No Huddle Reviews

“If you live long enough, you can see your dreams die a slow death. Young people don’t know how good they have it. Not ’cause they can, uh, touch their toes and screw all night. They haven’t learned that most things just don’t work out. Most times, you just mess it up, so it’s easier not to try. We’re all just looking for some hope. But at my age, hope is hard. Hope’s not enough.”

Song Sung Blue is a remake, of sorts. The film was first made as a documentary on a couple who called themselves Lightning & Thunder, and they made a pretty big splash in the music business as a Neil Diamond tribute band. It was written and directed by Greg Kohs. What’s ironic here is that he didn’t want to do a documentary. He wanted to do a feature film, but no studio would take it because they thought the idea was a bit too crazy for fiction. He even had trouble getting Neil Diamond to allow him to use the music. He ended up going through Eddie Vedder, because Lightning & Thunder  once opened for Pearl Jam.
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“This is a true story. Whenever possible the dialog has been based on official documents.”

The very idea of a serial killer is very much an American one. Around the globe it’s considered somewhat of an American affectation. While that may be the reputation, of course that’s not true at all. One of the earliest and most documented cases of the serial killer is Jack the Ripper from London’s 19th century. John Christie was also a British serial killer. He never received the kind of notoriety and lasting fame as Jack, but that’s likely because Christie was caught and Jack never was. With Jack we can speculate and contrive all kinds of “truths” because there’s no way to prove or more importantly disprove any of it. In 1971 director Richard Fleischer took on Christie’s story in the thriller 10 Rillington Place.
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I was kind of excited about this one. Starring Gene Wilder and directed by Sydney Poitier, plus it had a funny title. I thought this was going to be just the thing to kick off my weekend. However, after viewing, I have to say that I don’t think this film aged well. It didn’t hold my attention, and I found several of the character interactions to be subpar. The story took a while to fully form, as several events played out before Wilder’s character is even introduced. And it’s even longer before Gilda Radner’s character comes into play. I give the story credit for trying to establish an intricate plot, but in my opinion too much time in the beginning was dedicated to characters that aren’t are primary protagonists. To it’s credit, the plot did get slightly more interesting when  Wilder’s and Radner’s characters eventually meet, and we start to get some answers about the fine mess they find themselves in. It would have been nice to get that point quicker, as it seems we wasted valuable time investing in characters that were not crucial to the story.
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“Take your voltage, coming in the main power station in Canoga Park. Now, the electric company will tell you that it’s running smooth and steady. That’s a lie. I mean, you put that thing under a magnifying scope, that smooth, steady line starts to look like King Kong’s EKG. Ninety-volt drop-offs, 130 volt spikes. Pulses, they’re called.”

I’m old enough to have known relatives who were born before Thomas Edison started to wire America with his great new electric generators. In less than three generations we are completely dependent on that sweet 120-volt juice coming through our lines. When it’s not there, we panic and complain about having to deal with things like darkness and uncomfortable temperatures, not to mention how the heck are we going to cook dinner? We need it. We want more of it, because we keep buying more things that require it. We not only let it into our homes, but we demand it stays on.
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“From the studio that watched the first two seasons of Downton Abbey.”

Having never watched Downton Abbey, I can’t speak to any parallels between this film and the television series turned movie. However, the good thing about a parody is that you don’t have to be familiar with the source material to enjoy it. Which is exactly what I did with Fackham Hall. This aristocratic parody which showcased the comedic talents of Damian Lewis (Billions), Tom Felton (Harry Potter), Katherine Waterston (Fantastic Beasts), and Ben Radcliffe (The Witcher) gave shades of iconic parodies such as Airplane and the Naked Gun. Even the title, which also serves as the setting of the film, is in on the joke (say it aloud and you’ll understand).
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Going into 2026, Heated Rivalry (2026-) is probably the most talked-about series circulating on social media right now, with many fans already ascribing it as their favorite comfort show. It has proven to be a sensationalized hit among queers and wine moms alike. After all, it was renewed for a second season almost immediately following the finale. The HBO series is a gay hockey romance built on the enemies-to-lovers trope, loosely based on Rachel Reid’s novel Heated Rivalry (2019), and created, written, and directed by Jacob Tierney. At its center are the two dreamboats, Illya Rozanov (Connor Storrie) and Shane Hollander (Hudson Williams), who play on opposing teams and are naturally positioned as rivals, hence the namesake.
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“You never know who your friends are until the ice breaks”

