air, not to mention writing for greats like Lucille Ball, Dick Van Dyke and Jim Nabors back in the golden days of television.
Posted in: Disc Reviews by Archive Authors on March 31st, 2007
Admittedly after George Lazenby left the James Bond franchise when On Her Majesty's Secret Service was released, producers Harry Saltzman and Albert Broccoli wanted to go with a more American-based Bond in their seventh film, and were pretty serious in their intent. At one time, Adam West (yes, Batman) was even involved in negotiations to play the part. Actor John Gavin (Psycho) was signed and sealed for the role a week before principal photography started. But Sean Connery was pitched for it, a bunch of money was thrown at him, and he went upon his merry way to reprise the role that made him famous.
In this film, which was adapted from Ian Fleming's novel by Richard Maibaum (Goldfinger) and Tom Mankiewicz (Live and Let Die) and directed by Guy Hamilton (The Man with the Golden Gun), James finds himself at the beginning of the film thwarting yet another attempt at world domination, this time by Blofeld (Charles Gray, who ironically played a Bond ally in You Only Live Twice). SPECTRE does make a larger plan though, with the planned kidnapping and impersonation of a mysterious and reclusive Las Vegas-based millionaire, in order to proceed with nuclear testing with the goal of mutually based destruction.
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