Disc Audio

Once Roger Moore left the Bond franchise (some would say three or four films too late), quite a few things left with him. When Timothy Dalton, whose most well-known work before this was an excellent supporting turn in The Lion in Winter, was brought in, several things seemed to change. First and perhaps most notably, the return of a James Bond that smoked cigarettes was most startling. Second, supporting characters like Lois Maxwell (who played Miss Moneypenny) and Bernard Lee (M) were replaced with younger, fresher (?) perspectives. Was all this change in the perspective of "modernizing" Bond worth it? Well, Dalton's role in The Living Daylights was the first of two Bond films, so easy come, easy go I guess.

In this installment, based on an Ian Fleming story that was adapted to a screenplay by current Bond producer Michael Wilson and Richard Maibaum (Diamonds are Forever), James helps a Russian general (played by Jeroen Krabbe, The Fugitive) defect to England from Russia, but he is unfortunately reacquired by the KGB and kidnapped. James is dispatched to Russia to kill the Russian general that was presumably behind it (played by John Rhys-Davies, The Lord of the Rings), and along the way encounters a beautiful musician named Kara Milovy (Maryam D'Abo, White Nights), who is also reaching out to the defecting general.

The first question I ask about any new version of a film is the obvious - is it better than the original? Same goes for Payback - Straight Up: The Director's Cut. Sometimes, the difference between versions is so minor that the answer is straightforward. In the case of this Special Collector's Edition DVD, however, we're talking about a very different film.

What's changed? I've seen the original a couple of times, but I'm definitely working from memory here. The director's cut is shorter, by about 10 minutes, and darker in tone. There's a new opening that doesn't explain what Porter is after, and his voice-over is gone This results in Porter being a meaner S.O.B. than in the original, as he does plenty of bad stuff before we learn what he's up to, and why his actions might be justifiable. Also absent are a lot of the jokes, which didn't sit well for me in the theatrical cut. Finally, the last third of the film is completely changed to something less complicated and less happy, with an extra shot of ambiguity.

Criterion has surprised me once again with this beautiful film. It amazes me ow they continue to find these “diamonds in the rough”. Films that couldn't possibly exist, yet here they are, widely available on the mas market. The Burmese Harp is a Japanese war film that is decidedly anti-war, and features some truly beautiful music.

At the end of World War II, a group of Japanese soldiers find themselves in Burma, held by British forces as prisoners of war. One soldier from the party has spent his free t...me in Burma learning to play a native harp. This skill proves valuable upon capture, until an unfortunate incident leaves him in a state where he is thought to be dead. Upon recovery, the soldier finds true enlightenment, and takes the viewer along on the journey.

Lovewrecked appears to be a standard teen movie chick flick, starring the likes of Amanda Bynes and Chris Carmack. Off the get-go the only things appealing to me about this movie are I get too see Chris Carmack on my TV for the first time since he played Luke on The OC and it takes place on a colorful island.

Jenny (Amanda Bynes) is a bookworm who just graduated high school and plans on attending medical school after the summer, during which she will be working at a resort with her best frien... Ryan. Ryan�s with her because he obviously has a thing for Jenny, and Jenny�s because she hears her favorite pop star, Jason Masters (Chris Carmack), frequents the resort. Before long Jason does show up, and Jenny competes for his attention with her rival, Alexis.

Pedro Almodévar is a big deal in Spanish film, and well respected worldwide by those in the know. Almodévar - director, screenwriter and producer - has had major success with films that explore complex themes and favor female characters. His latest, Volver, remains true to those qualities.

Starring Penélope Cruz (Vanilla Sky), Carmen Maura (Comunidad, La) and Lola Dueéas (The Sea Inside), Volver is a film about female resilience, and the power of death over life. Raimunda (Cruz) is a hardworking mother with a lazy husband and a teenage daughter, Paula. When Paula's dad drunkenly approaches her for sex, claiming he's not really her father, she accidentally stabs him to death. Raimunda, taking charge and protecting her daughter, cleans up the mess and hides his body in the freezer of her neighbor's nearby vacant restaurant, which she's supposed to be minding.