Apparently that’s an indigenous peoples’ proverb. I wonder if it applies to Siberian huskies? Mine is here in Florida where there is no ice or snow to be found, so I will not have the occasion to test the theory. The closest she gets to snow is the crushed ice setting on my freezer door. Of course she does belong to a snow dogs sled pulling club with other huskies, but they cheat and have wheels on the sled. So sitting here in sunny Tampa, Florida, we’re about to have the longest stretch of 30 degree nights than I’ve encountered in a long time. So I thought this was the perfect time to invite Aurora (the husky) into my theater and settle down to watch Icefall, a film directed by Stefan Ruzowitzky and out on Blu-ray by Decal Releasing.
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“You should be so proud of her.”

Shelby Oaks is something special when you look at it objectively; it’s a film that was crowd funded by the YouTuber Chris Stuckmann, who wanted to take a shot at making a movie of his very own. The original goal was to raise $600,000, but by the time his Kickstarter was closed, he was able to raise over 1.4 million to make his film. Before he’d even begun filming, this is already an impressive achievement considering how many established filmmakers struggle to get funds together to make their own films. For Shelby Oaks, over 14,000 people contributed to funding the dream for this directorial debut, so again, in my book Chris Stuckmann already won for being able to pull this off. Now the film has a producing credit from Mike Flanagam attached as an executive producer and Neon in charge of the films distribution … so needless to say, there is a great deal of hype around this film.
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In the 1930’s and 40’s, MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat-and-mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry.
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“They’re not above nipping at you. Wildfires are pushing coyotes deeper into Los Angeles neighborhoods. They’re desperate. They’re going to do what they have to to survive.” 

I think it started with Jaws in 1975. People were afraid to go into the water; some still are. It started with sharks, but by the end of the 1970’s it was killer bees, ants, bears … and by the turn of the century there were giant killer snakes and bears high on cocaine. The wave continues this year with Coyotes, directed by Colin Minihan. The film is at times clever, but it moves into the territory of a comic book movie by using crazy comic frames to introduce characters, and while we’re talking about sharks, this movie is jumping them in the first 10 minutes as we watch a young spoiled rich girl walking her yip-yip dog.
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“Do you know why people break up? Guilt. But if you make the bad thing okay, there is no guilt.”

Boy, was this messy. This was possibly the messiest love affair I ever witnessed, which somehow managed to make me laugh, yet also had me rolling my eyes at times. When good-natured Carey’s wife, Ashley, tells him she wants a divorce, his world is shattered. Seeking support from his friends, Julie and Paul, Carey discovers the secret to their happiness: an open marriage. Well, you can guess what transpires next. Essentially, the two couples’ friendship erupts into conflict when the husband of a divorcing couple sleeps with the wife of an open marriage couple. Frequent collaborators Michael Angelo Covino and Kyle Marvin star in the film, which they cowrote together, joining forces with Dakota Johnson and Adria Arjona as their respective significant others. So, to put it simply, in this comedy, both guys are punching above their weight.
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“Plato wrote that the ancient Greeks believed we were created with four arms, four legs, and a head with two faces. but Zeus feared our power so he split us into two separate parts, dooming us to spend our lives in search of the other half.” 

What’s in a name? Let me tell you, Billy. When I was first offered the opportunity to watch and review Together out on Blu-ray from NEON, I nearly passed. I saw that it was directed by a Michael Shanks, and I had met Shanks a few years ago. I honestly found him to be one of the biggest idiots I’ve ever had the displeasure of meeting in the business. Fortunately, I took a closer look at the thing, and I’m glad that I did. You see, this Michael Shanks is not the idiot I met years ago. Of course, that guy was the Stargate SG-1 actor, and this guy is much younger and now a first-time director, and not a complete idiot after all.
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“I wish I could have enjoyed it more. It’s only due to the flaws in my character which I’m rather proud of.” 

