Posted in: Disc Reviews by Gino Sassani on September 22nd, 2010
“Some people say that fairies are the stuff of fantasy. They think the world is just what you can touch and hear and see, while others say the tales and legends cannot be dismissed. They believe with all their hearts that fairies truly do exist. Through all of time, human beings and fairies never met, till one special summer that we shall not soon forget.”
Tinker Bell has been a Walt Disney icon almost since its inception. The character has gone way beyond her appearance in Peter Pan. In the decades since, she has come to represent the magic of Walt Disney and its many incarnations. Seen at the beginning of every Disney title, Tinkerbell is likely as recognizable as Mickey Mouse and his many friends. John Lassiter and the animators of Disney’s new CG animation studios take on this monumental character in the third of at least five announced films to feature the little fairy. Lassiter brings his best magic, learned developing Pixar over the years, to create a feature that rivals the Pixar brand in quality and technological presentation. The animation is incredible. The CG environments are absolutely beautiful. With the help of Pixar, Disney has made the same strides in computer animation that it once made in traditional hand drawn animation. This picture is light years ahead of almost anything else I’ve seen outside of Pixar itself. Understand that this is a direct-to-video production with far less of a budget than a theatrical release, and the look of this world is even more incredible. Characters interpret with effortless smoothness, and the result is a nearly 3D presentation. The result is a quite amazing to look at.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2010
In 1993, three of the most influential executives in the entertainment industry decided to pool their talent, resources, and connections into the power company called Dreamworks. It was Steven Spielberg, Jeffrey Katzenberg, and music mogul David Geffen who formed the studio, at first to contribute to other films in production by other studios. It's no surprise that the studio's first impact was in contributing special effects. In 1997, the studio decided to begin creating their own brand of films. The first of those efforts was the Nicole Kidman/George Clooney post-Cold-War thriller, The Peacemaker.
In many ways the film itself became a victim of the milestone that it represented. It wouldn't be long before Dreamworks would start to live up to those expectations and in a huge way. But in 1997, films like Shrek, Gladiator, and Saving Private Ryan were still a couple of years away. So all of the massive expectations that came with such a powerhouse venture fell on The Peacemaker. And those expectations fell hard. The movie cost over $50 million to make and pulled in only $41 million in its domestic box office run. A mere speed bump in the upwardly mobile future of Dreamworks; a disaster for a film that deserved more attention for its own merits.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2010
"The story I'm about to tell you is Camp Little Moose's darkest secret. A tale so terrifying, if your parents knew, they'd never a sent you here in the first place."
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2010
The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon? The Simpsons have not only dominated the pop culture; they have placed everything else into context with their show. Like Doonesbury, it could be said that the only thing worse than being made fun of on The Simpsons is not being made fun of on The Simpsons. With that said, you’ll understand my warm feelings and appreciation for this show.
This thing has been on forever. Still, it never gets old. The show has a charm yet edginess to it that can’t be beat. Let’s not forget that while kids might love the show, this stuff is intended for adults. We’re not talking South Park trash talk here; every episode is a veritable treasure hunt of subtle and not-so-subtle cultural references. Even after seeing an episode several times, it’s not uncommon for me to find something that I missed before.
Posted in: Disc Reviews by Michael Durr on August 29th, 2010
The original Batman: The Animated Series is one of my favorite cartoon shows of all time. Depending on which day you ask me, I might go ahead and say it is my favorite (the other times, I'll probably mention X-Men or Johnny Bravo). It was the perfect blend of cartoon super-hero drama, with a dose of dark and foreboding circumstances. Enter 2008, Batman: the Brave and the Bold, another Batman cartoon but on the lighter side of the equation. Would this show hold up as much as the historic original?
Before the Dark Knight, Batman Begins, heck even before Jack Nicholson wanted to dance with devil in the pale moonlight, there was a Silver age television show of Batman. It was light-hearted and we always knew that Batman was going to save the day and foil some of the most oddball villains along the way with intelligence and an awesome utility belt. Somewhere, in Heath Ledger's crooked smile and a really raspy squawk box for a Batman voice, we lost that wholesome value caped crusader.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2010
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat and mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
Tom and Jerry find themselves in Victorian England and at the famous flat on Baker Street where the most famous detective in the world resides. No, we're not talking about Jim Rockford. It's Sherlock Holmes and his faithful companion and chronologer Doctor Watson. Moriarity is up to his old tricks, and he's planning to steal a precious gem. The gem has secret powers that can only be revealed during a lunar eclipse, which is just what is about to happen. Tom and Jerry along with damsel in distress Red, the lounge singer, and a church mouse team together to help the detective stop Moriarity and his gang of thugs.
Posted in: Disc Reviews by Michael Durr on August 22nd, 2010
Wolverine and the X-Men is the fourth time Marvel Studios have decided to animated the Uncanny X-Men into a show. Despite the successful runs of Evolution and the Animated Series, this show didn't quite fare so well. It only lasted the typical twenty six episodes that a lot of animated shows go through. However, Marvel has stayed true to the fans and released this sixth and final volume of the show chronicling the last three episodes.
Jean Grey has been kidnapped by unknown assailants. The X-Men look up and down for her captors but can not find them. However, with Wolverine's special sense of smell he realizes that Emma Frost, a fellow team member had something to do with it and locks her up despite until he knows more information. Cyclops protests but Wolverine is not having it. Wolverine proceeds to the room where they are keeping Charles Xavier who is in a deep coma.
Posted in: Disc Reviews by Gino Sassani on August 4th, 2010
"This is James Henry Trotter. He lived with his mother and father in a cozy little house by the sea. It was a wonderful life. They had each other, and they had their dreams. Then, one day a terrible thing happened. An angry rhinoceros appeared out of nowhere and gobbled up his poor mother and father..."
Posted in: Disc Reviews by Michael Durr on July 26th, 2010
The Cartoon Network Hall of Fame seems to be expanding. Some of you might remember my review of Johnny Bravo Season One which was one of the first titles under this distinction. Courage the Cowardly Dog seems to be the most recent entry in this series and we can only hope that it is as good as ole JB, the king of people who sound like Elvis and excessive machoism.
Courage is a very special dog. He was abandoned as a puppy after his parents were sent into outer space. He was later found by Muriel Bagge, an elderly woman and taken into her home in Nowhere, Kansas. Courage’s personality is totally unlike his namesake. He is unfortunately a coward in every sense of the word. However, this lack of “courage” is what probably keeps him alive.
Posted in: Disc Reviews by Michael Durr on July 21st, 2010
The Super Friends as a cartoon show had a long and sketchy past. It started out in the 1970’s and ran in nearly a dozen different incantations and over a hundred episodes until 1986 when it was put down for the last time. The original episodes that ran from 1973 until 1974 were unique, they ran for an hour with commercials and focused on one core story. Eight of them are provided here.
Meanwhile, at the Hall of Justice the TroubAlert computer sounds. It seems that there is an environmental disturbance and only the Super Friends can help. The current roster of Super Friends involves the Man of Steel: Superman, the Dynamic Duo: Batman and Robin, the Amazon princess: Wonder Woman, and the King of the Sea (no, not Charlie the Tuna): Aquaman. They also have three friends who act as sidekicks: Wendy, Marvin, and Wonderdog.