Two films in, and I am still impressed with Warner Brother's new Raw Feed line of direct-to-DVD horror films. As the direct-to-DVD market continues to grow, Warner's has jumped out in front with their new studio. The first film, Rest Stop, deftly told the story of a woman stranded at a rest stop and terrorized by a local madman. An entertaining film, but certainly not a new premise.Sublime is a much more developed story, and a very involving film.

Tom Cavanagh from TV's Ed and Love Mon...ey stars in a film that is much more psychological horror than outright terror. When George Grieves visits the hospital for a routine colonoscopy, all seems to be going well. When he wakes up, however, he discovers that the procedure was anything buy routine. I don't want to give too much away, but I can honestly say that the film pulled me in early, and didn't let me go until the last frame.

Ask anyone on the street about children and odds are they will respond that children are our hope and are the obvious future of the world. We strive to improve our lives and fight for every available right so our children can live the best possible life. Imagine a world where children have become such an absent feature of daily life that everyone gathers around the TV when one dies. Visionary master Alfonso Cuaron invites us to sit back and imagine a future that is drab, dull and lacking the brightness of a world we expect for our children.

The year is 2027 and the surrounding world seems to be down for the count with no real sign of getting up. Cities and countries around the world burn from fires and explosions. Infertility has resulted in no child being born in nearly 18 years, and Britain is controlled by such a repressive police force that it seems like an Orwellian world has resurfaced. Police forces round up illegal immigrants called Fugees throwing them inside cages for immediate deportation (some later sequences seem like concentration camps). We soon meet Theo Faron (Clive Owen), a man who isn�t really the ideal type of hero that we would think of. He tends to drink, smoke and curse quite a lot almost feeling as if life doesn�t have a point. His old girlfriend Julian (Julianne Moore) approaches him, causing Theo to be immediately thrown into a world he never thought possible for himself. What we, and Theo quickly learn, is that Theo must protect the first pregnant woman in over 18 years. In the blink of an eye Theo, the seemingly disillusioned character, has now become Theo, the last hope of the human race.

Midnight Cowboy (Awards Series) is a previous DVD version re-released with a cardboard slipcover.

"I'm walking here! I'm walking here!" Smart money says you're familiar with that quote whether you've seen this film or not. Midnight Cowboy was a hit back in 1969, and it's been referenced plenty of times in pop culture since.

Misery (Awards Series) is the 2000 DVD version re-released with a cardboard slipcover. (Cover art pictured is the 2000 edition)

Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real.

Synopsis

Family pictures usually miss when viewed by a lonely dvd reviewer who has nothing better to do on a saturday morning. There are no kids to laugh at the bad jokes and slapstick mayhem, there are no wives to go awwwww and marvel at the cute kids. All that one man can hope for is a decent lead who provides thought provoking characterisms and smart laughs. Wait, I'm watching Are We There Yet?, so I have pretty much no chance of that. Are We There Yet? is the stor... of Nick Persons (played by Ice Cube) who just bought a Lincoln Navigator (good blatant advertising to start a film off of) and works at the local fine sports collectibles shop. One day he spots a fine woman ( Nia Long as Suzanne Kingston) and wants to ask her out until he realizes she has two kids (been there, done that) Lindsey and Kevin (played by Aleisha Allen and Philip Bolden respectively. After another brief encounter he decides to pursue her anyway and gets introduced into the friend zone. He tries to break out of the zone and is unsuccessful until an opportunity arises when somebody is needed to escort the kids to meet her in Vancouver for New Year's eve. So from there, we get Ice Cube and two terrible kids in and out of a Navigator for an hour and a half. Hilarity, mayhem and a single dvd reviewer who wishes to impale himself with blunt objects ensue.