Douglas Adams once told us in his series of Hitchhiker’s Guide books that the secret to life, the universe, and everything is 42. While Adams was a great writer and had a wonderful imagination, his math is a little suspect. Any of us who have grown up with This Is Spinal Tap over the last 40 years, we know the real answer is 11. If that confuses you, then stop reading right now. Go out and rent, stream, buy, or pinch  a copy of 1984’s This Is Spinal Tap. Once you’ve watched that film, you can come back and rejoin the conversation on the long-awaited sequel: Spinal Tap II: The End Continues.
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“Hi, Dad. It’s me, Frank Jr. I want to be just like you, but at the same time be completely different and original. So, if you’re proud of me, give me a sign. Like, maybe make me see an owl or something.” 

The Naked Gun (2025) is a beautifully absurd film that had me and everyone in the theater laughing in tears. It is both a continuation and reboot to the original franchise that introduces a new generation of characters, which still honors the classic formula of deadpan delivery, absurd plotlines, and visual gags that gave the original its significance. It was like a breath of fresh air in a lackluster era of Hollywood which felt was seriously rich in soul. I can’t even joke; my face was hurting from laughing and smiling throughout the entire movie!
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“I know my life isn’t too exciting. I know I’m not to exciting either. I don’t have a fancy job. I don’t drive a fancy car. I’m not a member of any kind of country club but I do have a nice house, a strong back and a heart full of love to give. The world is so full of bad things it’s frightening especially if you’re alone. No one should be alone. People should be happy. I think I can make you happy.” 

So Tony Tost wants to make me happy. He’s released Americana now on home video and streaming. Here’s what I need from you to make that happen. As a writer give me a great story that keeps me on the edge of my seat. Show me and don’t tell me wherever it’s possible to do that. As a director I’ll need you to give me a cast that can carry the weight of it all and I want compelling characters. You see, Tony. I want very much to care about the people I’m watching. I want to become quickly invested in who they are and what they want or need.
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“This is not going to end well.”

I can’t tell you how telling that quote was for me. At least the movie has a catchy opening song in “Everything Goes With Blue,” courtesy of Smurfette, a.k.a. Rihanna, who voices the character. Interesting detail: all Smurfs movies from the 21st century have had Smurfette voiced by a famous singer. In The Smurfs (2011) and its sequel The Smurfs 2 (2013), Katy Perry voiced the character. In Smurfs: The Lost Village (2017), Demi Lovato provided the voice, and in this 2025 reboot, she is voiced by Rihanna. Another interesting detail: this marks Rihanna’s second animated movie she has lent her voice to, with the first being Home (2015), which was released 10 years earlier.
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“Again, history repeats itself. And, uh, I mean, let’s talk about 1956. Let’s talk about the number 56 for just one minute. In California, Jesuit-educated Gavin Newsom. And he said to California, as he became the first governor to lock down his state, he said, “56% of you will get Corona in eight weeks”. Which is exactly 56 days. Of course, they keep looking at that lab in Wuhan, China. And if you look at that lab in Wuhan when it was established, it was 1956. Of course, that’s the year Tom Hanks was born, the first celebrity with the virus. Mr. Sleepless In Seattle. By the way, Jenny Durkan was the mayor of Seattle when it became the first city in the world outside of China to have someone get the virus. And she was the 56th mayor.” 

Remember COVID 19? remember all the crazy theories that went around? Remember the circular logic? In so many ways the months of the pandemic and lockdowns, social distance, mask mandates, and debating if going to religious services is considered essential activities — all of that feels like it was a million years ago in some dark prehistory. But then it feels so raw and tender even now. Hell, I still encounter people wearing masks out there, and I think the National Teacher’s Association still isn’t sure we should be letting our kids go to school.
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“I like it when people underestimate me. It gives me an edge.”

Much like the current thinking about our universe, it all started with The Big Bang Theory. The breakout character there was Sheldon Cooper, played by Jim Parsons. For 279 episodes, television fans just couldn’t get enough. That was until Parsons asked for a huge boatload of cash and the show ended. The character was not finished. A spin-off called Young Sheldon debuted with Ian Armitage starring as a very young Sheldon, as the name implies. It’s pretty much an origin story. Parsons returned, but only to provide the show’s narration in a The Wonder Years kind of presentation.
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“It wasn’t a dream; at least that’s what I believe. The thing is I felt hurt and plenty sad, and there were times when I thought I couldn’t go on. But I know I’m not the only one suffering. I want to protect everyone’s future. I need to keep pushing forward. I feel that more every day.”

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of)
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“There are no industry secrets. We can always meet our life partner out in the wild or swiping on apps, but the happy ending to a first date is not the second date. It’s changing each other’s diapers and burying each other. You’re looking for a nursing home partner and a grave buddy. Who our partner is, it determines our whole life and how we live not for one, two, ten years, but forever.” 

Celine Song delivers her second feature film from the director’s chair. She returns to basically the same themes of a woman trying to decide her romantic destiny between two men, but this isn’t the same film as Past Lives. Materialists is a much more serious film, while still playing in the same gene pool as the rom-com. I don’t think you’ll find yourself laughing in this one, and it’s a rather clever way of presenting those same themes and ideas. In Materialists, we’re introduced to romance being distilled down to a mathematical equation
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“Since 1970 a rogue group known as UFO Sweden has been investigating unexplained phenomena. This story is inspired by that determination to answer humanity’s ultimate question: Are we alone?” 

Watch The Skies was originally released in Sweden, and it wasn’t in English. The filmmakers discovered there was a process out there that could make their film more globally accessible. Many foreign language films find their way to film critics, and while we might have a better tolerance for subtitles, it can still take away from the experience. While dubbing can also be very much a distraction, I find that if I must read the dialog, I’m not able to notice the subtleties of filmmaking such as cinematography, performances, production design, and other elements that build atmosphere and make many of these films the great gems they might be.
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So, I don’t want to make this film out to be more than it was intended to be, a movie intended to capitalize on the nostalgia of Pitch Perfect fans by bringing together three of its stars (Rebel Wison and Anna Camp of the original trilogy, as well as Gigi Zumbado appeared in Pitch Perfect 2) in what amounted to a lackluster comedy. In addition, the film was to capitalize on residual popularity of Rebel Wilson, who won over so many with her quick wit and unique brand of humor. However, the film came off as more of a mash-up of already-seen Rebel Wilson movies, specifically Bridesmaids and The Hustle. And while I commend Rebel Wilson’s nunchuck skills as well as most of her own stunts in the film and her commitment to filming despite getting injured on the final day of filming, this wasn’t a movie that really did it for me. There wasn’t enough originality to keep my interest. The plot essentially felt like a rehash of another average wedding flick that shotgunned a hostage situation. Even with the addition of Justin Hartley and Stephen Dorff, this film felt like more like a direct-to-streaming movie than a theatrical release.
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This episode collection was all right with me, but in the eyes of my son, it could do no wrong, and as he is the one actually in the age demographic, this will be the one time where I defer to the opinion of a three-year-old. In this ten-episode collection, Marshall takes charge and leads the pups from everything from a blaze at a lemonade stand to saving a lost penguin. This disc marks the first time that my son has willingly sat through the watching of something from start to finish. It’s not all that surprising, as he was a fan of the series before this disc, but I still found it significant, because he does remain selective about which episodes he watches. Fortunately, Marshall is among his favorite of the crew, especially now that Rubble is off doing his own thing. Luckily, Rubble also featured in this episode collection, so my son got the best of both worlds.
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In 1887, readers of the popular periodical Beeton’s Christmas Annual were to receive quite a special treat. There wasn’t much fanfare or hype to the event. Inside the pages of the magazine was a story called A Study In Scarlet. It was a detective story, perhaps like many published before, except for the detective himself, a certain Mr. Sherlock Holmes. Together with his faithful companion and chronicler Dr. Watson, Holmes would win the hearts of those holiday readers. It might have been an ordinary day, but the world was about to change. Sherlock Holmes would become the most famous detective in the world. His stories would remain in print nearly 130 years later. Over 100 films would be made featuring the character. There would be television shows and cartoon spoofs. No other character has appeared in more productions.
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